The emancipated spectator:
In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically pass...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English French |
| Veröffentlicht: |
London ; New York
Verso
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence? |
| Beschreibung: | 134 Seiten Illustrationen 21 cm |
| ISBN: | 9781788739641 |
Internformat
MARC
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| 240 | 1 | 0 | |a Le Spectateur émancipé |
| 245 | 1 | 0 | |a The emancipated spectator |c Jacques Ranciere ; translated by Gregory Elliott |
| 264 | 1 | |a London ; New York |b Verso |c 2021 | |
| 300 | |a 134 Seiten |b Illustrationen |c 21 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence? | |
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| 650 | 4 | |a Aesthetics | |
| 650 | 4 | |a Image (Philosophy) | |
| 650 | 4 | |a Representation (Philosophy) | |
| 650 | 4 | |a Arts audiences / Psychology | |
| 650 | 4 | |a Art appreciation / Philosophy | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Aesthetics | |
| 650 | 4 | |a Art appreciation |x Philosophy | |
| 650 | 4 | |a Arts audiences |x Psychology | |
| 650 | 4 | |a Image (Philosophy) | |
| 650 | 4 | |a Representation (Philosophy) | |
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Datensatz im Suchindex
| _version_ | 1804184322569142272 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Rancière, Jacques 1940- |
| author2 | Elliott, Gregory 1960- |
| author2_role | trl |
| author2_variant | g e ge |
| author_GND | (DE-588)130468975 (DE-588)137425384 |
| author_facet | Rancière, Jacques 1940- Elliott, Gregory 1960- |
| author_role | aut |
| author_sort | Rancière, Jacques 1940- |
| author_variant | j r jr |
| building | Verbundindex |
| bvnumber | BV048412492 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX220 |
| callnumber-raw | NX220 |
| callnumber-search | NX220 |
| callnumber-sort | NX 3220 |
| callnumber-subject | NX - Arts in General |
| classification_rvk | CC 6900 CI 5400 CK 3157 |
| classification_tum | PHI 700f |
| ctrlnum | (OCoLC)1347219166 (DE-599)BVBBV048412492 |
| dewey-full | 700.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.1 |
| dewey-search | 700.1 |
| dewey-sort | 3700.1 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Philosophie / Ethik Philosophie |
| discipline_str_mv | Kunstgeschichte Philosophie / Ethik Philosophie |
| format | Book |
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| id | DE-604.BV048412492 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:25:21Z |
| indexdate | 2024-07-10T09:37:30Z |
| institution | BVB |
| isbn | 9781788739641 |
| language | English French |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033790924 |
| oclc_num | 1347219166 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-M29 |
| owner_facet | DE-355 DE-BY-UBR DE-M29 |
| physical | 134 Seiten Illustrationen 21 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Verso |
| record_format | marc |
| spelling | Rancière, Jacques 1940- Verfasser (DE-588)130468975 aut Le Spectateur émancipé The emancipated spectator Jacques Ranciere ; translated by Gregory Elliott London ; New York Verso 2021 134 Seiten Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence? Aus dem Französischen übersetzt Aesthetics Image (Philosophy) Representation (Philosophy) Arts audiences / Psychology Art appreciation / Philosophy Philosophie Ästhetik Art appreciation Philosophy Arts audiences Psychology Passivität Motiv (DE-588)4232224-8 gnd rswk-swf Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Handlung (DE-588)4023277-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Scheu (DE-588)4179508-8 gnd rswk-swf Politische Kunst (DE-588)4175029-9 gnd rswk-swf Rezeptionsästhetik (DE-588)4129895-0 gnd rswk-swf Ethik (DE-588)4015602-3 gnd rswk-swf Emanzipation Motiv (DE-588)4445939-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Kunstbetrachtung (DE-588)4125321-8 s Passivität Motiv (DE-588)4232224-8 s Emanzipation Motiv (DE-588)4445939-7 s DE-604 Politische Kunst (DE-588)4175029-9 s Scheu (DE-588)4179508-8 s Handlung (DE-588)4023277-3 s 1\p DE-604 Ethik (DE-588)4015602-3 s 2\p DE-604 Rezeptionsästhetik (DE-588)4129895-0 s 3\p DE-604 Elliott, Gregory 1960- (DE-588)137425384 trl Äquivalent 2009 Druck-Ausgabe, Hardcover 978-1-84467-343-8 Erscheint auch als Online-Ausgabe, UK 978-1-78168-958-5 Erscheint auch als Online-Ausgabe, US 978-1-84467-832-7 V:DE-605 application/pdf http://digitale-objekte.hbz-nrw.de/storage/2010/03/13/file_52/3718787.pdf Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rancière, Jacques 1940- The emancipated spectator Aesthetics Image (Philosophy) Representation (Philosophy) Arts audiences / Psychology Art appreciation / Philosophy Philosophie Ästhetik Art appreciation Philosophy Arts audiences Psychology Passivität Motiv (DE-588)4232224-8 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Handlung (DE-588)4023277-3 gnd Ästhetik (DE-588)4000626-8 gnd Scheu (DE-588)4179508-8 gnd Politische Kunst (DE-588)4175029-9 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd Ethik (DE-588)4015602-3 gnd Emanzipation Motiv (DE-588)4445939-7 gnd |
| subject_GND | (DE-588)4232224-8 (DE-588)4125321-8 (DE-588)4023277-3 (DE-588)4000626-8 (DE-588)4179508-8 (DE-588)4175029-9 (DE-588)4129895-0 (DE-588)4015602-3 (DE-588)4445939-7 |
| title | The emancipated spectator |
| title_alt | Le Spectateur émancipé |
| title_auth | The emancipated spectator |
| title_exact_search | The emancipated spectator |
| title_exact_search_txtP | The emancipated spectator |
| title_full | The emancipated spectator Jacques Ranciere ; translated by Gregory Elliott |
| title_fullStr | The emancipated spectator Jacques Ranciere ; translated by Gregory Elliott |
| title_full_unstemmed | The emancipated spectator Jacques Ranciere ; translated by Gregory Elliott |
| title_short | The emancipated spectator |
| title_sort | the emancipated spectator |
| topic | Aesthetics Image (Philosophy) Representation (Philosophy) Arts audiences / Psychology Art appreciation / Philosophy Philosophie Ästhetik Art appreciation Philosophy Arts audiences Psychology Passivität Motiv (DE-588)4232224-8 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Handlung (DE-588)4023277-3 gnd Ästhetik (DE-588)4000626-8 gnd Scheu (DE-588)4179508-8 gnd Politische Kunst (DE-588)4175029-9 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd Ethik (DE-588)4015602-3 gnd Emanzipation Motiv (DE-588)4445939-7 gnd |
| topic_facet | Aesthetics Image (Philosophy) Representation (Philosophy) Arts audiences / Psychology Art appreciation / Philosophy Philosophie Ästhetik Art appreciation Philosophy Arts audiences Psychology Passivität Motiv Kunstbetrachtung Handlung Scheu Politische Kunst Rezeptionsästhetik Ethik Emanzipation Motiv |
| url | http://digitale-objekte.hbz-nrw.de/storage/2010/03/13/file_52/3718787.pdf |
| work_keys_str_mv | AT rancierejacques lespectateuremancipe AT elliottgregory lespectateuremancipe AT rancierejacques theemancipatedspectator AT elliottgregory theemancipatedspectator |