The damnation of Faust: at the Salzburg Festival
A triumph for The Damnation of Faust at the Salzburg Festival (at Gerard Mortier's times), staged by the Catalan duet La Fura dels Baus. Faust is a victim of the "malady of his century", the feeling characterized by melancholy and dissatisfaction which marked artistic creation in the...
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| Format: | Elektronisch Video |
| Sprache: | English |
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[Place of publication not identified]
Bel Air Media
[1999]
La Sept ARTE [1999] France 3 [1999] |
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| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Zusammenfassung: | A triumph for The Damnation of Faust at the Salzburg Festival (at Gerard Mortier's times), staged by the Catalan duet La Fura dels Baus. Faust is a victim of the "malady of his century", the feeling characterized by melancholy and dissatisfaction which marked artistic creation in the beginning of the 19th century and set the basis of the Romantic Movement. His knowledge is a burden which does not allow him to dream and he is tormented by his impiety (Alfred de Musset also expressed this feeling in the magnificent Rolla). Méphistophélès, the devil personified as a human being, comes to him with an offer: should Faust follow him and forget about his erudition, he will have access to pleasure, happiness and everything he desires. With the help of magic and fiendish creatures, the devil present the young Marguerite to Faust and both celebrate their love in a duet "Love has taken my ravished soul." But to avoid disgrace and Marguerite's mother's fury, they have to part. In the wake of their union, Méphistophélès tells Faust that Marguerite is in prison for having poisoned her mother with a sleeping beverage. Méphistolphélès promises that he will free her if Faust agrees to serve him. As soon as Faust sells his soul to the devil, he is thrust in Hell. The last notes of Berlioz's work describe the apocalypse where blood flows, skeletons dance and the lakes are set on fire, where as Marguerite, the naive soul which love lead astray, is welcomed in Heaven. While excerpts of the score are popular today, like the Hungarian March in the first part or Marguerite's romanza "D'amour l'ardente flamme" in the fourth part, the complete "légende dramatique," as the composer called it, is rarely performed. But you must remind of this opera for its unity, its dramaturgy, its libretto (written by Gérard de Nerval) and its long lyrical flights of poetry. Alex Ollé and Carlos Padrissa (La Fura dels Baus) well understood it, when they staged this blazing and infernal version of Berlioz's score. The musical direction by Sylvain Cambreling, but also the performance by Vesselina Kasarova (Marguerite), Paul Groves (Faust), Williard White (Méphistophélès) and Andreas Macco (Brander), joined by the Staatskapelle Berlin Orchestra, the Chorus Orfeón Donostiarra from San Sebastián and the Tölzer Knabenchor made this production at the Salzburg Festival a reference version of Berlioz's score |
| Beschreibung: | 1 Online-Ressource (1 video file (2 hr., 26 min., 2 sec.)) sound, color |
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| 520 | 3 | |a A triumph for The Damnation of Faust at the Salzburg Festival (at Gerard Mortier's times), staged by the Catalan duet La Fura dels Baus. Faust is a victim of the "malady of his century", the feeling characterized by melancholy and dissatisfaction which marked artistic creation in the beginning of the 19th century and set the basis of the Romantic Movement. His knowledge is a burden which does not allow him to dream and he is tormented by his impiety (Alfred de Musset also expressed this feeling in the magnificent Rolla). Méphistophélès, the devil personified as a human being, comes to him with an offer: should Faust follow him and forget about his erudition, he will have access to pleasure, happiness and everything he desires. With the help of magic and fiendish creatures, the devil present the young Marguerite to Faust and both celebrate their love in a duet "Love has taken my ravished soul." But to avoid disgrace and Marguerite's mother's fury, they have to part. | |
| 520 | 3 | |a In the wake of their union, Méphistophélès tells Faust that Marguerite is in prison for having poisoned her mother with a sleeping beverage. Méphistolphélès promises that he will free her if Faust agrees to serve him. As soon as Faust sells his soul to the devil, he is thrust in Hell. The last notes of Berlioz's work describe the apocalypse where blood flows, skeletons dance and the lakes are set on fire, where as Marguerite, the naive soul which love lead astray, is welcomed in Heaven. While excerpts of the score are popular today, like the Hungarian March in the first part or Marguerite's romanza "D'amour l'ardente flamme" in the fourth part, the complete "légende dramatique," as the composer called it, is rarely performed. But you must remind of this opera for its unity, its dramaturgy, its libretto (written by Gérard de Nerval) and its long lyrical flights of poetry. | |
| 520 | 3 | |a Alex Ollé and Carlos Padrissa (La Fura dels Baus) well understood it, when they staged this blazing and infernal version of Berlioz's score. The musical direction by Sylvain Cambreling, but also the performance by Vesselina Kasarova (Marguerite), Paul Groves (Faust), Williard White (Méphistophélès) and Andreas Macco (Brander), joined by the Staatskapelle Berlin Orchestra, the Chorus Orfeón Donostiarra from San Sebastián and the Tölzer Knabenchor made this production at the Salzburg Festival a reference version of Berlioz's score | |
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| id | DE-604.BV048408012 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:29Z |
| indexdate | 2024-07-10T09:37:19Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033786486 |
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| publishDate | 1999 |
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| spelling | The damnation of Faust at the Salzburg Festival Berlioz ; La Fura dels Baus, stage director ; Bel Air Media, La Sept ARTE, France 3 ; Alexandre Tarta, director Damnation of Faust at the Salzburg Festival [Place of publication not identified] Bel Air Media [1999] La Sept ARTE [1999] France 3 [1999] ©1999 1 Online-Ressource (1 video file (2 hr., 26 min., 2 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Vesselina Kasarova (Marguerite) ; Paul Groves (Faust) ; Willard White (Méphistophélès) ; Andreas Macco (Brander) ; Staatskapelle Berlin ; Orfeón Donostiarra de San Sebastian ; Tölzer Knabenchor ; Sylvain Cambreling, conductor Salzburger Festspiele, Salzburg, Austria: A triumph for The Damnation of Faust at the Salzburg Festival (at Gerard Mortier's times), staged by the Catalan duet La Fura dels Baus. Faust is a victim of the "malady of his century", the feeling characterized by melancholy and dissatisfaction which marked artistic creation in the beginning of the 19th century and set the basis of the Romantic Movement. His knowledge is a burden which does not allow him to dream and he is tormented by his impiety (Alfred de Musset also expressed this feeling in the magnificent Rolla). Méphistophélès, the devil personified as a human being, comes to him with an offer: should Faust follow him and forget about his erudition, he will have access to pleasure, happiness and everything he desires. With the help of magic and fiendish creatures, the devil present the young Marguerite to Faust and both celebrate their love in a duet "Love has taken my ravished soul." But to avoid disgrace and Marguerite's mother's fury, they have to part. In the wake of their union, Méphistophélès tells Faust that Marguerite is in prison for having poisoned her mother with a sleeping beverage. Méphistolphélès promises that he will free her if Faust agrees to serve him. As soon as Faust sells his soul to the devil, he is thrust in Hell. The last notes of Berlioz's work describe the apocalypse where blood flows, skeletons dance and the lakes are set on fire, where as Marguerite, the naive soul which love lead astray, is welcomed in Heaven. While excerpts of the score are popular today, like the Hungarian March in the first part or Marguerite's romanza "D'amour l'ardente flamme" in the fourth part, the complete "légende dramatique," as the composer called it, is rarely performed. But you must remind of this opera for its unity, its dramaturgy, its libretto (written by Gérard de Nerval) and its long lyrical flights of poetry. Alex Ollé and Carlos Padrissa (La Fura dels Baus) well understood it, when they staged this blazing and infernal version of Berlioz's score. The musical direction by Sylvain Cambreling, but also the performance by Vesselina Kasarova (Marguerite), Paul Groves (Faust), Williard White (Méphistophélès) and Andreas Macco (Brander), joined by the Staatskapelle Berlin Orchestra, the Chorus Orfeón Donostiarra from San Sebastián and the Tölzer Knabenchor made this production at the Salzburg Festival a reference version of Berlioz's score Sung in French Operas Faust / -approximately 1540 / Drama Mephistopheles / (Legendary character) / Drama Faust / -approximately 1540 Mephistopheles / (Legendary character) Drama Internet videos Tarta, Alexandre Sonstige oth Kasarova, Vesselina Sonstige oth Groves, Paul (Tenor) Sonstige oth White, Willard Sonstige oth Macco, Andreas Sonstige oth Cambreling, Sylvain Sonstige oth Berlioz, Hector 1803-1869 Damnation de Faust Bel Air Media (Firm) Sonstige oth Sept/Arte (Firm) Sonstige oth Société nationale de programme France-Régions Sonstige oth Fura dels Baus (Theater company) Sonstige oth Salzburger Festspiele (1999) Sonstige oth https://edu.medici.tv/en/operas/damnation-de-faust-fura-dels-baus-cambreling Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | The damnation of Faust at the Salzburg Festival Operas |
| title | The damnation of Faust at the Salzburg Festival |
| title_alt | Damnation of Faust at the Salzburg Festival Damnation de Faust |
| title_auth | The damnation of Faust at the Salzburg Festival |
| title_exact_search | The damnation of Faust at the Salzburg Festival |
| title_exact_search_txtP | The damnation of Faust at the Salzburg Festival |
| title_full | The damnation of Faust at the Salzburg Festival Berlioz ; La Fura dels Baus, stage director ; Bel Air Media, La Sept ARTE, France 3 ; Alexandre Tarta, director |
| title_fullStr | The damnation of Faust at the Salzburg Festival Berlioz ; La Fura dels Baus, stage director ; Bel Air Media, La Sept ARTE, France 3 ; Alexandre Tarta, director |
| title_full_unstemmed | The damnation of Faust at the Salzburg Festival Berlioz ; La Fura dels Baus, stage director ; Bel Air Media, La Sept ARTE, France 3 ; Alexandre Tarta, director |
| title_short | The damnation of Faust |
| title_sort | the damnation of faust at the salzburg festival |
| title_sub | at the Salzburg Festival |
| topic | Operas |
| topic_facet | Operas |
| url | https://edu.medici.tv/en/operas/damnation-de-faust-fura-dels-baus-cambreling |
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