Pedro Cabrita Reis - Field:
On the occasion of the 59th Venice Biennale, a monograph devoted to the Portuguese artist. Pedro Cabrita Reis (b. 1956, Lisbon), is one of Portugal’s most gifted and imaginative artists, having forged an international career from the early 1980s with his challenging and innovative paintings, sculptu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Milano
Skira
2022
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | On the occasion of the 59th Venice Biennale, a monograph devoted to the Portuguese artist. Pedro Cabrita Reis (b. 1956, Lisbon), is one of Portugal’s most gifted and imaginative artists, having forged an international career from the early 1980s with his challenging and innovative paintings, sculptures and architectural interventions. As a self-defined classical artist, Cabrita is known for his forays into past histories and collective memories to rejuvenate his art; manifesting and declaring new perspectives within our contemporary cultural conversations. Cabrita has exhibited in many museums, galleries and public exhibitions internationally and his works are in private and public collections throughout the world. Field dominates the vast interior of the church, spreading out, on, and across the central area of the nave. Its expansive, varied topography grounds and holds the floorspace, reinforcing the perception of the volumes above. The sculpture consists of an indeterminate grid of steel platforms which evoke the passerelle used during acqua alta conditions in the city. Complete within its boundaries, a multitude of uniform LED light tubes burn steadily on these platforms, underneath the occlusion of debris that appears to have rained down from above. The overlaid chaos of the debris field contrasts strongly with the regularity of the lights forming the grid below. Through Cabrita’s use of vernacular materiality (industrial lighting, demolition fragments) which summon archaic conceptual mythologies (as above, so below; light versus dark), Field occupies a literal, as well as figurative middle space, setting up a state of affairs for the viewer to resolve physical, conceptual and spiritual tensions |
| Beschreibung: | Impressum: This catalogue is published on the occasion of the exhibition "Field" by Pedro Cabrita Reis presented during the 59th International Art Exhibition, La Biennale di Venezia, Chiesa di San Fantin, Venezia 22.4. - 30.9.2022. - Includes bibliographical references (pages 155-157) |
| Beschreibung: | 157 Seiten |
| ISBN: | 9788857248202 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048376941 | ||
| 003 | DE-604 | ||
| 005 | 20230417 | ||
| 007 | t | ||
| 008 | 220726s2022 it |||| 00||| eng d | ||
| 020 | |a 9788857248202 |c 29.00 EUR |9 978-88-572-4820-2 | ||
| 035 | |a (ItFiC)5236665 | ||
| 035 | |a (OCoLC)1314910467 | ||
| 035 | |a (DE-599)BVBBV048376941 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a it |c IT | ||
| 049 | |a DE-12 |a DE-Y2 |a DE-255 | ||
| 100 | 1 | |a Reis, Pedro Cabrita |d 1956- |0 (DE-588)119103893 |4 art |4 ive | |
| 245 | 1 | 0 | |a Pedro Cabrita Reis - Field |c editor: Michael Short ; texts: Pedro Cabrita Reis, Nicholas Serota, Michael Short |
| 246 | 1 | 3 | |a Field |
| 250 | |a First edition | ||
| 264 | 1 | |a Milano |b Skira |c 2022 | |
| 300 | |a 157 Seiten | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Impressum: This catalogue is published on the occasion of the exhibition "Field" by Pedro Cabrita Reis presented during the 59th International Art Exhibition, La Biennale di Venezia, Chiesa di San Fantin, Venezia 22.4. - 30.9.2022. - Includes bibliographical references (pages 155-157) | ||
| 520 | 3 | |a On the occasion of the 59th Venice Biennale, a monograph devoted to the Portuguese artist. Pedro Cabrita Reis (b. 1956, Lisbon), is one of Portugal’s most gifted and imaginative artists, having forged an international career from the early 1980s with his challenging and innovative paintings, sculptures and architectural interventions. As a self-defined classical artist, Cabrita is known for his forays into past histories and collective memories to rejuvenate his art; manifesting and declaring new perspectives within our contemporary cultural conversations. Cabrita has exhibited in many museums, galleries and public exhibitions internationally and his works are in private and public collections throughout the world. Field dominates the vast interior of the church, spreading out, on, and across the central area of the nave. Its expansive, varied topography grounds and holds the floorspace, reinforcing the perception of the volumes above. The sculpture consists of an indeterminate grid of steel platforms which evoke the passerelle used during acqua alta conditions in the city. Complete within its boundaries, a multitude of uniform LED light tubes burn steadily on these platforms, underneath the occlusion of debris that appears to have rained down from above. The overlaid chaos of the debris field contrasts strongly with the regularity of the lights forming the grid below. Through Cabrita’s use of vernacular materiality (industrial lighting, demolition fragments) which summon archaic conceptual mythologies (as above, so below; light versus dark), Field occupies a literal, as well as figurative middle space, setting up a state of affairs for the viewer to resolve physical, conceptual and spiritual tensions | |
| 600 | 1 | 7 | |a Reis, Pedro Cabrita |d 1956- |0 (DE-588)119103893 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Chiesa di San Fantin |y 22.04.2022-09.09.2022 |z Venedig |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 689 | 0 | 0 | |a Reis, Pedro Cabrita |d 1956- |0 (DE-588)119103893 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Short, Michael |4 edt |4 aut |4 orm | |
| 700 | 1 | |a Serota, Nicholas |d 1946- |0 (DE-588)123016347 |4 ivr | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033755868 | ||
Datensatz im Suchindex
| _version_ | 1804184255298797568 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Short, Michael |
| author2 | Short, Michael Serota, Nicholas 1946- |
| author2_role | edt ivr |
| author2_variant | m s ms n s ns |
| author_GND | (DE-588)119103893 (DE-588)123016347 |
| author_facet | Short, Michael Short, Michael Serota, Nicholas 1946- |
| author_role | aut |
| author_sort | Short, Michael |
| author_variant | m s ms |
| building | Verbundindex |
| bvnumber | BV048376941 |
| ctrlnum | (ItFiC)5236665 (OCoLC)1314910467 (DE-599)BVBBV048376941 |
| edition | First edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03438nam a2200421 c 4500</leader><controlfield tag="001">BV048376941</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230417 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220726s2022 it |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788857248202</subfield><subfield code="c">29.00 EUR</subfield><subfield code="9">978-88-572-4820-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ItFiC)5236665</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314910467</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048376941</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">it</subfield><subfield code="c">IT</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Reis, Pedro Cabrita</subfield><subfield code="d">1956-</subfield><subfield code="0">(DE-588)119103893</subfield><subfield code="4">art</subfield><subfield code="4">ive</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Pedro Cabrita Reis - Field</subfield><subfield code="c">editor: Michael Short ; texts: Pedro Cabrita Reis, Nicholas Serota, Michael Short</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Field</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Milano</subfield><subfield code="b">Skira</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">157 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Impressum: This catalogue is published on the occasion of the exhibition "Field" by Pedro Cabrita Reis presented during the 59th International Art Exhibition, La Biennale di Venezia, Chiesa di San Fantin, Venezia 22.4. - 30.9.2022. - Includes bibliographical references (pages 155-157)</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">On the occasion of the 59th Venice Biennale, a monograph devoted to the Portuguese artist. Pedro Cabrita Reis (b. 1956, Lisbon), is one of Portugal’s most gifted and imaginative artists, having forged an international career from the early 1980s with his challenging and innovative paintings, sculptures and architectural interventions. As a self-defined classical artist, Cabrita is known for his forays into past histories and collective memories to rejuvenate his art; manifesting and declaring new perspectives within our contemporary cultural conversations. Cabrita has exhibited in many museums, galleries and public exhibitions internationally and his works are in private and public collections throughout the world. Field dominates the vast interior of the church, spreading out, on, and across the central area of the nave. Its expansive, varied topography grounds and holds the floorspace, reinforcing the perception of the volumes above. The sculpture consists of an indeterminate grid of steel platforms which evoke the passerelle used during acqua alta conditions in the city. Complete within its boundaries, a multitude of uniform LED light tubes burn steadily on these platforms, underneath the occlusion of debris that appears to have rained down from above. The overlaid chaos of the debris field contrasts strongly with the regularity of the lights forming the grid below. Through Cabrita’s use of vernacular materiality (industrial lighting, demolition fragments) which summon archaic conceptual mythologies (as above, so below; light versus dark), Field occupies a literal, as well as figurative middle space, setting up a state of affairs for the viewer to resolve physical, conceptual and spiritual tensions</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Reis, Pedro Cabrita</subfield><subfield code="d">1956-</subfield><subfield code="0">(DE-588)119103893</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Chiesa di San Fantin</subfield><subfield code="y">22.04.2022-09.09.2022</subfield><subfield code="z">Venedig</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Reis, Pedro Cabrita</subfield><subfield code="d">1956-</subfield><subfield code="0">(DE-588)119103893</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Short, Michael</subfield><subfield code="4">edt</subfield><subfield code="4">aut</subfield><subfield code="4">orm</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Serota, Nicholas</subfield><subfield code="d">1946-</subfield><subfield code="0">(DE-588)123016347</subfield><subfield code="4">ivr</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033755868</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog Chiesa di San Fantin 22.04.2022-09.09.2022 Venedig gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Chiesa di San Fantin 22.04.2022-09.09.2022 Venedig Bildband |
| id | DE-604.BV048376941 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:17:34Z |
| indexdate | 2024-07-10T09:36:26Z |
| institution | BVB |
| isbn | 9788857248202 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033755868 |
| oclc_num | 1314910467 |
| open_access_boolean | |
| owner | DE-12 DE-Y2 DE-255 |
| owner_facet | DE-12 DE-Y2 DE-255 |
| physical | 157 Seiten |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Skira |
| record_format | marc |
| spelling | Reis, Pedro Cabrita 1956- (DE-588)119103893 art ive Pedro Cabrita Reis - Field editor: Michael Short ; texts: Pedro Cabrita Reis, Nicholas Serota, Michael Short Field First edition Milano Skira 2022 157 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: This catalogue is published on the occasion of the exhibition "Field" by Pedro Cabrita Reis presented during the 59th International Art Exhibition, La Biennale di Venezia, Chiesa di San Fantin, Venezia 22.4. - 30.9.2022. - Includes bibliographical references (pages 155-157) On the occasion of the 59th Venice Biennale, a monograph devoted to the Portuguese artist. Pedro Cabrita Reis (b. 1956, Lisbon), is one of Portugal’s most gifted and imaginative artists, having forged an international career from the early 1980s with his challenging and innovative paintings, sculptures and architectural interventions. As a self-defined classical artist, Cabrita is known for his forays into past histories and collective memories to rejuvenate his art; manifesting and declaring new perspectives within our contemporary cultural conversations. Cabrita has exhibited in many museums, galleries and public exhibitions internationally and his works are in private and public collections throughout the world. Field dominates the vast interior of the church, spreading out, on, and across the central area of the nave. Its expansive, varied topography grounds and holds the floorspace, reinforcing the perception of the volumes above. The sculpture consists of an indeterminate grid of steel platforms which evoke the passerelle used during acqua alta conditions in the city. Complete within its boundaries, a multitude of uniform LED light tubes burn steadily on these platforms, underneath the occlusion of debris that appears to have rained down from above. The overlaid chaos of the debris field contrasts strongly with the regularity of the lights forming the grid below. Through Cabrita’s use of vernacular materiality (industrial lighting, demolition fragments) which summon archaic conceptual mythologies (as above, so below; light versus dark), Field occupies a literal, as well as figurative middle space, setting up a state of affairs for the viewer to resolve physical, conceptual and spiritual tensions Reis, Pedro Cabrita 1956- (DE-588)119103893 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Chiesa di San Fantin 22.04.2022-09.09.2022 Venedig gnd-content (DE-588)4145395-5 Bildband gnd-content Reis, Pedro Cabrita 1956- (DE-588)119103893 p DE-604 Short, Michael edt aut orm Serota, Nicholas 1946- (DE-588)123016347 ivr |
| spellingShingle | Short, Michael Pedro Cabrita Reis - Field Reis, Pedro Cabrita 1956- (DE-588)119103893 gnd |
| subject_GND | (DE-588)119103893 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Pedro Cabrita Reis - Field |
| title_alt | Field |
| title_auth | Pedro Cabrita Reis - Field |
| title_exact_search | Pedro Cabrita Reis - Field |
| title_exact_search_txtP | Pedro Cabrita Reis - Field |
| title_full | Pedro Cabrita Reis - Field editor: Michael Short ; texts: Pedro Cabrita Reis, Nicholas Serota, Michael Short |
| title_fullStr | Pedro Cabrita Reis - Field editor: Michael Short ; texts: Pedro Cabrita Reis, Nicholas Serota, Michael Short |
| title_full_unstemmed | Pedro Cabrita Reis - Field editor: Michael Short ; texts: Pedro Cabrita Reis, Nicholas Serota, Michael Short |
| title_short | Pedro Cabrita Reis - Field |
| title_sort | pedro cabrita reis field |
| topic | Reis, Pedro Cabrita 1956- (DE-588)119103893 gnd |
| topic_facet | Reis, Pedro Cabrita 1956- Ausstellungskatalog Chiesa di San Fantin 22.04.2022-09.09.2022 Venedig Bildband |
| work_keys_str_mv | AT reispedrocabrita pedrocabritareisfield AT shortmichael pedrocabritareisfield AT serotanicholas pedrocabritareisfield AT reispedrocabrita field AT shortmichael field AT serotanicholas field |