Processing choreography: thinking with William Forsythe's "Duo"
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Bielefeld
transcript
2022
2022 |
| Edition: | First published |
| Series: | Critical dance studies
volume 60 |
| Subjects: | |
| Online Access: | http://www.transcript-verlag.de/978-3-8376-5588-9 Inhaltsverzeichnis |
| Physical Description: | 339 Seiten Klebebindung, 5 SW-Abbildungen, 46 Farbabbildungen 22.5 cm x 14.8 cm, 543 g |
| ISBN: | 9783837655889 3837655881 |
Staff View
MARC
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| 100 | 1 | |a Waterhouse, Elizabeth |d 1979- |e Verfasser |0 (DE-588)1255655852 |4 aut | |
| 245 | 1 | 0 | |a Processing choreography |b thinking with William Forsythe's "Duo" |c Elizabeth Waterhouse |
| 250 | |a First published | ||
| 263 | |a 202106 | ||
| 264 | 1 | |a Bielefeld |b transcript |c 2022 | |
| 264 | 1 | |b transcript |c 2022 | |
| 300 | |a 339 Seiten |b Klebebindung, 5 SW-Abbildungen, 46 Farbabbildungen |c 22.5 cm x 14.8 cm, 543 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 490 | 1 | |a Critical dance studies |v volume 60 | |
| 630 | 0 | 7 | |a Duo |g Ballett |0 (DE-588)1263174965 |2 gnd |9 rswk-swf |
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| 653 | |a Choreography | ||
| 653 | |a Practice Theory | ||
| 653 | |a Practice Turn | ||
| 653 | |a Process | ||
| 653 | |a Creativity | ||
| 653 | |a Dance | ||
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Record in the Search Index
| _version_ | 1804184157254844416 |
|---|---|
| adam_text | CONTENTS
LIST
OF
ILLUSTRATIONS
...................................................................................................
9
PREFACE
....................................................................................................................
11
INTRODUCTION
.............................................................................................................
17
PART
I
-
ART
WORLD
INTRODUCTION
TO
PART
I:
ART
WORLD
..................................................................................45
CHAPTER
1:
ENSEMBLE:
WILLIAM
FORSYTHE
&
TEAM
..............................................................
47
1.1
WILLIAM
FORSYTHE
................................................................................................
48
1.2
TEAMWORK
.......................................................................................................
57
CHAPTER
2:
THE
INSTITUTIONS
OF
BALLETT
FRANKFURT
&
THE
FORSYTHE
COMPANY
...........................
65
2.1
SHIFTING
INSTITUTIONS
...........................................................................................
67
2.2
THE
GIVENS
......................................................................................................
70
2.3
ARCHITECTURE
AND
STAGES
......................................................................................
73
2.4
DUO S
SETTING
AND
MUSIC
.......................................................................................
78
CHAPTER
3:
THE
DANCERS
............................................................................................
85
3.1
FRANKFURT
AM
MAIN
..............................................................................................
85
3.2
THE
DANCERS WORKING
CONDITIONS
...........................................................................
87
3.3
TRANSNATIONAL
CAREERS
.........................................................................................
91
3.4
THE
DANCERS
OCCUPATIONAL
CULTURE
.........................................................................
97
3.5
DUO
DANCERS
.....................................................................................................
102
CHAPTER
4:
THE
DANCERS
PRACTICES
.............................................................................
107
4.1
SEASONAL
RHYTHMS
.............................................................................................
109
4.2
TRAINING
...........................................................................................................
110
4.3
REHEARSAL
........................................................................................................
113
4.4
PERFORMANCE
.....................................................................................................
114
4.5
CREATION
...........................................................................................................
115
4.6
TOURING
............................................................................................................
118
CHAPTER
5:
DUO S
ART
WORLD
..........................................................................................
121
5.1
TOURING
............................................................................................................
122
5.2
RECONSTRUCTIVE
CHRONOLOGY
OF
DUO
PERFORMANCES
......................................................
124
PART
II
-
MOVEMENT
INTRODUCTION
TO
PART
II:
MOVEMENT
................................................................................
133
CHAPTER
6:
THE
MOVEMENT
OF
SHOWERHEAD
......................................................................
137
6.1
EPAULEMENT
.....................................................................................................
140
6.2
RESIDUAL
MOVEMENT
............................................................................................
143
6.3
CULTIVATING
SENSATION
.........................................................................................
150
CHAPTER
7:
MOVEMENT
MATERIAL
&
RELATIONS
....................................................................
159
7.1
MOVEMENT
MATERIAL
...........................................................................................
159
7.2
ERIN
MANNING:
RELATIONAL
MOVEMENT
....................................................................
163
CHAPTER
8:
ENTRAINMENT
.............................................................................................
171
8.1
SYNCHRONIZING
THE
FIRST
STEP
OF
DUO
.......................................................................
172
8.2
THE
SCIENTIFIC
DISCOURSE
OF
ENTRAINMENT
..................................................................
176
8.3
THE
CONVENTIONS
OF
ENTRAINMENT
IN
BALLET
................................................................
178
8.4
THE
DANCERS ENTRAINMENT
...................................................................................
182
CHAPTER
9:
MOVEMENT
PROFILE
OF
DUO
............................................................................
187
9.1
CORE
MOVEMENT
VALUES
........................................................................................
189
9.2
CHARTING
THE
HISTORY
OF
DUO
.................................................................................
194
PART
III
-
CREATION
INTRODUCTION
TO
PART
III:
CREATION
.................................................................................
213
CHAPTER
10:
CREATING
DUO
(1996)
...................................................................................
221
10.1
SOURCES
AND
METHODS
FOR
STUDYING
THE
CREATION
OF
DUO
..............................................
223
10.2
BETWEEN
DANCERS
AND
CHOREOGRAPHERS
..................................................................
225
10.3
MORION/MORION
(1991)
..........................................................................................
227
10.4
THE
CHRONOLOGY
OF
MAKING
DUO
.............................................................................
228
10.5
ANALYSIS
..........................................................................................................
260
CHAPTER
11:
RE-CREATING
DUO
(1996-2016)
.....................................................................
265
11.1
LEARNING
DUO
IN
THE
BALLETT
FRANKFURT
.....................................................................
268
11.2
RECONSTRUCTING
DUO
IN
THE
FORSYTHE
COMPANY
.........................................................
275
11.3
BECOMING
DU02015
..........................................................................................
280
CONCLUSION:
CHOREOGRAPHY
AS
CREATIVE
ORGANIZATION
......................................................
289
IMPACT
AND
LIMITS
OF
THE
STUDY,
FURTHER
WORK
.................................................................
294
BIBLIOGRAPHY
...........................................................................................................
299
APPENDIX
................................................................................................................
317
|
| adam_txt |
CONTENTS
LIST
OF
ILLUSTRATIONS
.
9
PREFACE
.
11
INTRODUCTION
.
17
PART
I
-
ART
WORLD
INTRODUCTION
TO
PART
I:
ART
WORLD
.45
CHAPTER
1:
ENSEMBLE:
WILLIAM
FORSYTHE
&
TEAM
.
47
1.1
WILLIAM
FORSYTHE
.
48
1.2
TEAMWORK
.
57
CHAPTER
2:
THE
INSTITUTIONS
OF
BALLETT
FRANKFURT
&
THE
FORSYTHE
COMPANY
.
65
2.1
SHIFTING
INSTITUTIONS
.
67
2.2
THE
"GIVENS"
.
70
2.3
ARCHITECTURE
AND
STAGES
.
73
2.4
DUO'S
SETTING
AND
MUSIC
.
78
CHAPTER
3:
THE
DANCERS
.
85
3.1
FRANKFURT
AM
MAIN
.
85
3.2
THE
DANCERS'WORKING
CONDITIONS
.
87
3.3
TRANSNATIONAL
CAREERS
.
91
3.4
THE
DANCERS'
OCCUPATIONAL
CULTURE
.
97
3.5
DUO
DANCERS
.
102
CHAPTER
4:
THE
DANCERS'
PRACTICES
.
107
4.1
SEASONAL
RHYTHMS
.
109
4.2
TRAINING
.
110
4.3
REHEARSAL
.
113
4.4
PERFORMANCE
.
114
4.5
CREATION
.
115
4.6
TOURING
.
118
CHAPTER
5:
DUO'S
ART
WORLD
.
121
5.1
TOURING
.
122
5.2
RECONSTRUCTIVE
CHRONOLOGY
OF
DUO
PERFORMANCES
.
124
PART
II
-
MOVEMENT
INTRODUCTION
TO
PART
II:
MOVEMENT
.
133
CHAPTER
6:
THE
MOVEMENT
OF
SHOWERHEAD
.
137
6.1
EPAULEMENT
.
140
6.2
RESIDUAL
MOVEMENT
.
143
6.3
CULTIVATING
SENSATION
.
150
CHAPTER
7:
MOVEMENT
MATERIAL
&
RELATIONS
.
159
7.1
MOVEMENT
"MATERIAL"
.
159
7.2
ERIN
MANNING:
"RELATIONAL
MOVEMENT
"
.
163
CHAPTER
8:
ENTRAINMENT
.
171
8.1
SYNCHRONIZING
THE
FIRST
STEP
OF
DUO
.
172
8.2
THE
SCIENTIFIC
DISCOURSE
OF
ENTRAINMENT
.
176
8.3
THE
CONVENTIONS
OF
ENTRAINMENT
IN
BALLET
.
178
8.4
THE
DANCERS'ENTRAINMENT
.
182
CHAPTER
9:
MOVEMENT
PROFILE
OF
DUO
.
187
9.1
CORE
MOVEMENT
VALUES
.
189
9.2
CHARTING
THE
HISTORY
OF
DUO
.
194
PART
III
-
CREATION
INTRODUCTION
TO
PART
III:
CREATION
.
213
CHAPTER
10:
CREATING
DUO
(1996)
.
221
10.1
SOURCES
AND
METHODS
FOR
STUDYING
THE
CREATION
OF
DUO
.
223
10.2
BETWEEN
DANCERS
AND
CHOREOGRAPHERS
.
225
10.3
MORION/MORION
(1991)
.
227
10.4
THE
CHRONOLOGY
OF
MAKING
DUO
.
228
10.5
ANALYSIS
.
260
CHAPTER
11:
RE-CREATING
DUO
(1996-2016)
.
265
11.1
LEARNING
DUO
IN
THE
BALLETT
FRANKFURT
.
268
11.2
RECONSTRUCTING
DUO
IN
THE
FORSYTHE
COMPANY
.
275
11.3
BECOMING
DU02015
.
280
CONCLUSION:
CHOREOGRAPHY
AS
CREATIVE
ORGANIZATION
.
289
IMPACT
AND
LIMITS
OF
THE
STUDY,
FURTHER
WORK
.
294
BIBLIOGRAPHY
.
299
APPENDIX
.
317 |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV048308468 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:08:45Z |
| indexdate | 2024-07-10T09:34:52Z |
| institution | BVB |
| isbn | 9783837655889 3837655881 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033688133 |
| oclc_num | 1222207330 |
| open_access_boolean | |
| owner | DE-B486 |
| owner_facet | DE-B486 |
| physical | 339 Seiten Klebebindung, 5 SW-Abbildungen, 46 Farbabbildungen 22.5 cm x 14.8 cm, 543 g |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | transcript |
| record_format | marc |
| series | Critical dance studies |
| series2 | Critical dance studies |
| spelling | Waterhouse, Elizabeth 1979- Verfasser (DE-588)1255655852 aut Processing choreography thinking with William Forsythe's "Duo" Elizabeth Waterhouse First published 202106 Bielefeld transcript 2022 transcript 2022 339 Seiten Klebebindung, 5 SW-Abbildungen, 46 Farbabbildungen 22.5 cm x 14.8 cm, 543 g txt rdacontent n rdamedia nc rdacarrier Critical dance studies volume 60 Duo Ballett (DE-588)1263174965 gnd rswk-swf Choreografie (DE-588)4069977-8 gnd rswk-swf Choreography Practice Theory Practice Turn Process Creativity Dance (DE-588)4113937-9 Hochschulschrift gnd-content Duo Ballett (DE-588)1263174965 u Choreografie (DE-588)4069977-8 s DE-604 Erscheint auch als Online-Ausgabe 9783839455883 Critical dance studies volume 60 (DE-604)BV042227098 60 X:MVB http://www.transcript-verlag.de/978-3-8376-5588-9 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033688133&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20201114 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Waterhouse, Elizabeth 1979- Processing choreography thinking with William Forsythe's "Duo" Critical dance studies Duo Ballett (DE-588)1263174965 gnd Choreografie (DE-588)4069977-8 gnd |
| subject_GND | (DE-588)1263174965 (DE-588)4069977-8 (DE-588)4113937-9 |
| title | Processing choreography thinking with William Forsythe's "Duo" |
| title_auth | Processing choreography thinking with William Forsythe's "Duo" |
| title_exact_search | Processing choreography thinking with William Forsythe's "Duo" |
| title_exact_search_txtP | Processing choreography thinking with William Forsythe's "Duo" |
| title_full | Processing choreography thinking with William Forsythe's "Duo" Elizabeth Waterhouse |
| title_fullStr | Processing choreography thinking with William Forsythe's "Duo" Elizabeth Waterhouse |
| title_full_unstemmed | Processing choreography thinking with William Forsythe's "Duo" Elizabeth Waterhouse |
| title_short | Processing choreography |
| title_sort | processing choreography thinking with william forsythe s duo |
| title_sub | thinking with William Forsythe's "Duo" |
| topic | Duo Ballett (DE-588)1263174965 gnd Choreografie (DE-588)4069977-8 gnd |
| topic_facet | Duo Ballett Choreografie Hochschulschrift |
| url | http://www.transcript-verlag.de/978-3-8376-5588-9 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033688133&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV042227098 |
| work_keys_str_mv | AT waterhouseelizabeth processingchoreographythinkingwithwilliamforsythesduo |