Messenger:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2017
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | * String-pianowas the term coined for the preparation of the instrument for this piece. It is made of many nylon strings attached to the costume of the player and to the strings of the upright piano. The pianist wears latex gloves to produce sounds rubbing the nylon strings in different ways. The goal here is to explore new forms of relationships between the pianist and her instrument, taking away the hammers, which normally mediate the interaction between fingers and strings, using instead more direct action on the string, through the gestures and body of the player. As a result, the control of the resulting sound is flexible and unstable, giving an interesting relationship between movement and expressiveness of the pianist. In several of my recent pieces, costumes take an important place in the musical performance, thus exploring domain encompassing music, sound objects and performance, with an emphasis on the theatrical representation of the performer. |
| Beschreibung: | 1 Online-Ressource (1 Partitur (60 Seiten)) |
Internformat
MARC
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| 500 | |a * String-pianowas the term coined for the preparation of the instrument for this piece. It is made of many nylon strings attached to the costume of the player and to the strings of the upright piano. The pianist wears latex gloves to produce sounds rubbing the nylon strings in different ways. The goal here is to explore new forms of relationships between the pianist and her instrument, taking away the hammers, which normally mediate the interaction between fingers and strings, using instead more direct action on the string, through the gestures and body of the player. As a result, the control of the resulting sound is flexible and unstable, giving an interesting relationship between movement and expressiveness of the pianist. In several of my recent pieces, costumes take an important place in the musical performance, thus exploring domain encompassing music, sound objects and performance, with an emphasis on the theatrical representation of the performer. | ||
| 653 | |a Instrumental Music | ||
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Datensatz im Suchindex
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| author | Cheng, Huihui 1985- |
| author_facet | Cheng, Huihui 1985- |
| author_role | cmp |
| author_sort | Cheng, Huihui 1985- |
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| building | Verbundindex |
| bvnumber | BV048425032 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-2978-3 (OCoLC)1344258868 (DE-599)BVBBV048425032 |
| format | Electronic Musical Score Book |
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| id | DE-604.BV048425032 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:55Z |
| indexdate | 2024-07-10T09:37:49Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033803314 |
| oclc_num | 1344258868 |
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| physical | 1 Online-Ressource (1 Partitur (60 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2017 |
| publishDateSearch | 2017 |
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| publisher | BabelScores |
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| spelling | Cheng, Huihui 1985- cmp Messenger Huihui Cheng Paris BabelScores 2017 1 Online-Ressource (1 Partitur (60 Seiten)) ntm rdacontent c rdamedia cr rdacarrier * String-pianowas the term coined for the preparation of the instrument for this piece. It is made of many nylon strings attached to the costume of the player and to the strings of the upright piano. The pianist wears latex gloves to produce sounds rubbing the nylon strings in different ways. The goal here is to explore new forms of relationships between the pianist and her instrument, taking away the hammers, which normally mediate the interaction between fingers and strings, using instead more direct action on the string, through the gestures and body of the player. As a result, the control of the resulting sound is flexible and unstable, giving an interesting relationship between movement and expressiveness of the pianist. In several of my recent pieces, costumes take an important place in the musical performance, thus exploring domain encompassing music, sound objects and performance, with an emphasis on the theatrical representation of the performer. Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2709&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Piano 1 |
| spellingShingle | Cheng, Huihui 1985- Messenger |
| title | Messenger |
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| title_full | Messenger Huihui Cheng |
| title_fullStr | Messenger Huihui Cheng |
| title_full_unstemmed | Messenger Huihui Cheng |
| title_short | Messenger |
| title_sort | messenger |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2709&virtuemart_category_id=1 |
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