Ruling the stage: social and cultural history of opera in Sichuan from the Qing to the People's Republic of China
"Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Leiden ; Boston
Brill
[2022]
|
Schriftenreihe: | China studies
volume 49 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book reads into the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China's popular culture" |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | IX, 361 Seiten |
ISBN: | 9789004519381 |
Internformat
MARC
LEADER | 00000nam a22000008cb4500 | ||
---|---|---|---|
001 | BV048412868 | ||
003 | DE-604 | ||
005 | 20221012 | ||
007 | t | ||
008 | 220817s2022 ne |||| 00||| eng d | ||
020 | |a 9789004519381 |q hardback |9 978-90-04-51938-1 | ||
035 | |a (OCoLC)1334561204 | ||
035 | |a (DE-599)KXP1799794601 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a ne |c XA-NL | ||
049 | |a DE-12 |a DE-29 |a DE-20 | ||
082 | 0 | |a 782.10951/38 | |
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a Chabrowski, Igor Iwo |d 1982- |e Verfasser |0 (DE-588)1268386987 |4 aut | |
245 | 1 | 0 | |a Ruling the stage |b social and cultural history of opera in Sichuan from the Qing to the People's Republic of China |c by Igor Iwo Chabrowski |
264 | 1 | |a Leiden ; Boston |b Brill |c [2022] | |
300 | |a IX, 361 Seiten | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a China studies |v volume 49 | |
500 | |a Includes bibliographical references and index | ||
520 | 3 | |a "Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book reads into the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China's popular culture" | |
648 | 7 | |a Geschichte 1800-1950 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kulturwandel |0 (DE-588)4033596-3 |2 gnd |9 rswk-swf |
651 | 7 | |a Sichuan |0 (DE-588)4058820-8 |2 gnd |9 rswk-swf | |
653 | 0 | |a Operas, Chinese / China / Sichuan Sheng / History and criticism | |
653 | 0 | |a Operas, Chinese / Social aspects / China / Sichuan Sheng / History | |
653 | 2 | |a China / Civilization / 1644-1912 | |
653 | 2 | |a China / Civilization / 1912-1949 | |
689 | 0 | 0 | |a Sichuan |0 (DE-588)4058820-8 |D g |
689 | 0 | 1 | |a Oper |0 (DE-588)4043582-9 |D s |
689 | 0 | 2 | |a Kulturwandel |0 (DE-588)4033596-3 |D s |
689 | 0 | 3 | |a Geschichte 1800-1950 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-90-04-51939-8 |
830 | 0 | |a China studies |v volume 49 |w (DE-604)BV014642901 |9 49 | |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033791296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |q BSB_NED_20221012 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-033791296 | ||
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |g 51 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |g 51 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09034 |g 51 |
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |g 51 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 51 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09034 |g 51 |
Datensatz im Suchindex
_version_ | 1804184323304194048 |
---|---|
adam_text | Contents Acknowledgments xi List of Plates, Table and Maps Introduction xn i PART 1 Opera in Qing-Era Sichuan i Development of Opera in Qing-Era Sichuan 13 1 The Role of Opera in Qing Society 13 2 Opera and Construction of the Community 18 3 The Nineteenth-Century Flourishing: The Role of Opera in Shaping Local Religious Practice 28 4 Opera and Shaping of the Material and Social Landscape 39 5 A Market Town: A Temple-centered Society, an Opera-centered Society 39 6 The Big City Perspective 45 7 Opera between the Elites and the Commoners 50 8 Opera, Officials, and the Social (Dis)Order 56 9 Concluding Remarks 65 PART 2 The New Institutionalization: Law, Market, Politics, and Culture of Commercialized Art, 1902-1937 2 A Transformed Relationship: Theater and Power after the Qing New Policies 69 1 The Three Forces of Change: Destruction of Temples, Commercialization, and the New Legal Order 69 2 New Policies and a Novel Way of Doing Business in Sichuan 72 3 The Protecting Power of Official Greed: Republican Commercial Theater 79 4 Taxing 81 5 Helping Hand 93 6 Women on the Show 98 7 Rectifying Opera 102
CONTENTS VIII 3 Commercial Opera: Shaping the City and Shaping the Actors 115 1 Theaters and Urban Zoning: Researching the Social Background of the Audiences 115 2 Early Transformation in the Social and Spatial Geography of Opera 116 3 Republican Theaters and Urban Zoning: Crystallization of the Opera’s Public 117 4 Commercial Theater and Actors’ Careers 127 5 Concluding Remarks 144 4 The Culture of the Commercial Opera 147 1 The Methods of Studying Opera: Troupes, Talent, and Repertoires 147 2 Watching the Commercial Show: How Was It Served? 3 Favorite Plays and the Cultural Universe of Sichuan Audiences 162 4 Gods, Emperors, Heroes... 166 5 Time and Place 176 6 Lessons 181 7 Concluding Remarks 183 Illustration Quire 154 185 PART 3 Creating the New World 5 The Divide: Local Intellectuals and the Cultural Conflict 197 1 Commercial Daily’s Explorations and Experimentations with New Drama 198 2 Dissatisfaction, Estrangement, Elitism, and a Turn to the Left 202 3 Radicalization and Rejection 213 4 Concluding Remarks 224 6 The Times of the Nationalists (1937-1949) and the War 225 1 Performing Arts Culture 225 2 Military Emergency and China’s Migration to the Southwest 3 Inventing the Wartime Theater 229 4 Putting Words into Action 240 5 Living through Frustration: Playwrights and the War 249 226
IX CONTENTS 6 7 7 8 An All too Visible Context: Sichuan Opera and the War Concluding Remarks 268 259 Revolution: Communist “People’s Art” 271 1 Communist Conquest of Sichuan: A New Political Context 2 Political and Ideological Basis of the Opera Reform 274 3 Breaking the “Superstitious” Opera 277 4 Adjusting to the New Party-State Policies 281 5 Seizing Control over the Opera Companies 284 6 Opera Becomes Useful to the Communist State 293 7 Policy in Action: Chongqing, 1951-1952 299 8 Concluding Remarks 306 Conclusion Bibliography Index 334 308 315 271
|
adam_txt |
Contents Acknowledgments xi List of Plates, Table and Maps Introduction xn i PART 1 Opera in Qing-Era Sichuan i Development of Opera in Qing-Era Sichuan 13 1 The Role of Opera in Qing Society 13 2 Opera and Construction of the Community 18 3 The Nineteenth-Century Flourishing: The Role of Opera in Shaping Local Religious Practice 28 4 Opera and Shaping of the Material and Social Landscape 39 5 A Market Town: A Temple-centered Society, an Opera-centered Society 39 6 The Big City Perspective 45 7 Opera between the Elites and the Commoners 50 8 Opera, Officials, and the Social (Dis)Order 56 9 Concluding Remarks 65 PART 2 The New Institutionalization: Law, Market, Politics, and Culture of Commercialized Art, 1902-1937 2 A Transformed Relationship: Theater and Power after the Qing New Policies 69 1 The Three Forces of Change: Destruction of Temples, Commercialization, and the New Legal Order 69 2 New Policies and a Novel Way of Doing Business in Sichuan 72 3 The Protecting Power of Official Greed: Republican Commercial Theater 79 4 Taxing 81 5 Helping Hand 93 6 Women on the Show 98 7 Rectifying Opera 102
CONTENTS VIII 3 Commercial Opera: Shaping the City and Shaping the Actors 115 1 Theaters and Urban Zoning: Researching the Social Background of the Audiences 115 2 Early Transformation in the Social and Spatial Geography of Opera 116 3 Republican Theaters and Urban Zoning: Crystallization of the Opera’s Public 117 4 Commercial Theater and Actors’ Careers 127 5 Concluding Remarks 144 4 The Culture of the Commercial Opera 147 1 The Methods of Studying Opera: Troupes, Talent, and Repertoires 147 2 Watching the Commercial Show: How Was It Served? 3 Favorite Plays and the Cultural Universe of Sichuan Audiences 162 4 Gods, Emperors, Heroes. 166 5 Time and Place 176 6 Lessons 181 7 Concluding Remarks 183 Illustration Quire 154 185 PART 3 Creating the New World 5 The Divide: Local Intellectuals and the Cultural Conflict 197 1 Commercial Daily’s Explorations and Experimentations with New Drama 198 2 Dissatisfaction, Estrangement, Elitism, and a Turn to the Left 202 3 Radicalization and Rejection 213 4 Concluding Remarks 224 6 The Times of the Nationalists (1937-1949) and the War 225 1 Performing Arts Culture 225 2 Military Emergency and China’s Migration to the Southwest 3 Inventing the Wartime Theater 229 4 Putting Words into Action 240 5 Living through Frustration: Playwrights and the War 249 226
IX CONTENTS 6 7 7 8 An All too Visible Context: Sichuan Opera and the War Concluding Remarks 268 259 Revolution: Communist “People’s Art” 271 1 Communist Conquest of Sichuan: A New Political Context 2 Political and Ideological Basis of the Opera Reform 274 3 Breaking the “Superstitious” Opera 277 4 Adjusting to the New Party-State Policies 281 5 Seizing Control over the Opera Companies 284 6 Opera Becomes Useful to the Communist State 293 7 Policy in Action: Chongqing, 1951-1952 299 8 Concluding Remarks 306 Conclusion Bibliography Index 334 308 315 271 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Chabrowski, Igor Iwo 1982- |
author_GND | (DE-588)1268386987 |
author_facet | Chabrowski, Igor Iwo 1982- |
author_role | aut |
author_sort | Chabrowski, Igor Iwo 1982- |
author_variant | i i c ii iic |
building | Verbundindex |
bvnumber | BV048412868 |
ctrlnum | (OCoLC)1334561204 (DE-599)KXP1799794601 |
dewey-full | 782.10951/38 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.10951/38 |
dewey-search | 782.10951/38 |
dewey-sort | 3782.10951 238 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
era | Geschichte 1800-1950 gnd |
era_facet | Geschichte 1800-1950 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03154nam a22006018cb4500</leader><controlfield tag="001">BV048412868</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221012 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220817s2022 ne |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789004519381</subfield><subfield code="q">hardback</subfield><subfield code="9">978-90-04-51938-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1334561204</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1799794601</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">ne</subfield><subfield code="c">XA-NL</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.10951/38</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Chabrowski, Igor Iwo</subfield><subfield code="d">1982-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1268386987</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ruling the stage</subfield><subfield code="b">social and cultural history of opera in Sichuan from the Qing to the People's Republic of China</subfield><subfield code="c">by Igor Iwo Chabrowski</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden ; Boston</subfield><subfield code="b">Brill</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">IX, 361 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">China studies</subfield><subfield code="v">volume 49</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book reads into the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China's popular culture"</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1950</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturwandel</subfield><subfield code="0">(DE-588)4033596-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Sichuan</subfield><subfield code="0">(DE-588)4058820-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Operas, Chinese / China / Sichuan Sheng / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Operas, Chinese / Social aspects / China / Sichuan Sheng / History</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">China / Civilization / 1644-1912</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">China / Civilization / 1912-1949</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Sichuan</subfield><subfield code="0">(DE-588)4058820-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kulturwandel</subfield><subfield code="0">(DE-588)4033596-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1800-1950</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-90-04-51939-8</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">China studies</subfield><subfield code="v">volume 49</subfield><subfield code="w">(DE-604)BV014642901</subfield><subfield code="9">49</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033791296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20221012</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033791296</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">51</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">51</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">51</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">51</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">51</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">51</subfield></datafield></record></collection> |
geographic | Sichuan (DE-588)4058820-8 gnd |
geographic_facet | Sichuan |
id | DE-604.BV048412868 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:25:26Z |
indexdate | 2024-07-10T09:37:31Z |
institution | BVB |
isbn | 9789004519381 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033791296 |
oclc_num | 1334561204 |
open_access_boolean | |
owner | DE-12 DE-29 DE-20 |
owner_facet | DE-12 DE-29 DE-20 |
physical | IX, 361 Seiten |
psigel | BSB_NED_20221012 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Brill |
record_format | marc |
series | China studies |
series2 | China studies |
spelling | Chabrowski, Igor Iwo 1982- Verfasser (DE-588)1268386987 aut Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China by Igor Iwo Chabrowski Leiden ; Boston Brill [2022] IX, 361 Seiten txt rdacontent n rdamedia nc rdacarrier China studies volume 49 Includes bibliographical references and index "Through an innovative interdisciplinary reading and field research, Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profound transformation of modern Chinese culture between the 18th century and 1950s. He investigates the complex path of opera over this course of history: exiting the temple festivals, becoming a public obsession on commercial stages, and finally being harnessed to partisan propaganda work. The book reads into the process of cross-regional integration of Chinese culture and the emergence of the national opera genre. Moreover, opera is shown as an example of the culture wars that raged inside China's popular culture" Geschichte 1800-1950 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Kulturwandel (DE-588)4033596-3 gnd rswk-swf Sichuan (DE-588)4058820-8 gnd rswk-swf Operas, Chinese / China / Sichuan Sheng / History and criticism Operas, Chinese / Social aspects / China / Sichuan Sheng / History China / Civilization / 1644-1912 China / Civilization / 1912-1949 Sichuan (DE-588)4058820-8 g Oper (DE-588)4043582-9 s Kulturwandel (DE-588)4033596-3 s Geschichte 1800-1950 z DE-604 Erscheint auch als Online-Ausgabe 978-90-04-51939-8 China studies volume 49 (DE-604)BV014642901 49 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033791296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Chabrowski, Igor Iwo 1982- Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China China studies Oper (DE-588)4043582-9 gnd Kulturwandel (DE-588)4033596-3 gnd |
subject_GND | (DE-588)4043582-9 (DE-588)4033596-3 (DE-588)4058820-8 |
title | Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China |
title_auth | Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China |
title_exact_search | Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China |
title_exact_search_txtP | Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China |
title_full | Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China by Igor Iwo Chabrowski |
title_fullStr | Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China by Igor Iwo Chabrowski |
title_full_unstemmed | Ruling the stage social and cultural history of opera in Sichuan from the Qing to the People's Republic of China by Igor Iwo Chabrowski |
title_short | Ruling the stage |
title_sort | ruling the stage social and cultural history of opera in sichuan from the qing to the people s republic of china |
title_sub | social and cultural history of opera in Sichuan from the Qing to the People's Republic of China |
topic | Oper (DE-588)4043582-9 gnd Kulturwandel (DE-588)4033596-3 gnd |
topic_facet | Oper Kulturwandel Sichuan |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033791296&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV014642901 |
work_keys_str_mv | AT chabrowskiigoriwo rulingthestagesocialandculturalhistoryofoperainsichuanfromtheqingtothepeoplesrepublicofchina |