Art criticism and modernism in the United States:
"This study is an analysis of the high point and subsequent decline of modernist criticism in New York during the 1960s. Through a close reading of a selection of key critics of the period - which will expand the remit beyond the canonical texts - the book examines the ways that modernist criti...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | Routledge research in art history
|
| Schlagworte: | |
| Zusammenfassung: | "This study is an analysis of the high point and subsequent decline of modernist criticism in New York during the 1960s. Through a close reading of a selection of key critics of the period - which will expand the remit beyond the canonical texts - the book examines the ways that modernist criticism's discourse remains of especial disciplinary interest. Despite its alleged narrowness and exclusion, the debate of the 1960s raised fundamental questions concerning the nature of art writing. Those include arguments around the nature of value and judgement; the relationship between art criticism and art history; and the related problem of what we mean by the 'contemporary.' Stephen Moonie argues that within those often-fractious debates, there exists a shared discourse. And further, contrary to the current consensus that modernists were elitist, dogmatic, and irrelevant to contemporary debates on art, the study shows that there is much that we can learn from reconsidering their writings. The book will be of interest to scholars working in art history, modern art, art criticism, and literary studies" |
| Beschreibung: | xii, 193 Seiten Illustrationen 26 cm |
| ISBN: | 9780367565411 9780367565428 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048299372 | ||
| 003 | DE-604 | ||
| 005 | 20220919 | ||
| 007 | t | ||
| 008 | 220627s2022 a||| |||| 00||| eng d | ||
| 020 | |a 9780367565411 |q Hardback |9 978-0-367-56541-1 | ||
| 020 | |a 9780367565428 |q Paperback |9 978-0-367-56542-8 | ||
| 035 | |a (OCoLC)1329432696 | ||
| 035 | |a (DE-599)BVBBV048299372 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-255 | ||
| 084 | |a 3 |2 KUBA2 | ||
| 100 | 1 | |a Moonie, Stephen |e Verfasser |0 (DE-588)1263157572 |4 aut | |
| 245 | 1 | 0 | |a Art criticism and modernism in the United States |c Stephen Moonie |
| 264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2022 | |
| 300 | |a xii, 193 Seiten |b Illustrationen |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge research in art history | |
| 520 | 3 | |a "This study is an analysis of the high point and subsequent decline of modernist criticism in New York during the 1960s. Through a close reading of a selection of key critics of the period - which will expand the remit beyond the canonical texts - the book examines the ways that modernist criticism's discourse remains of especial disciplinary interest. Despite its alleged narrowness and exclusion, the debate of the 1960s raised fundamental questions concerning the nature of art writing. Those include arguments around the nature of value and judgement; the relationship between art criticism and art history; and the related problem of what we mean by the 'contemporary.' Stephen Moonie argues that within those often-fractious debates, there exists a shared discourse. And further, contrary to the current consensus that modernists were elitist, dogmatic, and irrelevant to contemporary debates on art, the study shows that there is much that we can learn from reconsidering their writings. The book will be of interest to scholars working in art history, modern art, art criticism, and literary studies" | |
| 600 | 1 | 7 | |a Rosenberg, Harold |d 1906-1978 |0 (DE-588)121363767 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Fried, Michael |d 1939- |0 (DE-588)123555299 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Michelson, Annette |d 1922-2018 |0 (DE-588)188460098 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Steinberg, Leo |d 1920-2011 |0 (DE-588)128793368 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Krauss, Rosalind E. |d 1941- |0 (DE-588)120118599 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Alloway, Lawrence |d 1926-1990 |0 (DE-588)130316075 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Greenberg, Clement |d 1909-1994 |0 (DE-588)118718606 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1960-1975 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Modernismus |0 (DE-588)4133275-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Art criticism / United States / History / 20th century | |
| 653 | 0 | |a Modernism (Art) | |
| 653 | 0 | |a Critique d'art / États-Unis / Histoire / 20e siècle | |
| 653 | 0 | |a Modernisme (Art) | |
| 653 | 0 | |a Art criticism | |
| 653 | 2 | |a United States | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Modernismus |0 (DE-588)4133275-1 |D s |
| 689 | 0 | 2 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
| 689 | 0 | 3 | |a Geschichte 1960-1975 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Greenberg, Clement |d 1909-1994 |0 (DE-588)118718606 |D p |
| 689 | 1 | 1 | |a Fried, Michael |d 1939- |0 (DE-588)123555299 |D p |
| 689 | 1 | 2 | |a Krauss, Rosalind E. |d 1941- |0 (DE-588)120118599 |D p |
| 689 | 1 | 3 | |a Michelson, Annette |d 1922-2018 |0 (DE-588)188460098 |D p |
| 689 | 1 | 4 | |a Rosenberg, Harold |d 1906-1978 |0 (DE-588)121363767 |D p |
| 689 | 1 | 5 | |a Steinberg, Leo |d 1920-2011 |0 (DE-588)128793368 |D p |
| 689 | 1 | 6 | |a Alloway, Lawrence |d 1926-1990 |0 (DE-588)130316075 |D p |
| 689 | 1 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-09827-0 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033679175 | ||
Datensatz im Suchindex
| _version_ | 1804184139502452736 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Moonie, Stephen |
| author_GND | (DE-588)1263157572 |
| author_facet | Moonie, Stephen |
| author_role | aut |
| author_sort | Moonie, Stephen |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | BV048299372 |
| ctrlnum | (OCoLC)1329432696 (DE-599)BVBBV048299372 |
| era | Geschichte 1960-1975 gnd |
| era_facet | Geschichte 1960-1975 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03961nam a2200709 c 4500</leader><controlfield tag="001">BV048299372</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220919 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220627s2022 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367565411</subfield><subfield code="q">Hardback</subfield><subfield code="9">978-0-367-56541-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367565428</subfield><subfield code="q">Paperback</subfield><subfield code="9">978-0-367-56542-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1329432696</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048299372</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Moonie, Stephen</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1263157572</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art criticism and modernism in the United States</subfield><subfield code="c">Stephen Moonie</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 193 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge research in art history</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This study is an analysis of the high point and subsequent decline of modernist criticism in New York during the 1960s. Through a close reading of a selection of key critics of the period - which will expand the remit beyond the canonical texts - the book examines the ways that modernist criticism's discourse remains of especial disciplinary interest. Despite its alleged narrowness and exclusion, the debate of the 1960s raised fundamental questions concerning the nature of art writing. Those include arguments around the nature of value and judgement; the relationship between art criticism and art history; and the related problem of what we mean by the 'contemporary.' Stephen Moonie argues that within those often-fractious debates, there exists a shared discourse. And further, contrary to the current consensus that modernists were elitist, dogmatic, and irrelevant to contemporary debates on art, the study shows that there is much that we can learn from reconsidering their writings. The book will be of interest to scholars working in art history, modern art, art criticism, and literary studies"</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Rosenberg, Harold</subfield><subfield code="d">1906-1978</subfield><subfield code="0">(DE-588)121363767</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Fried, Michael</subfield><subfield code="d">1939-</subfield><subfield code="0">(DE-588)123555299</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Michelson, Annette</subfield><subfield code="d">1922-2018</subfield><subfield code="0">(DE-588)188460098</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Steinberg, Leo</subfield><subfield code="d">1920-2011</subfield><subfield code="0">(DE-588)128793368</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Krauss, Rosalind E.</subfield><subfield code="d">1941-</subfield><subfield code="0">(DE-588)120118599</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Alloway, Lawrence</subfield><subfield code="d">1926-1990</subfield><subfield code="0">(DE-588)130316075</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Greenberg, Clement</subfield><subfield code="d">1909-1994</subfield><subfield code="0">(DE-588)118718606</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-1975</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Modernismus</subfield><subfield code="0">(DE-588)4133275-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art criticism / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Modernism (Art)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Critique d'art / États-Unis / Histoire / 20e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Modernisme (Art)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Modernismus</subfield><subfield code="0">(DE-588)4133275-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1960-1975</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Greenberg, Clement</subfield><subfield code="d">1909-1994</subfield><subfield code="0">(DE-588)118718606</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Fried, Michael</subfield><subfield code="d">1939-</subfield><subfield code="0">(DE-588)123555299</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Krauss, Rosalind E.</subfield><subfield code="d">1941-</subfield><subfield code="0">(DE-588)120118599</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Michelson, Annette</subfield><subfield code="d">1922-2018</subfield><subfield code="0">(DE-588)188460098</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Rosenberg, Harold</subfield><subfield code="d">1906-1978</subfield><subfield code="0">(DE-588)121363767</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="5"><subfield code="a">Steinberg, Leo</subfield><subfield code="d">1920-2011</subfield><subfield code="0">(DE-588)128793368</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="6"><subfield code="a">Alloway, Lawrence</subfield><subfield code="d">1926-1990</subfield><subfield code="0">(DE-588)130316075</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-003-09827-0</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033679175</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV048299372 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:06:17Z |
| indexdate | 2024-07-10T09:34:35Z |
| institution | BVB |
| isbn | 9780367565411 9780367565428 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033679175 |
| oclc_num | 1329432696 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | xii, 193 Seiten Illustrationen 26 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Routledge research in art history |
| spelling | Moonie, Stephen Verfasser (DE-588)1263157572 aut Art criticism and modernism in the United States Stephen Moonie New York ; London Routledge, Taylor & Francis Group 2022 xii, 193 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Routledge research in art history "This study is an analysis of the high point and subsequent decline of modernist criticism in New York during the 1960s. Through a close reading of a selection of key critics of the period - which will expand the remit beyond the canonical texts - the book examines the ways that modernist criticism's discourse remains of especial disciplinary interest. Despite its alleged narrowness and exclusion, the debate of the 1960s raised fundamental questions concerning the nature of art writing. Those include arguments around the nature of value and judgement; the relationship between art criticism and art history; and the related problem of what we mean by the 'contemporary.' Stephen Moonie argues that within those often-fractious debates, there exists a shared discourse. And further, contrary to the current consensus that modernists were elitist, dogmatic, and irrelevant to contemporary debates on art, the study shows that there is much that we can learn from reconsidering their writings. The book will be of interest to scholars working in art history, modern art, art criticism, and literary studies" Rosenberg, Harold 1906-1978 (DE-588)121363767 gnd rswk-swf Fried, Michael 1939- (DE-588)123555299 gnd rswk-swf Michelson, Annette 1922-2018 (DE-588)188460098 gnd rswk-swf Steinberg, Leo 1920-2011 (DE-588)128793368 gnd rswk-swf Krauss, Rosalind E. 1941- (DE-588)120118599 gnd rswk-swf Alloway, Lawrence 1926-1990 (DE-588)130316075 gnd rswk-swf Greenberg, Clement 1909-1994 (DE-588)118718606 gnd rswk-swf Geschichte 1960-1975 gnd rswk-swf Modernismus (DE-588)4133275-1 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Art criticism / United States / History / 20th century Modernism (Art) Critique d'art / États-Unis / Histoire / 20e siècle Modernisme (Art) Art criticism United States 1900-1999 History USA (DE-588)4078704-7 g Modernismus (DE-588)4133275-1 s Kunstkritik (DE-588)4033659-1 s Geschichte 1960-1975 z DE-604 Greenberg, Clement 1909-1994 (DE-588)118718606 p Fried, Michael 1939- (DE-588)123555299 p Krauss, Rosalind E. 1941- (DE-588)120118599 p Michelson, Annette 1922-2018 (DE-588)188460098 p Rosenberg, Harold 1906-1978 (DE-588)121363767 p Steinberg, Leo 1920-2011 (DE-588)128793368 p Alloway, Lawrence 1926-1990 (DE-588)130316075 p Erscheint auch als Online-Ausgabe 978-1-003-09827-0 |
| spellingShingle | Moonie, Stephen Art criticism and modernism in the United States Rosenberg, Harold 1906-1978 (DE-588)121363767 gnd Fried, Michael 1939- (DE-588)123555299 gnd Michelson, Annette 1922-2018 (DE-588)188460098 gnd Steinberg, Leo 1920-2011 (DE-588)128793368 gnd Krauss, Rosalind E. 1941- (DE-588)120118599 gnd Alloway, Lawrence 1926-1990 (DE-588)130316075 gnd Greenberg, Clement 1909-1994 (DE-588)118718606 gnd Modernismus (DE-588)4133275-1 gnd Kunstkritik (DE-588)4033659-1 gnd |
| subject_GND | (DE-588)121363767 (DE-588)123555299 (DE-588)188460098 (DE-588)128793368 (DE-588)120118599 (DE-588)130316075 (DE-588)118718606 (DE-588)4133275-1 (DE-588)4033659-1 (DE-588)4078704-7 |
| title | Art criticism and modernism in the United States |
| title_auth | Art criticism and modernism in the United States |
| title_exact_search | Art criticism and modernism in the United States |
| title_exact_search_txtP | Art criticism and modernism in the United States |
| title_full | Art criticism and modernism in the United States Stephen Moonie |
| title_fullStr | Art criticism and modernism in the United States Stephen Moonie |
| title_full_unstemmed | Art criticism and modernism in the United States Stephen Moonie |
| title_short | Art criticism and modernism in the United States |
| title_sort | art criticism and modernism in the united states |
| topic | Rosenberg, Harold 1906-1978 (DE-588)121363767 gnd Fried, Michael 1939- (DE-588)123555299 gnd Michelson, Annette 1922-2018 (DE-588)188460098 gnd Steinberg, Leo 1920-2011 (DE-588)128793368 gnd Krauss, Rosalind E. 1941- (DE-588)120118599 gnd Alloway, Lawrence 1926-1990 (DE-588)130316075 gnd Greenberg, Clement 1909-1994 (DE-588)118718606 gnd Modernismus (DE-588)4133275-1 gnd Kunstkritik (DE-588)4033659-1 gnd |
| topic_facet | Rosenberg, Harold 1906-1978 Fried, Michael 1939- Michelson, Annette 1922-2018 Steinberg, Leo 1920-2011 Krauss, Rosalind E. 1941- Alloway, Lawrence 1926-1990 Greenberg, Clement 1909-1994 Modernismus Kunstkritik USA |
| work_keys_str_mv | AT mooniestephen artcriticismandmodernismintheunitedstates |