Coquettes, wives, and widows: gender politics in French baroque opera and theater
Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ri...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2020
|
| Schriftenreihe: | Eastman studies in music
172 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ridicule, banish, or, even more violently, silence and subjugate female characters who resist marriage. These dramas portray independent-minded women as agents ofchaos who deploy their sexuality to destabilize class demarcations, or to destroy families and at times the monarchy itself. Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater shows how dramatists wrested narratives away from women and weaponized those narratives in a defense of the status quo. It examines a wide range of works of different types: from Jean-Philippe Rameau's Platée, ou Junon jalouseand André Campra's Aréthuse, ou la Vengeance de l'Amour to representative works from the Comédie Française, the Comédie Italienne, and the fairgound theaters. Each theater offered denigrating portraits of independent womenas dissolute, obstinate, and extremist. The operas and other theatrical works explored in Coquettes, Wives, and Widows reveal who (in the view of many at the time) should exercise authority to make choices aboutwomen's lives. They also give evidence of widespread fears about how society might change if it were to grant women themselves that responsibility |
| Beschreibung: | From Platée's Frog-Like Flirt to Pompadour's Yellow Skin: Correcting the Coquette -- A "Mistress of Her Own Affairs": Inhibiting the Widow's (Sexual) Independence -- The Price of Independence: Women Seeking Separations -- "Everywhere Our Hearts Are in Danger": Cupid's Triumph and the Decline of the Indifferent Mistress |
| Beschreibung: | 1 Online-Ressource (xi, 191 Seiten) |
| ISBN: | 9781787449008 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048356903 | ||
| 003 | DE-604 | ||
| 005 | 20230227 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220713s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781787449008 |c Online |9 978-1-78744-900-8 | ||
| 035 | |a (ZDB-20-CBO)CR9781787449008 | ||
| 035 | |a (OCoLC)1337114925 | ||
| 035 | |a (DE-599)BVBBV048356903 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 782.1082/0944 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LQ 82204 |0 (DE-625)109077:13532 |2 rvk | ||
| 084 | |a LR 54171 |0 (DE-625)109639: |2 rvk | ||
| 084 | |a LR 56614 |0 (DE-625)109804:13532 |2 rvk | ||
| 100 | 1 | |a Ray, Marcie |0 (DE-588)1077387539 |4 aut | |
| 245 | 1 | 0 | |a Coquettes, wives, and widows |b gender politics in French baroque opera and theater |c Marcie Ray |
| 264 | 1 | |a Rochester, NY |b University of Rochester Press |c 2020 | |
| 300 | |a 1 Online-Ressource (xi, 191 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Eastman studies in music | |
| 490 | 0 | |a 172 | |
| 500 | |a From Platée's Frog-Like Flirt to Pompadour's Yellow Skin: Correcting the Coquette -- A "Mistress of Her Own Affairs": Inhibiting the Widow's (Sexual) Independence -- The Price of Independence: Women Seeking Separations -- "Everywhere Our Hearts Are in Danger": Cupid's Triumph and the Decline of the Indifferent Mistress | ||
| 520 | |a Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ridicule, banish, or, even more violently, silence and subjugate female characters who resist marriage. These dramas portray independent-minded women as agents ofchaos who deploy their sexuality to destabilize class demarcations, or to destroy families and at times the monarchy itself. Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater shows how dramatists wrested narratives away from women and weaponized those narratives in a defense of the status quo. It examines a wide range of works of different types: from Jean-Philippe Rameau's Platée, ou Junon jalouseand André Campra's Aréthuse, ou la Vengeance de l'Amour to representative works from the Comédie Française, the Comédie Italienne, and the fairgound theaters. Each theater offered denigrating portraits of independent womenas dissolute, obstinate, and extremist. The operas and other theatrical works explored in Coquettes, Wives, and Widows reveal who (in the view of many at the time) should exercise authority to make choices aboutwomen's lives. They also give evidence of widespread fears about how society might change if it were to grant women themselves that responsibility | ||
| 648 | 7 | |a Geschichte 1600-1800 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Opera / France / 18th century | |
| 650 | 4 | |a Opera / France / 17th century | |
| 650 | 4 | |a Women in opera | |
| 650 | 0 | 7 | |a Geschlechterrolle |0 (DE-588)4071776-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Frau |0 (DE-588)4018202-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiktheater |0 (DE-588)4040874-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 0 | 1 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | 2 | |a Musiktheater |0 (DE-588)4040874-7 |D s |
| 689 | 0 | 3 | |a Frau |0 (DE-588)4018202-2 |D s |
| 689 | 0 | 4 | |a Geschlechterrolle |0 (DE-588)4071776-8 |D s |
| 689 | 0 | 5 | |a Geschichte 1600-1800 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-58046-988-3 |
| 856 | 4 | 0 | |u https://www.cambridge.org/core/product/identifier/9781787449008/type/BOOK |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 940 | 1 | |q gbd_0 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033736162 | ||
| 966 | e | |u https://www.cambridge.org/core/product/identifier/9781787449008/type/BOOK |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://www.cambridge.org/core/product/identifier/9781787449008/type/BOOK |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184216973344768 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Ray, Marcie |
| author_GND | (DE-588)1077387539 |
| author_facet | Ray, Marcie |
| author_role | aut |
| author_sort | Ray, Marcie |
| author_variant | m r mr |
| building | Verbundindex |
| bvnumber | BV048356903 |
| classification_rvk | LQ 82204 LR 54171 LR 56614 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781787449008 (OCoLC)1337114925 (DE-599)BVBBV048356903 |
| dewey-full | 782.1082/0944 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1082/0944 |
| dewey-search | 782.1082/0944 |
| dewey-sort | 3782.1082 3944 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1600-1800 gnd |
| era_facet | Geschichte 1600-1800 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04293nmm a2200637zc 4500</leader><controlfield tag="001">BV048356903</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230227 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220713s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781787449008</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-78744-900-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781787449008</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1337114925</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048356903</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.1082/0944</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 82204</subfield><subfield code="0">(DE-625)109077:13532</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54171</subfield><subfield code="0">(DE-625)109639:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56614</subfield><subfield code="0">(DE-625)109804:13532</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ray, Marcie</subfield><subfield code="0">(DE-588)1077387539</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Coquettes, wives, and widows</subfield><subfield code="b">gender politics in French baroque opera and theater</subfield><subfield code="c">Marcie Ray</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Rochester, NY</subfield><subfield code="b">University of Rochester Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xi, 191 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Eastman studies in music</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">172</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">From Platée's Frog-Like Flirt to Pompadour's Yellow Skin: Correcting the Coquette -- A "Mistress of Her Own Affairs": Inhibiting the Widow's (Sexual) Independence -- The Price of Independence: Women Seeking Separations -- "Everywhere Our Hearts Are in Danger": Cupid's Triumph and the Decline of the Indifferent Mistress</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ridicule, banish, or, even more violently, silence and subjugate female characters who resist marriage. These dramas portray independent-minded women as agents ofchaos who deploy their sexuality to destabilize class demarcations, or to destroy families and at times the monarchy itself. Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater shows how dramatists wrested narratives away from women and weaponized those narratives in a defense of the status quo. It examines a wide range of works of different types: from Jean-Philippe Rameau's Platée, ou Junon jalouseand André Campra's Aréthuse, ou la Vengeance de l'Amour to representative works from the Comédie Française, the Comédie Italienne, and the fairgound theaters. Each theater offered denigrating portraits of independent womenas dissolute, obstinate, and extremist. The operas and other theatrical works explored in Coquettes, Wives, and Widows reveal who (in the view of many at the time) should exercise authority to make choices aboutwomen's lives. They also give evidence of widespread fears about how society might change if it were to grant women themselves that responsibility</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera / France / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera / France / 17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in opera</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frau</subfield><subfield code="0">(DE-588)4018202-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiktheater</subfield><subfield code="0">(DE-588)4040874-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musiktheater</subfield><subfield code="0">(DE-588)4040874-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Frau</subfield><subfield code="0">(DE-588)4018202-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-58046-988-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.cambridge.org/core/product/identifier/9781787449008/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_0</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033736162</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.cambridge.org/core/product/identifier/9781787449008/type/BOOK</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.cambridge.org/core/product/identifier/9781787449008/type/BOOK</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV048356903 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:13:46Z |
| indexdate | 2024-07-10T09:35:49Z |
| institution | BVB |
| isbn | 9781787449008 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033736162 |
| oclc_num | 1337114925 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (xi, 191 Seiten) |
| psigel | ZDB-20-CBO gbd_0 ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2020 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | University of Rochester Press |
| record_format | marc |
| series2 | Eastman studies in music 172 |
| spelling | Ray, Marcie (DE-588)1077387539 aut Coquettes, wives, and widows gender politics in French baroque opera and theater Marcie Ray Rochester, NY University of Rochester Press 2020 1 Online-Ressource (xi, 191 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music 172 From Platée's Frog-Like Flirt to Pompadour's Yellow Skin: Correcting the Coquette -- A "Mistress of Her Own Affairs": Inhibiting the Widow's (Sexual) Independence -- The Price of Independence: Women Seeking Separations -- "Everywhere Our Hearts Are in Danger": Cupid's Triumph and the Decline of the Indifferent Mistress Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ridicule, banish, or, even more violently, silence and subjugate female characters who resist marriage. These dramas portray independent-minded women as agents ofchaos who deploy their sexuality to destabilize class demarcations, or to destroy families and at times the monarchy itself. Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater shows how dramatists wrested narratives away from women and weaponized those narratives in a defense of the status quo. It examines a wide range of works of different types: from Jean-Philippe Rameau's Platée, ou Junon jalouseand André Campra's Aréthuse, ou la Vengeance de l'Amour to representative works from the Comédie Française, the Comédie Italienne, and the fairgound theaters. Each theater offered denigrating portraits of independent womenas dissolute, obstinate, and extremist. The operas and other theatrical works explored in Coquettes, Wives, and Widows reveal who (in the view of many at the time) should exercise authority to make choices aboutwomen's lives. They also give evidence of widespread fears about how society might change if it were to grant women themselves that responsibility Geschichte 1600-1800 gnd rswk-swf Opera / France / 18th century Opera / France / 17th century Women in opera Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Musiktheater (DE-588)4040874-7 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Oper (DE-588)4043582-9 s Musiktheater (DE-588)4040874-7 s Frau (DE-588)4018202-2 s Geschlechterrolle (DE-588)4071776-8 s Geschichte 1600-1800 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-58046-988-3 https://www.cambridge.org/core/product/identifier/9781787449008/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ray, Marcie Coquettes, wives, and widows gender politics in French baroque opera and theater Opera / France / 18th century Opera / France / 17th century Women in opera Geschlechterrolle (DE-588)4071776-8 gnd Oper (DE-588)4043582-9 gnd Frau (DE-588)4018202-2 gnd Musiktheater (DE-588)4040874-7 gnd |
| subject_GND | (DE-588)4071776-8 (DE-588)4043582-9 (DE-588)4018202-2 (DE-588)4040874-7 (DE-588)4018145-5 |
| title | Coquettes, wives, and widows gender politics in French baroque opera and theater |
| title_auth | Coquettes, wives, and widows gender politics in French baroque opera and theater |
| title_exact_search | Coquettes, wives, and widows gender politics in French baroque opera and theater |
| title_exact_search_txtP | Coquettes, wives, and widows gender politics in French baroque opera and theater |
| title_full | Coquettes, wives, and widows gender politics in French baroque opera and theater Marcie Ray |
| title_fullStr | Coquettes, wives, and widows gender politics in French baroque opera and theater Marcie Ray |
| title_full_unstemmed | Coquettes, wives, and widows gender politics in French baroque opera and theater Marcie Ray |
| title_short | Coquettes, wives, and widows |
| title_sort | coquettes wives and widows gender politics in french baroque opera and theater |
| title_sub | gender politics in French baroque opera and theater |
| topic | Opera / France / 18th century Opera / France / 17th century Women in opera Geschlechterrolle (DE-588)4071776-8 gnd Oper (DE-588)4043582-9 gnd Frau (DE-588)4018202-2 gnd Musiktheater (DE-588)4040874-7 gnd |
| topic_facet | Opera / France / 18th century Opera / France / 17th century Women in opera Geschlechterrolle Oper Frau Musiktheater Frankreich |
| url | https://www.cambridge.org/core/product/identifier/9781787449008/type/BOOK |
| work_keys_str_mv | AT raymarcie coquetteswivesandwidowsgenderpoliticsinfrenchbaroqueoperaandtheater |