Charms that Soothe: Classical Music and the Narrative Film
From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2022]
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| Schriftenreihe: | Communications and Media Studies
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors "e themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) |
| Beschreibung: | 1 Online-Ressource (211 pages) |
| ISBN: | 9780823295265 |
| DOI: | 10.1515/9780823295265 |
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| spelling | Duncan, Dean Verfasser aut Charms that Soothe Classical Music and the Narrative Film Dean Duncan New York, NY Fordham University Press [2022] © 2003 1 Online-Ressource (211 pages) txt rdacontent c rdamedia cr rdacarrier Communications and Media Studies Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors "e themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms In English MUSIC / Genres & Styles / Classical bisacsh https://doi.org/10.1515/9780823295265?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Duncan, Dean Charms that Soothe Classical Music and the Narrative Film MUSIC / Genres & Styles / Classical bisacsh |
| title | Charms that Soothe Classical Music and the Narrative Film |
| title_auth | Charms that Soothe Classical Music and the Narrative Film |
| title_exact_search | Charms that Soothe Classical Music and the Narrative Film |
| title_exact_search_txtP | Charms that Soothe Classical Music and the Narrative Film |
| title_full | Charms that Soothe Classical Music and the Narrative Film Dean Duncan |
| title_fullStr | Charms that Soothe Classical Music and the Narrative Film Dean Duncan |
| title_full_unstemmed | Charms that Soothe Classical Music and the Narrative Film Dean Duncan |
| title_short | Charms that Soothe |
| title_sort | charms that soothe classical music and the narrative film |
| title_sub | Classical Music and the Narrative Film |
| topic | MUSIC / Genres & Styles / Classical bisacsh |
| topic_facet | MUSIC / Genres & Styles / Classical |
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