Extended harmonic techniques: acoustic principles for composition and musicianship
""From the classical violinist to the hip hop producer, creating music pays homage to principles of harmony. It is not just the sum of the musical parts that makes a song come alive, but how every part interacts with others to create more harmonies, enriched melodies, dynamic rhythms, and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, North Carolina
McFarland & Company, Inc., Publishers
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | ""From the classical violinist to the hip hop producer, creating music pays homage to principles of harmony. It is not just the sum of the musical parts that makes a song come alive, but how every part interacts with others to create more harmonies, enriched melodies, dynamic rhythms, and more interaction. Composers, engineers, producers and performing musicians constantly use the harmonic principles derived from basic acoustics every time they work through a piece. This book offers a deep analytical dive into the theories of harmonics. It explores many nontraditional approaches such as extended and hyperextended chords and it includes an explanation for the consonance of the elusive minor triad. It also covers voicing and arranging from a vertical or harmonic perspective, a system of classifying the sonority of each chord, how extended chords impact the listener, and how the composer applies these principles."-- |
| Beschreibung: | xviii, 260 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781476677026 |
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| 505 | 8 | |a Foreword by Warren Pettit -- Preface -- Introduction -- Justifying Thirds as a Basis for Analysis -- Tertian Chord in Harmonic Perspective -- Sub-position -- Acoustic Justification -- Psychoacoustic Considerations -- Continuity as a Function of Context and Consonance -- Tone-Sustaining Issues -- Principles of Separation -- Linear Concepts -- Harmonic Permutations of Chordal Klang -- Complex Chord Systems Using Harmonic Matrices -- Manifesting Inaudible Sound -- Chord Classification -- The Minor Triad -- Shifting Harmonic Imagery -- Hyperextended Chords -- The Approach Tone and Chord -- Jazz Analysis and Context Using Hyperextended Tones -- Approach Chords Applied in Improvisation -- The Blue Tonality and the Augmented Twenty-Third -- The Enigmatic Spanish Phrygian : A Contextual Case Study -- Concert Music Analysis -- Light Correlations : Conjecture | |
| 520 | 3 | |a ""From the classical violinist to the hip hop producer, creating music pays homage to principles of harmony. It is not just the sum of the musical parts that makes a song come alive, but how every part interacts with others to create more harmonies, enriched melodies, dynamic rhythms, and more interaction. Composers, engineers, producers and performing musicians constantly use the harmonic principles derived from basic acoustics every time they work through a piece. This book offers a deep analytical dive into the theories of harmonics. It explores many nontraditional approaches such as extended and hyperextended chords and it includes an explanation for the consonance of the elusive minor triad. It also covers voicing and arranging from a vertical or harmonic perspective, a system of classifying the sonority of each chord, how extended chords impact the listener, and how the composer applies these principles."-- | |
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Datensatz im Suchindex
| _version_ | 1804184302748958720 |
|---|---|
| adam_text | Table of Contents List of Figures ix List of Tables xvi Acknowledgments xvii Foreword by Warren Pettit 1 Preface 3 Introduction 5 1. Justifying Thirds as a Basis for Analysis 15 2. Tertian Chord in Harmonic Perspective 20 3. Sub-position 24 4. Acoustic Justification 28 5. Psychoacoustic Considerations 38 6. Continuity as a Function of Context and Consonance 43 7. Tone-Sustaining Issues 56 8. Principles of Separation 67 9. Linear Concepts 79 10. Harmonic Permutations of Chordal Klang 86 11. Complex Chord Systems Using Harmonic Matrices 101 12. Manifesting Inaudible Sound 117 13. Chord Classification 122 14. The Minor Triad 128 15. Shifting Harmonic Imagery 132 vii
viii Table of Contents 16. Hyperextended Chords 137 17. The Approach Tone and Chord 145 18. Jazz Analysis and Context Using Hyperextended Tones 155 19. Approach Chords Applied in Improvisation 160 20. The Blue Tonality and the Augmented Twenty-Third 164 21. The Enigmatic Spanish Phrygian: A Contextual Case Study 172 22. Concert Music Analysis 190 23. Light Correlations: Conjecture 199 Glossary 211 Appendix A: Graphs 215 Appendix B: Additional Musical Figures 216 Appendix C: Methodology and Systems 222 Chapter Notes 241 Sources and Further Reading 249 Index 259
|
| adam_txt |
Table of Contents List of Figures ix List of Tables xvi Acknowledgments xvii Foreword by Warren Pettit 1 Preface 3 Introduction 5 1. Justifying Thirds as a Basis for Analysis 15 2. Tertian Chord in Harmonic Perspective 20 3. Sub-position 24 4. Acoustic Justification 28 5. Psychoacoustic Considerations 38 6. Continuity as a Function of Context and Consonance 43 7. Tone-Sustaining Issues 56 8. Principles of Separation 67 9. Linear Concepts 79 10. Harmonic Permutations of Chordal Klang 86 11. Complex Chord Systems Using Harmonic Matrices 101 12. Manifesting Inaudible Sound 117 13. Chord Classification 122 14. The Minor Triad 128 15. Shifting Harmonic Imagery 132 vii
viii Table of Contents 16. Hyperextended Chords 137 17. The Approach Tone and Chord 145 18. Jazz Analysis and Context Using Hyperextended Tones 155 19. Approach Chords Applied in Improvisation 160 20. The Blue Tonality and the Augmented Twenty-Third 164 21. The Enigmatic Spanish Phrygian: A Contextual Case Study 172 22. Concert Music Analysis 190 23. Light Correlations: Conjecture 199 Glossary 211 Appendix A: Graphs 215 Appendix B: Additional Musical Figures 216 Appendix C: Methodology and Systems 222 Chapter Notes 241 Sources and Further Reading 249 Index 259 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Ballard, Jack Jr |
| author_GND | (DE-588)1268134090 |
| author_facet | Ballard, Jack Jr |
| author_role | aut |
| author_sort | Ballard, Jack Jr |
| author_variant | j b jb |
| building | Verbundindex |
| bvnumber | BV048404644 |
| contents | Foreword by Warren Pettit -- Preface -- Introduction -- Justifying Thirds as a Basis for Analysis -- Tertian Chord in Harmonic Perspective -- Sub-position -- Acoustic Justification -- Psychoacoustic Considerations -- Continuity as a Function of Context and Consonance -- Tone-Sustaining Issues -- Principles of Separation -- Linear Concepts -- Harmonic Permutations of Chordal Klang -- Complex Chord Systems Using Harmonic Matrices -- Manifesting Inaudible Sound -- Chord Classification -- The Minor Triad -- Shifting Harmonic Imagery -- Hyperextended Chords -- The Approach Tone and Chord -- Jazz Analysis and Context Using Hyperextended Tones -- Approach Chords Applied in Improvisation -- The Blue Tonality and the Augmented Twenty-Third -- The Enigmatic Spanish Phrygian : A Contextual Case Study -- Concert Music Analysis -- Light Correlations : Conjecture |
| ctrlnum | (OCoLC)1346095149 (DE-599)BVBBV048404644 |
| format | Book |
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| id | DE-604.BV048404644 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:23:47Z |
| indexdate | 2024-07-10T09:37:11Z |
| institution | BVB |
| isbn | 9781476677026 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033783154 |
| oclc_num | 1346095149 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xviii, 260 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20220920 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | McFarland & Company, Inc., Publishers |
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| spelling | Ballard, Jack Jr. Verfasser (DE-588)1268134090 aut Extended harmonic techniques acoustic principles for composition and musicianship Jack Ballard, Jr. ; foreword by Warren Pettit Jefferson, North Carolina McFarland & Company, Inc., Publishers [2022] xviii, 260 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Foreword by Warren Pettit -- Preface -- Introduction -- Justifying Thirds as a Basis for Analysis -- Tertian Chord in Harmonic Perspective -- Sub-position -- Acoustic Justification -- Psychoacoustic Considerations -- Continuity as a Function of Context and Consonance -- Tone-Sustaining Issues -- Principles of Separation -- Linear Concepts -- Harmonic Permutations of Chordal Klang -- Complex Chord Systems Using Harmonic Matrices -- Manifesting Inaudible Sound -- Chord Classification -- The Minor Triad -- Shifting Harmonic Imagery -- Hyperextended Chords -- The Approach Tone and Chord -- Jazz Analysis and Context Using Hyperextended Tones -- Approach Chords Applied in Improvisation -- The Blue Tonality and the Augmented Twenty-Third -- The Enigmatic Spanish Phrygian : A Contextual Case Study -- Concert Music Analysis -- Light Correlations : Conjecture ""From the classical violinist to the hip hop producer, creating music pays homage to principles of harmony. It is not just the sum of the musical parts that makes a song come alive, but how every part interacts with others to create more harmonies, enriched melodies, dynamic rhythms, and more interaction. Composers, engineers, producers and performing musicians constantly use the harmonic principles derived from basic acoustics every time they work through a piece. This book offers a deep analytical dive into the theories of harmonics. It explores many nontraditional approaches such as extended and hyperextended chords and it includes an explanation for the consonance of the elusive minor triad. It also covers voicing and arranging from a vertical or harmonic perspective, a system of classifying the sonority of each chord, how extended chords impact the listener, and how the composer applies these principles."-- Komposition Musik (DE-588)4133320-2 gnd rswk-swf Musikalische Akustik (DE-588)4123807-2 gnd rswk-swf Harmonielehre (DE-588)4129028-8 gnd rswk-swf Harmonics (Music) Combination tones Composition (Music) Harmony Harmoniques (Musique) Sons combinés Composition (Musique) Harmonie MUSIC / Instruction & Study / Composition Musikalische Akustik (DE-588)4123807-2 s Harmonielehre (DE-588)4129028-8 s Komposition Musik (DE-588)4133320-2 s DE-604 Pettit, Warren wpr Erscheint auch als Online-Ausgabe 978-1-4766-4353-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033783154&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ballard, Jack Jr Extended harmonic techniques acoustic principles for composition and musicianship Foreword by Warren Pettit -- Preface -- Introduction -- Justifying Thirds as a Basis for Analysis -- Tertian Chord in Harmonic Perspective -- Sub-position -- Acoustic Justification -- Psychoacoustic Considerations -- Continuity as a Function of Context and Consonance -- Tone-Sustaining Issues -- Principles of Separation -- Linear Concepts -- Harmonic Permutations of Chordal Klang -- Complex Chord Systems Using Harmonic Matrices -- Manifesting Inaudible Sound -- Chord Classification -- The Minor Triad -- Shifting Harmonic Imagery -- Hyperextended Chords -- The Approach Tone and Chord -- Jazz Analysis and Context Using Hyperextended Tones -- Approach Chords Applied in Improvisation -- The Blue Tonality and the Augmented Twenty-Third -- The Enigmatic Spanish Phrygian : A Contextual Case Study -- Concert Music Analysis -- Light Correlations : Conjecture Komposition Musik (DE-588)4133320-2 gnd Musikalische Akustik (DE-588)4123807-2 gnd Harmonielehre (DE-588)4129028-8 gnd |
| subject_GND | (DE-588)4133320-2 (DE-588)4123807-2 (DE-588)4129028-8 |
| title | Extended harmonic techniques acoustic principles for composition and musicianship |
| title_auth | Extended harmonic techniques acoustic principles for composition and musicianship |
| title_exact_search | Extended harmonic techniques acoustic principles for composition and musicianship |
| title_exact_search_txtP | Extended harmonic techniques acoustic principles for composition and musicianship |
| title_full | Extended harmonic techniques acoustic principles for composition and musicianship Jack Ballard, Jr. ; foreword by Warren Pettit |
| title_fullStr | Extended harmonic techniques acoustic principles for composition and musicianship Jack Ballard, Jr. ; foreword by Warren Pettit |
| title_full_unstemmed | Extended harmonic techniques acoustic principles for composition and musicianship Jack Ballard, Jr. ; foreword by Warren Pettit |
| title_short | Extended harmonic techniques |
| title_sort | extended harmonic techniques acoustic principles for composition and musicianship |
| title_sub | acoustic principles for composition and musicianship |
| topic | Komposition Musik (DE-588)4133320-2 gnd Musikalische Akustik (DE-588)4123807-2 gnd Harmonielehre (DE-588)4129028-8 gnd |
| topic_facet | Komposition Musik Musikalische Akustik Harmonielehre |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033783154&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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