Three Studies in Green Textures: II. Echoing:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Musical Score Book |
| Language: | English |
| Published: |
Paris
BabelScores
2014
|
| Subjects: | |
| Online Access: | BSB01 Volltext |
| Item Description: | EchoingStudy no 2 from Studies in Green TexturesStudies in Green TexturesThe characteristic of the pianothat has always interested me and which represents, in my opinion, its quintessence, is its ability to produce complex and elusive textures. This aspect of pianowriting seems to me to still contain a part of mystery and is what spontaneously awakens in me the strongest and richest synaesthetic sensations. The Studies in Green Textures explore some of these dense textures of color-sounds, using multiple idiomatic pianotechniques.Another aspect of textures that fascinates me and that I have taken into consideration is the game with the perception of the interpreter and the listener. The texture is made up of sounds that are moving too fast to be able to follow their individual paths. Perception is necessarily global. But the listener, and the interpreter, can constantly filter the moving sound stream and extract some fragments or briefly chase its elusive details. Segments of phrases fleetingly catch the attention and then plunge back into the flow, disappearing to immediately let other elements appear.This continuous movement from the whole to the details and vice versa, this constant navigating within the texture, give rise to the illusion of multiple simultaneous sound layers.EchoingEchoing is based on three sound layers: a very mobile texture performed softly by the two hands as a rustling background and consisting of an overlapping of fifths that progressively extends over all the registers of the piano; long sounds in the right hand that form throughout the study five phrases stretched in time; and finally the traces that these sounds in the foreground leave on the texture, upsetting its uniformity. The background texture turns out to be an « |
| Physical Description: | 1 Online-Ressource (1 Partitur (24 Seiten)) |
Staff View
MARC
| LEADER | 00000ncm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048424764 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220825s2014 |||| s|||||||| | eng d | ||
| 024 | 2 | |a 9790232520933 |9 979-0-2325-2093-3 | |
| 035 | |a (ZDB-1-BCM)979-0-2325-2093-3 | ||
| 035 | |a (OCoLC)1344240380 | ||
| 035 | |a (DE-599)BVBBV048424764 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Zapponi, Filippo |d 1976- |4 cmp | |
| 245 | 1 | 0 | |a Three Studies in Green Textures: II. Echoing |c Filippo Zapponi |
| 264 | 1 | |a Paris |b BabelScores |c 2014 | |
| 300 | |a 1 Online-Ressource (1 Partitur (24 Seiten)) | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a EchoingStudy no 2 from Studies in Green TexturesStudies in Green TexturesThe characteristic of the pianothat has always interested me and which represents, in my opinion, its quintessence, is its ability to produce complex and elusive textures. This aspect of pianowriting seems to me to still contain a part of mystery and is what spontaneously awakens in me the strongest and richest synaesthetic sensations. The Studies in Green Textures explore some of these dense textures of color-sounds, using multiple idiomatic pianotechniques.Another aspect of textures that fascinates me and that I have taken into consideration is the game with the perception of the interpreter and the listener. The texture is made up of sounds that are moving too fast to be able to follow their individual paths. Perception is necessarily global. But the listener, and the interpreter, can constantly filter the moving sound stream and extract some fragments or briefly chase its elusive details. Segments of phrases fleetingly catch the attention and then plunge back into the flow, disappearing to immediately let other elements appear.This continuous movement from the whole to the details and vice versa, this constant navigating within the texture, give rise to the illusion of multiple simultaneous sound layers.EchoingEchoing is based on three sound layers: a very mobile texture performed softly by the two hands as a rustling background and consisting of an overlapping of fifths that progressively extends over all the registers of the piano; long sounds in the right hand that form throughout the study five phrases stretched in time; and finally the traces that these sounds in the foreground leave on the texture, upsetting its uniformity. The background texture turns out to be an « | ||
| 653 | |a Instrumental Music | ||
| 856 | 4 | 0 | |u https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2348&virtuemart_category_id=1 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-1-BCM | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033803046 | ||
| 347 | |b PDF | ||
| 382 | 1 | |a Piano |n 1 | |
| 966 | e | |u http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2348&virtuemart_category_id=1 |l BSB01 |p ZDB-1-BCM |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1804184341935292416 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Zapponi, Filippo 1976- |
| author_facet | Zapponi, Filippo 1976- |
| author_role | cmp |
| author_sort | Zapponi, Filippo 1976- |
| author_variant | f z fz |
| building | Verbundindex |
| bvnumber | BV048424764 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-2093-3 (OCoLC)1344240380 (DE-599)BVBBV048424764 |
| format | Electronic Musical Score Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03177ncm a2200373 c 4500</leader><controlfield tag="001">BV048424764</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="006">m|||| o||u| ||||||</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220825s2014 |||| s|||||||| | eng d</controlfield><datafield tag="024" ind1="2" ind2=" "><subfield code="a">9790232520933</subfield><subfield code="9">979-0-2325-2093-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-BCM)979-0-2325-2093-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344240380</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048424764</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Zapponi, Filippo</subfield><subfield code="d">1976-</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Three Studies in Green Textures: II. Echoing</subfield><subfield code="c">Filippo Zapponi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Paris</subfield><subfield code="b">BabelScores</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (1 Partitur (24 Seiten))</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">ntm</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">EchoingStudy no 2 from Studies in Green TexturesStudies in Green TexturesThe characteristic of the pianothat has always interested me and which represents, in my opinion, its quintessence, is its ability to produce complex and elusive textures. This aspect of pianowriting seems to me to still contain a part of mystery and is what spontaneously awakens in me the strongest and richest synaesthetic sensations. The Studies in Green Textures explore some of these dense textures of color-sounds, using multiple idiomatic pianotechniques.Another aspect of textures that fascinates me and that I have taken into consideration is the game with the perception of the interpreter and the listener. The texture is made up of sounds that are moving too fast to be able to follow their individual paths. Perception is necessarily global. But the listener, and the interpreter, can constantly filter the moving sound stream and extract some fragments or briefly chase its elusive details. Segments of phrases fleetingly catch the attention and then plunge back into the flow, disappearing to immediately let other elements appear.This continuous movement from the whole to the details and vice versa, this constant navigating within the texture, give rise to the illusion of multiple simultaneous sound layers.EchoingEchoing is based on three sound layers: a very mobile texture performed softly by the two hands as a rustling background and consisting of an overlapping of fifths that progressively extends over all the registers of the piano; long sounds in the right hand that form throughout the study five phrases stretched in time; and finally the traces that these sounds in the foreground leave on the texture, upsetting its uniformity. The background texture turns out to be an «</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Instrumental Music</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2348&virtuemart_category_id=1</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-BCM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033803046</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="b">PDF</subfield></datafield><datafield tag="382" ind1=" " ind2="1"><subfield code="a">Piano</subfield><subfield code="n">1</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2348&virtuemart_category_id=1</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-BCM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048424764 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:55Z |
| indexdate | 2024-07-10T09:37:48Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033803046 |
| oclc_num | 1344240380 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (24 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Zapponi, Filippo 1976- cmp Three Studies in Green Textures: II. Echoing Filippo Zapponi Paris BabelScores 2014 1 Online-Ressource (1 Partitur (24 Seiten)) ntm rdacontent c rdamedia cr rdacarrier EchoingStudy no 2 from Studies in Green TexturesStudies in Green TexturesThe characteristic of the pianothat has always interested me and which represents, in my opinion, its quintessence, is its ability to produce complex and elusive textures. This aspect of pianowriting seems to me to still contain a part of mystery and is what spontaneously awakens in me the strongest and richest synaesthetic sensations. The Studies in Green Textures explore some of these dense textures of color-sounds, using multiple idiomatic pianotechniques.Another aspect of textures that fascinates me and that I have taken into consideration is the game with the perception of the interpreter and the listener. The texture is made up of sounds that are moving too fast to be able to follow their individual paths. Perception is necessarily global. But the listener, and the interpreter, can constantly filter the moving sound stream and extract some fragments or briefly chase its elusive details. Segments of phrases fleetingly catch the attention and then plunge back into the flow, disappearing to immediately let other elements appear.This continuous movement from the whole to the details and vice versa, this constant navigating within the texture, give rise to the illusion of multiple simultaneous sound layers.EchoingEchoing is based on three sound layers: a very mobile texture performed softly by the two hands as a rustling background and consisting of an overlapping of fifths that progressively extends over all the registers of the piano; long sounds in the right hand that form throughout the study five phrases stretched in time; and finally the traces that these sounds in the foreground leave on the texture, upsetting its uniformity. The background texture turns out to be an « Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2348&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Piano 1 |
| spellingShingle | Zapponi, Filippo 1976- Three Studies in Green Textures: II. Echoing |
| title | Three Studies in Green Textures: II. Echoing |
| title_auth | Three Studies in Green Textures: II. Echoing |
| title_exact_search | Three Studies in Green Textures: II. Echoing |
| title_exact_search_txtP | Three Studies in Green Textures: II. Echoing |
| title_full | Three Studies in Green Textures: II. Echoing Filippo Zapponi |
| title_fullStr | Three Studies in Green Textures: II. Echoing Filippo Zapponi |
| title_full_unstemmed | Three Studies in Green Textures: II. Echoing Filippo Zapponi |
| title_short | Three Studies in Green Textures: II. Echoing |
| title_sort | three studies in green textures ii echoing |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2348&virtuemart_category_id=1 |
| work_keys_str_mv | AT zapponifilippo threestudiesingreentexturesiiechoing |