Psychomusicology and other ancient musicological writings:
For over 40 years, Andrew Barker has been studying the ways in which ancient Greek philosophers, scientists and others analysed and discussed the structures underlying musical compositions; he has focused, in particular, on their methodologies, the conceptual frameworks within which their analyses w...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven ; Paris ; Bristol, CT
Peeters
2022
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| Schriftenreihe: | Aristote, traductions et etudes
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | For over 40 years, Andrew Barker has been studying the ways in which ancient Greek philosophers, scientists and others analysed and discussed the structures underlying musical compositions; he has focused, in particular, on their methodologies, the conceptual frameworks within which their analyses were formed, and the various philosophical commitments they brought to their work. 00This volume contains a selection of the essays that Barker has published on these and related topics. The essays are preceded by an English version of his book on 'psychomusicology', previously published only in Italian. It examines Greek writers' diverse and often influential speculations about correlations between musical structures and their counterparts in the soul, speculations which led them to striking conclusions about music's practical value in human affairs, and to recommendations for appropriate ways of employing it in such fields as, for example, moral education, psychotherapy, and the organization and governance of a healthy society. |
| Beschreibung: | X, 543 Seiten |
| ISBN: | 9789042946743 |
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Datensatz im Suchindex
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| adam_text | SUMMARY Preface Eleonora Rocconi.......................................................... IX Introduction by Francesco Buè................................................... 1 by The Music of the Soul Psychomusicology............................................................................ 13 Preface......................................................................................... 13 Introduction................................................................................ 14 Chapter 1 : The Republic on music and character: Part 1, Affi nities between music and soul................................... 17 Chapter 2: The Republic on music and character: Part 2, How music affects the soul................................................. 35 Chapter 3: Musical theory before the Republic·. Part 1, Damon and the sophists............................................................ 49 Chapter 4: Musical theory before the Republic՛. Part 2, The medical tradition.......................................................... 66 Chapter 5: Music, ethics and the soul in Aristotle’s Politics. 85 Chapter 6: Music, soul and cosmos: Plato’s Timaeus and the ratios of the soul.......................................................... 97 Chapter 7: Musical therapy in Theophrastus and Aristides Quintilianus.................................................................. Ill Chapter 8: Aristides Quintilianus on musical genders and flying souls................................................................... 121 Appendix to Chapter
8............................................................... 133 Chapter 9: Music, soul and cosmos revisited: Speculation and science in Aristides Quintilianus and Ptolemy......... 138 Timaeus on Music and the Liver................................................... Music and 167 Mathematics Plato’s Philebus·. The Numbering of a Unity.............................. Appendix: The problem at 15b................................................. 185 203 Aristotle on Perception and Ratios.............................................. 207
VI SUMMARY Ptolemy’s Pythagoreans, Archytas, and Plato’s Conception of Mathematics....................................................................... 229 Introduction................................................................................. Section 1 : The three ‘Pythagorean’ arguments of Harm. 1.5 ... Section 2 : The origins of Arguments (a) and (c).................. Section 3 : Archytan mathematics and the philosophy of Plato 229 232 244 250 Mathematical Beauty Made Audible: Musical Aesthetics in Ptolemy’s Harmonics........................................................ 255 Response to Barker (by Carl Huffman).................................... 277 Ancient Scholarship and Musical Theories The Laws and Aristoxenus on the Criteria of Musical Judgement 281 Did Aristoxenus Write Musical History?.................................... Introduction................................................................................. Aristoxenus on Olympus : (a) the spondeion........................... Aristoxenus on Olympus: (b) the spondeiazôn tropos.......... Aristoxenus on Olympus: (c) the nomos of Athena............... Conclusions................................................................................. 303 303 306 313 321 326 Aristoxenus and the Early Academy............................................. 329 Diogenes of Babylon and Hellenistic Musical Theory............... 355 Disreputable Music: A Performance, a Defence, and Their Intertextual and Intermediai Resonances (Plutarch Quaest. Conv. 704c4-705b6).....................................................
Introduction................................................................................. Part 1. Intertextual allusions..................................................... Part 2. Intermediality.................................................................. 377 377 379 392 Harmonic and Technical Matters Theophrastus and Aristoxenus: Confusions in Musical Meta physics ................................................................................. 401 The Journeying Voice: Melody and Metaphysics in Aristoxenian Science......................................................................... 425 1. Preliminaries.......................................................................... 425
SUMMARY VII 2. The melodic traveller............................................................. 3. Perceptible attributes of the traveller’s movement............. 4. Conclusions .......................................................................... 429 436 447 Aristoxenus Harm. II, 49.1-50.18 Da Rios: a Recantation .... 449 Musical Pitch and the Enigmatic Octave in Problematu XIX . Introduction................................................................................ Section 1 : The octave and conceptions of pitch-difference ... Section 2: The octave and the adjective antiphônos............... 463 463 464 477 Bibliography...................................................................................... 493 Index Locorum.................................................................................. 503 Index Nominum Antiquorum........................................................... 523 Index Verborum Notabilium......................................................... 529
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| adam_txt |
SUMMARY Preface Eleonora Rocconi. IX Introduction by Francesco Buè. 1 by The Music of the Soul Psychomusicology. 13 Preface. 13 Introduction. 14 Chapter 1 : The Republic on music and character: Part 1, Affi nities between music and soul. 17 Chapter 2: The Republic on music and character: Part 2, How music affects the soul. 35 Chapter 3: Musical theory before the Republic·. Part 1, Damon and the sophists. 49 Chapter 4: Musical theory before the Republic՛. Part 2, The medical tradition. 66 Chapter 5: Music, ethics and the soul in Aristotle’s Politics. 85 Chapter 6: Music, soul and cosmos: Plato’s Timaeus and the ratios of the soul. 97 Chapter 7: Musical therapy in Theophrastus and Aristides Quintilianus. Ill Chapter 8: Aristides Quintilianus on musical genders and flying souls. 121 Appendix to Chapter
8. 133 Chapter 9: Music, soul and cosmos revisited: Speculation and science in Aristides Quintilianus and Ptolemy. 138 Timaeus on Music and the Liver. Music and 167 Mathematics Plato’s Philebus·. The Numbering of a Unity. Appendix: The problem at 15b. 185 203 Aristotle on Perception and Ratios. 207
VI SUMMARY Ptolemy’s Pythagoreans, Archytas, and Plato’s Conception of Mathematics. 229 Introduction. Section 1 : The three ‘Pythagorean’ arguments of Harm. 1.5 . Section 2 : The origins of Arguments (a) and (c). Section 3 : Archytan mathematics and the philosophy of Plato 229 232 244 250 Mathematical Beauty Made Audible: Musical Aesthetics in Ptolemy’s Harmonics. 255 Response to Barker (by Carl Huffman). 277 Ancient Scholarship and Musical Theories The Laws and Aristoxenus on the Criteria of Musical Judgement 281 Did Aristoxenus Write Musical History?. Introduction. Aristoxenus on Olympus : (a) the spondeion. Aristoxenus on Olympus: (b) the spondeiazôn tropos. Aristoxenus on Olympus: (c) the nomos of Athena. Conclusions. 303 303 306 313 321 326 Aristoxenus and the Early Academy. 329 Diogenes of Babylon and Hellenistic Musical Theory. 355 Disreputable Music: A Performance, a Defence, and Their Intertextual and Intermediai Resonances (Plutarch Quaest. Conv. 704c4-705b6).
Introduction. Part 1. Intertextual allusions. Part 2. Intermediality. 377 377 379 392 Harmonic and Technical Matters Theophrastus and Aristoxenus: Confusions in Musical Meta physics . 401 The Journeying Voice: Melody and Metaphysics in Aristoxenian Science. 425 1. Preliminaries. 425
SUMMARY VII 2. The melodic traveller. 3. Perceptible attributes of the traveller’s movement. 4. Conclusions . 429 436 447 Aristoxenus Harm. II, 49.1-50.18 Da Rios: a Recantation . 449 Musical Pitch and the Enigmatic Octave in Problematu XIX . Introduction. Section 1 : The octave and conceptions of pitch-difference . Section 2: The octave and the adjective antiphônos. 463 463 464 477 Bibliography. 493 Index Locorum. 503 Index Nominum Antiquorum. 523 Index Verborum Notabilium. 529 |
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| spelling | Barker, Andrew 1943-2021 Verfasser (DE-588)173471641 aut Psychomusicology and other ancient musicological writings by Andrew Barker ; edited with introduction, bibliography and indices by Francesco Buè ; with a preface by Eleonora Rocconi Leuven ; Paris ; Bristol, CT Peeters 2022 X, 543 Seiten txt rdacontent n rdamedia nc rdacarrier Aristote, traductions et etudes For over 40 years, Andrew Barker has been studying the ways in which ancient Greek philosophers, scientists and others analysed and discussed the structures underlying musical compositions; he has focused, in particular, on their methodologies, the conceptual frameworks within which their analyses were formed, and the various philosophical commitments they brought to their work. 00This volume contains a selection of the essays that Barker has published on these and related topics. The essays are preceded by an English version of his book on 'psychomusicology', previously published only in Italian. It examines Greek writers' diverse and often influential speculations about correlations between musical structures and their counterparts in the soul, speculations which led them to striking conclusions about music's practical value in human affairs, and to recommendations for appropriate ways of employing it in such fields as, for example, moral education, psychotherapy, and the organization and governance of a healthy society. Geschichte gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Griechenland Altertum (DE-588)4093976-5 gnd rswk-swf Musik (DE-2581)TH000006166 gbd Musik, griechisch (DE-2581)TH000006171 gbd Griechenland Altertum (DE-588)4093976-5 g Musikpsychologie (DE-588)4127817-3 s Musiktheorie (DE-588)4040876-0 s Musikphilosophie (DE-588)4123809-6 s Geschichte z DE-604 Buè, Francesco 1985- (DE-588)1251570984 edt Rocconi, Eleonora (DE-588)1180439104 wpr Erscheint auch als Online-Ausgabe 978-90-429-4675-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033782833&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Barker, Andrew 1943-2021 Psychomusicology and other ancient musicological writings Musikpsychologie (DE-588)4127817-3 gnd Musikphilosophie (DE-588)4123809-6 gnd Musiktheorie (DE-588)4040876-0 gnd |
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| title | Psychomusicology and other ancient musicological writings |
| title_auth | Psychomusicology and other ancient musicological writings |
| title_exact_search | Psychomusicology and other ancient musicological writings |
| title_exact_search_txtP | Psychomusicology and other ancient musicological writings |
| title_full | Psychomusicology and other ancient musicological writings by Andrew Barker ; edited with introduction, bibliography and indices by Francesco Buè ; with a preface by Eleonora Rocconi |
| title_fullStr | Psychomusicology and other ancient musicological writings by Andrew Barker ; edited with introduction, bibliography and indices by Francesco Buè ; with a preface by Eleonora Rocconi |
| title_full_unstemmed | Psychomusicology and other ancient musicological writings by Andrew Barker ; edited with introduction, bibliography and indices by Francesco Buè ; with a preface by Eleonora Rocconi |
| title_short | Psychomusicology and other ancient musicological writings |
| title_sort | psychomusicology and other ancient musicological writings |
| topic | Musikpsychologie (DE-588)4127817-3 gnd Musikphilosophie (DE-588)4123809-6 gnd Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Musikpsychologie Musikphilosophie Musiktheorie Griechenland Altertum |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033782833&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT barkerandrew psychomusicologyandotherancientmusicologicalwritings AT buefrancesco psychomusicologyandotherancientmusicologicalwritings AT rocconieleonora psychomusicologyandotherancientmusicologicalwritings |