Making a medieval stained glass window: an archaeometric study of technology and production
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| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Oxford
BAR Publishing
2022
|
| Series: | Bar British series
671 UCL Institute of Archaeology PHD series Volume 5 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | xxi, 238 Seiten Illustrationen, Diagramme, Pläne (teilweise farbig) |
| ISBN: | 9781407358505 |
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MARC
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| 020 | |a 9781407358505 |c paperback |9 978-1-4073-5850-5 | ||
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| 100 | 1 | |a Adlington, Laura W. |e Verfasser |0 (DE-588)1109811853 |4 aut | |
| 245 | 1 | 0 | |a Making a medieval stained glass window |b an archaeometric study of technology and production |c Laura W. Adlington |
| 264 | 1 | |a Oxford |b BAR Publishing |c 2022 | |
| 300 | |a xxi, 238 Seiten |b Illustrationen, Diagramme, Pläne (teilweise farbig) | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Bar British series |v 671 | |
| 490 | 1 | |a UCL Institute of Archaeology PHD series |v Volume 5 | |
| 502 | |b Dissertation | ||
| 648 | 7 | |a Geschichte 1405-1408 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Archäometrie |0 (DE-588)4130392-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künstlerische Technik |0 (DE-588)4165888-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Glasmalerei |0 (DE-588)4021177-0 |2 gnd |9 rswk-swf |
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| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Kathedrale York |g York |0 (DE-588)4225218-0 |D g |
| 689 | 0 | 1 | |a Glasmalerei |0 (DE-588)4021177-0 |D s |
| 689 | 0 | 2 | |a Geschichte 1405-1408 |A z |
| 689 | 0 | |5 DE-604 | |
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| 689 | 1 | 1 | |a Künstlerische Technik |0 (DE-588)4165888-7 |D s |
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| 830 | 0 | |a Bar British series |v 671 |w (DE-604)BV000897461 |9 671 | |
| 830 | 0 | |a UCL Institute of Archaeology PHD series |v Volume 5 |w (DE-604)BV048416878 |9 5 | |
| 856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033678917&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Record in the Search Index
| _version_ | 1805076532784267264 |
|---|---|
| adam_text |
CONTENTS
LIST OF
FIGURES.XM
LIST OF
TABLES.X*X
ABSTRACT.XX*
1
INTRODUCTION.*
1.1 THE GREAT EAST WINDOW OF YORK
MINSTER.1
1
.
1.1
GLASS-MAKING TECHNOLOGY AND
ACQUISITION.
1
1.1.2 THE ORGANISATION OF STAINED GLASS WINDOW
PRODUCTION.3
1.2 CHALLENGES IN THE STUDY OF MEDIEVAL STAINED GLASS BY MATERIALS
SCIENCE METHODS
.
3
1.2.1 TRACE ELEMENT
METHODOLOGY.3
1.2.2 INTERFERENCE OF LEAD
CAMES.4
1.3
OVERVIEW.4
2 THE GREAT EAST WINDOW OF YORK
MINSTER.7
2.1 YORK IN
1400.7
2.2 CONSTRUCTION OF THE
WINDOW.9
2.3 YORK MINSTER
REVEALED.10
2.3.1 COMPOSITION, CORROSION AND ORIGINS OF MEDIEVAL WINDOW GLASS: THE
CARDIFF-YORK PROJECT
.
11
2.3.1.1 SAMPLES FROM THE
PROJECT.11
2.4 SUMMARY: A WINDOW OF
OPPORTUNITY.11
3 GLASS-MAKING IN THE MEDIEVAL
PERIOD.13
3.1 MEDIEVAL TREATISES ON
GLASS-MAKING.13
3.2 THE CHEMICAL COMPOSITION OF MEDIEVAL FOREST
GLASS.
15
3.2.1 FACTORS AFFECTING THE CHEMICAL COMPOSITION OF MEDIEVAL
GLASS.15
3.2.2 TRANSITION TO HIGH LIME, LOW ALKALI (HLLA)
GLASS.16
3.3 COLOUR
TECHNOLOGY.
17
3.3.1 CONTROL OVER THE FURNACE AND REDOX
CONDITIONS.
17
3.3.2 ADDITION OF COLOURANTS TO THE
MELT.17
3.3.3 FLASHED GLASS AND OTHER COMPOSITE
GLASSES.18
3.4 POSSIBLE SOURCES FOR THE GEW GLASS
.19
3.5 REGIONAL TRENDS IN GLASS COMPOSITION: SYNTHESIS OF PREVIOUS
ANALYTICAL WORK ON MEDIEVAL EUROPEAN GLASS
.
20
3.6 THE GEW AND GLASS-MAKING
TECHNOLOGY.23
4 MEDIEVAL
GLASS-PAINTING.27
4.1 MEDIEVAL TREATISES ON
GLASS-PAINTING.27
4.2 CARTOONS AND GLAZING
TABLES.29
4.3 MEDIEVAL CRAFT GUILDS AND
GLASS-PAINTING.30
4.4 WORKSHOP
PRACTICE.31
4.5 A MULTIDISCIPLINARY
APPROACH.32
5 PROBLEMS AND POSSIBILITIES: USING HANDHELD PXRF TO STUDY MEDIEVAL
STAINED GLASS WINDOWS
.
35
5.1 AN INTRODUCTION TO HANDHELD
PXRF.
35
5.1.1 THE BASIC PRINCIPLES BEHIND XRF
ANALYSIS.!
.
35
5.1.2 HANDHELD (PORTABLE) XRF: PRACTICAL
CONSIDERATIONS.
35
5.
1
.
2.1
THE SAMPLE
MATERIAL.36
5.1.2.2 INSTRUMENTAL
SETTINGS.36
5.1.2.3
QUANTIFICATION.
37
5.1.2.4 PERFORMANCE, PROBLEMS AND
POTENTIAL.38
IX
5.2 HANDHELD PXRF IN ARCHAEOLOGY AND CULTURAL HERITAGE
.38
5.2.1 THE ENGLISH HERITAGE HISTORIC WINDOW GLASS PROJECT
.
39
5.3 SURFACE CONDITIONS OF MEDIEVAL STAINED
GLASS.40
5.3.1 COMPOSITION AND CORROSION OF MEDIEVAL STAINED GLASS
.
40
5.3.2 DECORATIVE DETAILS: GRISAILLE AND SILVER
STAIN.43
5.3.2.1
GRISAILLE.43
5.3.2.2 SILVER
STAIN.43
5.4 THE INTERFERENCE OF LEAD
CAMES.
44
5.5 DEVELOPING A METHODOLOGY FOR THE STUDY OF MEDIEVAL STAINED GLASS
WINDOWS BY HANDHELD PXRF
.
45
6
METHODS.47
6
.1 MATERIALS AND
SAMPLING.47
6.1.1 GREAT EAST WINDOW, YORK
MINSTER.47
6
.1.2 THE CARDIFF-YORK PROJECT: DATA AND
SAMPLES.48
6
.1.2.1 LITTLE BIRCHES WOLSELEY,
STAFFORDSHIRE.49
6
.1.2.2 ST WILLIAM WINDOW, YORK
MINSTER.49
6.2 ANALYTICAL
METHODS.49
6.2.1 HANDHELD PXRF
ANALYSES.
49
6.2.2 ELECTRON MICROPROBE
ANALYSES.51
6.2.3 OM AND SEM
IMAGING.52
6.2.4 LASER ABLATION ICP-MS
ANALYSES.52
6.2.5 ISOTOPE RATIO
ANALYSES.54
6.2.6 DEVELOPMENT OF GLASS CALIBRATION
STANDARDS.54
6.3 TESTS FOR METHODOLOGICAL
DEVELOPMENT.
55
6.3.1 ELEMENTS AFFECTED BY SURFACE
CONDITIONS.55
6.3.2 THE INTERFERENCE OF LEAD CAMES ON IN SITU ANALYSIS
.55
6.4 IDENTIFICATION OF GLASS
BATCHES.55
6.5 SUMMARY OF THE RESEARCH
METHODS.56
7 PERFORMANCE OF HANDHELD PXRF IN THE ANALYSIS OF MEDIEVAL STAINED
GLASS.57
7.1 TRACE ELEMENT
METHODOLOGY.57
7.1.1 PXRF PERFORMANCE ON STANDARDS AND MEDIEVAL
GLASS.57
7.1.2 DETERIORATION AND THE DEPTH OF
ANALYSIS.63
7.1.3 TRACE ELEMENTS IN MEDIEVAL FOREST
GLASS.
65
7.2 BYPASSING THE INTERFERENCE OF LEAD
CAMES.
66
7.2.1 COMPARISON OF IN SITU AND TEST STAND ANALYSES BY
PXRF.
66
7.2.2 ANALYSIS OF GLASS AT INCREASING
DISTANCES.
66
7.2.3 COMPARISON OF EMPIRICAL
CALIBRATIONS.
66
7.2.4 FACTORS AFFECTING THE MEASURED INTENSITY WITH INCREASED WORKING
DISTANCE.69
7.2.5 DEVELOPMENT OF AN ATTACHMENT FOR IN SITU WINDOW ANALYSIS, THE
WINDOLYZER 5
.
72
7.2.6 HEALTH &
SAFETY.72
7.3
SUMMARY.
76
8 CHEMICAL CHARACTERISATION OF THE GREAT EAST WINDOW
GLASS.79
8.1
CHARACTERISING MAJOR GLASS
TYPES.79
8.1.1 IDENTIFICATION OF ORIGINAL AND NON-ORIGINAL
GLASS.80
8.2 GLASS ORIGINAL TO THE
WINDOW.81
8.2.1 THE ORIGINAL WHITE
GLASS.82
8
.
2
.
1.1
COMPARISON WITH STAFFORDSHIRE
GLASS.82
8.2.2 THE ORIGINAL BLUE AND RED
GLASS.
86
8.2.2.1 BLUE COLOUR: COMPARISON WITH GRATUZE COBALT
ORES.
88
8
.2.2.2 RED GLASS: COMPARISON WITH KUNICKI-GOLDFINGER ET AL.
(2014).
88
8.2.3 THE ORIGINAL GREEN AND YELLOW
GLASS.89
8.2.4 THE ORIGINAL MANGANESE-COLOURED
GLASS.
91
8.2.5 ORIGINAL HLLA
GLASS?.
94
8.3 NON-ORIGINAL MEDIEVAL FOREST
GLASS.96
8.3.1 NON-ORIGINAL WHITE FOREST GLASS
(POTASH-LIME).
97
MAKING A MEDIEVAL STAINED GLASS WINDOW
8.3.2 NON-ORIGINAL COLOURED FOREST GLASS
(POTASH-LIME).97
8.3.3 NON-ORIGINAL HLLA
GLASS.100
8.4 SUMMARY OF THE COMPOSITIONAL
RESULTS.
100
9 ORIGINAL WHITE GLASS BATCHES AND THEIR DISTRIBUTION IN THE
WINDOW.103
9.1 IDENTIFICATION OF BATCHES USING COMPOSITIONAL
DATA.103
9.1.1 PANEL-BY-PANEL
IDENTIFICATION.103
9.1.2 THE CROSS-WINDOW
APPROACH.103
9.1.3 SIGNIFICANCE OF
CLUSTERS.104
9.2 DISTRIBUTION OF BATCHES ACROSS THE
PANELS.106
9.2.1 ROW 1 PANELS (LE, LH,
LJ).107
9.2.2 PANEL
3B.107
9.2.3 PANEL
10C.107
9.2.4 PANEL
LOE.107
9.2.5 PANEL
LOH.109
9.2.6 PANEL
15A.109
9.2.7 PANEL
15B.109
9.2.8 PANEL
15F.HI
9.2.9 PANEL
15G.ILL
9.2.10 PANEL
15H.112
9.3
SUMMARY.
112
10 RECIPES AND PROCUREMENT OF THE GEW
GLASS.115
10.1 WHITE GLASS
.115
10.1.1
PROVENANCE.115
10.1.1.1 CONSIGNMENTS OF WHITE
GLASS.115
10.1.2 CUSTOMER-SUPPLIER
RELATIONSHIP.116
10.2 COLOURED
GLASS.116
10.2.1 REGIONAL
PROVENANCE.116
10.2.2 GLASS-MAKING
TECHNOLOGY.118
10.2.3 IMPORTATION OF EUROPEAN GLASS TO
ENGLAND.119
10.3 HLLA
GLASS.120
10.4
SUMMARY.121
11 GLASS-PAINTING AND THE ORGANISATION OF PRODUCTION IN
JOHN THORNTON'S
WORKSHOP.123
11.1 THE LONG-TERM PROGRESS OF THE GLAZING
PROJECT.123
11.2 THE GLAZING TABLE AS A
WORKSPACE.124
11.3 THE DIVISION OF LABOUR IN THE PRODUCTION OF
PANELS.126
11.3.1 TAYLORISM-FORDISM: THE ASSEMBLY LINE
MODEL.127
11.3.2 TOYOTISM: THE CELLULAR
MODEL.127
11.3.3 PANEL
PRODUCTION.129
11.4 WORKSHOP ORGANISATION
.130
11.4.1 THE WORK OF JOHN
THORNTON?.131
11.5
SUMMARY.
131
12
CONCLUSIONS.133
12.1 DEVELOPMENT OF A
METHODOLOGY.
133
12.1.1 THE TRACE ELEMENT
METHODOLOGY.133
12.1.2 THE WINDOLYZER 5
.134
12.2 GLASS-MAKING AND PROCUREMENT OF THE
GLASS.134
12.3 THE ORGANISATION OF PRODUCTION IN THORNTON'S
WORKSHOP.135
12.4 A WINDOW TO THE
PAST.
135
APPENDIX A. THE GREAT EAST WINDOW OF YORK MINSTER: SUPPLEMENTARY
MATERIALS AND SAMPLING
.
137
A. 1 THE CONTRACT FOR THE GLAZING OF THE
GEW.
137
A. 1.1 JAMES TORRE, ENGLISH
VERSION.
137
MAKING A MEDIEVAL STAINED GLASS WINDOW
A. 1.2 MATTHEW HUTTON (ENGLISH
TRANSLATION).1
A.2 TIMELINE OF THE
GEW.137
A. 3 IMAGES AND
SAMPLING.
138
APPENDIX B. ANALYTICAL METHODS: SUPPLEMENTARY
INFORMATION.151
B. 1 EPMA-WDS CHANNELS AND
CRYSTALS.151
B. 2 EMPIRICAL CALIBRATIONS FOR THE PXRF
ANALYSES.
152
B. 2.1 EMPIRICAL CALIBRATIONS FOR THE PANEL 3B
ANALYSES.153
B.2.2 EMPIRICAL CALIBRATIONS FOR THE ROWS 1 AND 15
ANALYSES.155
B.2.3 EMPIRICAL CALIBRATIONS FOR THE ROW 10
ANALYSES.
157
APPENDIX C. UCL REFERENCE GLASSES ADI, AD2 AND AD3, BASED ON MEDIEVAL
FOREST GLASS COMPOSITIONS
.
159
C. 1 PREPARATION OF THE
STANDARDS.159
C.2 ELEMENTAL ANALYSIS BY EPMA-WDS AND
LA-ICP-MS.159
C.3 RECOMMENDED COMPOSITIONS BASED ON ELEMENTAL
ANALYSIS.161
APPENDIX D. RESULTS OF THE CHEMICAL
ANALYSES.163
APPENDIX E. IDENTIFICATION OF
BATCHES.209
E. 1 PANEL 1
E.211
E.2 PANEL
LH.
212
E.3 PANEL
LJ.213
E.4 PANEL
3B.214
E.5 PANEL
10C.215
E.6 PANEL
LOE.216
E.7 PANEL
LOH.217
E.8 PANEL
15A.218
E.9 PANEL
15B.219
E.10 PANEL
15F.220
E.LL PANEL
15G.221
E.12 PANEL
15H.222
REFERENCES
223 |
| adam_txt |
CONTENTS
LIST OF
FIGURES.XM
LIST OF
TABLES.X*X
ABSTRACT.XX*
1
INTRODUCTION.*
1.1 THE GREAT EAST WINDOW OF YORK
MINSTER.1
1
.
1.1
GLASS-MAKING TECHNOLOGY AND
ACQUISITION.
1
1.1.2 THE ORGANISATION OF STAINED GLASS WINDOW
PRODUCTION.3
1.2 CHALLENGES IN THE STUDY OF MEDIEVAL STAINED GLASS BY MATERIALS
SCIENCE METHODS
.
3
1.2.1 TRACE ELEMENT
METHODOLOGY.3
1.2.2 INTERFERENCE OF LEAD
CAMES.4
1.3
OVERVIEW.4
2 THE GREAT EAST WINDOW OF YORK
MINSTER.7
2.1 YORK IN
1400.7
2.2 CONSTRUCTION OF THE
WINDOW.9
2.3 YORK MINSTER
REVEALED.10
2.3.1 COMPOSITION, CORROSION AND ORIGINS OF MEDIEVAL WINDOW GLASS: THE
CARDIFF-YORK PROJECT
.
11
2.3.1.1 SAMPLES FROM THE
PROJECT.11
2.4 SUMMARY: A WINDOW OF
OPPORTUNITY.11
3 GLASS-MAKING IN THE MEDIEVAL
PERIOD.13
3.1 MEDIEVAL TREATISES ON
GLASS-MAKING.13
3.2 THE CHEMICAL COMPOSITION OF MEDIEVAL FOREST
GLASS.
15
3.2.1 FACTORS AFFECTING THE CHEMICAL COMPOSITION OF MEDIEVAL
GLASS.15
3.2.2 TRANSITION TO HIGH LIME, LOW ALKALI (HLLA)
GLASS.16
3.3 COLOUR
TECHNOLOGY.
17
3.3.1 CONTROL OVER THE FURNACE AND REDOX
CONDITIONS.
17
3.3.2 ADDITION OF COLOURANTS TO THE
MELT.17
3.3.3 FLASHED GLASS AND OTHER COMPOSITE
GLASSES.18
3.4 POSSIBLE SOURCES FOR THE GEW GLASS
.19
3.5 REGIONAL TRENDS IN GLASS COMPOSITION: SYNTHESIS OF PREVIOUS
ANALYTICAL WORK ON MEDIEVAL EUROPEAN GLASS
.
20
3.6 THE GEW AND GLASS-MAKING
TECHNOLOGY.23
4 MEDIEVAL
GLASS-PAINTING.27
4.1 MEDIEVAL TREATISES ON
GLASS-PAINTING.27
4.2 CARTOONS AND GLAZING
TABLES.29
4.3 MEDIEVAL CRAFT GUILDS AND
GLASS-PAINTING.30
4.4 WORKSHOP
PRACTICE.31
4.5 A MULTIDISCIPLINARY
APPROACH.32
5 PROBLEMS AND POSSIBILITIES: USING HANDHELD PXRF TO STUDY MEDIEVAL
STAINED GLASS WINDOWS
.
35
5.1 AN INTRODUCTION TO HANDHELD
PXRF.
35
5.1.1 THE BASIC PRINCIPLES BEHIND XRF
ANALYSIS.!
.
35
5.1.2 HANDHELD (PORTABLE) XRF: PRACTICAL
CONSIDERATIONS.
35
5.
1
.
2.1
THE SAMPLE
MATERIAL.36
5.1.2.2 INSTRUMENTAL
SETTINGS.36
5.1.2.3
QUANTIFICATION.
37
5.1.2.4 PERFORMANCE, PROBLEMS AND
POTENTIAL.38
IX
5.2 HANDHELD PXRF IN ARCHAEOLOGY AND CULTURAL HERITAGE
.38
5.2.1 THE ENGLISH HERITAGE HISTORIC WINDOW GLASS PROJECT
.
39
5.3 SURFACE CONDITIONS OF MEDIEVAL STAINED
GLASS.40
5.3.1 COMPOSITION AND CORROSION OF MEDIEVAL STAINED GLASS
.
40
5.3.2 DECORATIVE DETAILS: GRISAILLE AND SILVER
STAIN.43
5.3.2.1
GRISAILLE.43
5.3.2.2 SILVER
STAIN.43
5.4 THE INTERFERENCE OF LEAD
CAMES.
44
5.5 DEVELOPING A METHODOLOGY FOR THE STUDY OF MEDIEVAL STAINED GLASS
WINDOWS BY HANDHELD PXRF
.
45
6
METHODS.47
6
.1 MATERIALS AND
SAMPLING.47
6.1.1 GREAT EAST WINDOW, YORK
MINSTER.47
6
.1.2 THE CARDIFF-YORK PROJECT: DATA AND
SAMPLES.48
6
.1.2.1 LITTLE BIRCHES WOLSELEY,
STAFFORDSHIRE.49
6
.1.2.2 ST WILLIAM WINDOW, YORK
MINSTER.49
6.2 ANALYTICAL
METHODS.49
6.2.1 HANDHELD PXRF
ANALYSES.
49
6.2.2 ELECTRON MICROPROBE
ANALYSES.51
6.2.3 OM AND SEM
IMAGING.52
6.2.4 LASER ABLATION ICP-MS
ANALYSES.52
6.2.5 ISOTOPE RATIO
ANALYSES.54
6.2.6 DEVELOPMENT OF GLASS CALIBRATION
STANDARDS.54
6.3 TESTS FOR METHODOLOGICAL
DEVELOPMENT.
55
6.3.1 ELEMENTS AFFECTED BY SURFACE
CONDITIONS.55
6.3.2 THE INTERFERENCE OF LEAD CAMES ON IN SITU ANALYSIS
.55
6.4 IDENTIFICATION OF GLASS
BATCHES.55
6.5 SUMMARY OF THE RESEARCH
METHODS.56
7 PERFORMANCE OF HANDHELD PXRF IN THE ANALYSIS OF MEDIEVAL STAINED
GLASS.57
7.1 TRACE ELEMENT
METHODOLOGY.57
7.1.1 PXRF PERFORMANCE ON STANDARDS AND MEDIEVAL
GLASS.57
7.1.2 DETERIORATION AND THE DEPTH OF
ANALYSIS.63
7.1.3 TRACE ELEMENTS IN MEDIEVAL FOREST
GLASS.
65
7.2 BYPASSING THE INTERFERENCE OF LEAD
CAMES.
66
7.2.1 COMPARISON OF IN SITU AND TEST STAND ANALYSES BY
PXRF.
66
7.2.2 ANALYSIS OF GLASS AT INCREASING
DISTANCES.
66
7.2.3 COMPARISON OF EMPIRICAL
CALIBRATIONS.
66
7.2.4 FACTORS AFFECTING THE MEASURED INTENSITY WITH INCREASED WORKING
DISTANCE.69
7.2.5 DEVELOPMENT OF AN ATTACHMENT FOR IN SITU WINDOW ANALYSIS, THE
WINDOLYZER 5
.
72
7.2.6 HEALTH &
SAFETY.72
7.3
SUMMARY.
76
8 CHEMICAL CHARACTERISATION OF THE GREAT EAST WINDOW
GLASS.79
8.1
CHARACTERISING MAJOR GLASS
TYPES.79
8.1.1 IDENTIFICATION OF ORIGINAL AND NON-ORIGINAL
GLASS.80
8.2 GLASS ORIGINAL TO THE
WINDOW.81
8.2.1 THE ORIGINAL WHITE
GLASS.82
8
.
2
.
1.1
COMPARISON WITH STAFFORDSHIRE
GLASS.82
8.2.2 THE ORIGINAL BLUE AND RED
GLASS.
86
8.2.2.1 BLUE COLOUR: COMPARISON WITH GRATUZE COBALT
ORES.
88
8
.2.2.2 RED GLASS: COMPARISON WITH KUNICKI-GOLDFINGER ET AL.
(2014).
88
8.2.3 THE ORIGINAL GREEN AND YELLOW
GLASS.89
8.2.4 THE ORIGINAL MANGANESE-COLOURED
GLASS.
91
8.2.5 ORIGINAL HLLA
GLASS?.
94
8.3 NON-ORIGINAL MEDIEVAL FOREST
GLASS.96
8.3.1 NON-ORIGINAL WHITE FOREST GLASS
(POTASH-LIME).
97
MAKING A MEDIEVAL STAINED GLASS WINDOW
8.3.2 NON-ORIGINAL COLOURED FOREST GLASS
(POTASH-LIME).97
8.3.3 NON-ORIGINAL HLLA
GLASS.100
8.4 SUMMARY OF THE COMPOSITIONAL
RESULTS.
100
9 ORIGINAL WHITE GLASS BATCHES AND THEIR DISTRIBUTION IN THE
WINDOW.103
9.1 IDENTIFICATION OF BATCHES USING COMPOSITIONAL
DATA.103
9.1.1 PANEL-BY-PANEL
IDENTIFICATION.103
9.1.2 THE CROSS-WINDOW
APPROACH.103
9.1.3 SIGNIFICANCE OF
CLUSTERS.104
9.2 DISTRIBUTION OF BATCHES ACROSS THE
PANELS.106
9.2.1 ROW 1 PANELS (LE, LH,
LJ).107
9.2.2 PANEL
3B.107
9.2.3 PANEL
10C.107
9.2.4 PANEL
LOE.107
9.2.5 PANEL
LOH.109
9.2.6 PANEL
15A.109
9.2.7 PANEL
15B.109
9.2.8 PANEL
15F.HI
9.2.9 PANEL
15G.ILL
9.2.10 PANEL
15H.112
9.3
SUMMARY.
112
10 RECIPES AND PROCUREMENT OF THE GEW
GLASS.115
10.1 WHITE GLASS
.115
10.1.1
PROVENANCE.115
10.1.1.1 CONSIGNMENTS OF WHITE
GLASS.115
10.1.2 CUSTOMER-SUPPLIER
RELATIONSHIP.116
10.2 COLOURED
GLASS.116
10.2.1 REGIONAL
PROVENANCE.116
10.2.2 GLASS-MAKING
TECHNOLOGY.118
10.2.3 IMPORTATION OF EUROPEAN GLASS TO
ENGLAND.119
10.3 HLLA
GLASS.120
10.4
SUMMARY.121
11 GLASS-PAINTING AND THE ORGANISATION OF PRODUCTION IN
JOHN THORNTON'S
WORKSHOP.123
11.1 THE LONG-TERM PROGRESS OF THE GLAZING
PROJECT.123
11.2 THE GLAZING TABLE AS A
WORKSPACE.124
11.3 THE DIVISION OF LABOUR IN THE PRODUCTION OF
PANELS.126
11.3.1 TAYLORISM-FORDISM: THE ASSEMBLY LINE
MODEL.127
11.3.2 TOYOTISM: THE CELLULAR
MODEL.127
11.3.3 PANEL
PRODUCTION.129
11.4 WORKSHOP ORGANISATION
.130
11.4.1 THE WORK OF JOHN
THORNTON?.131
11.5
SUMMARY.
131
12
CONCLUSIONS.133
12.1 DEVELOPMENT OF A
METHODOLOGY.
133
12.1.1 THE TRACE ELEMENT
METHODOLOGY.133
12.1.2 THE WINDOLYZER 5
.134
12.2 GLASS-MAKING AND PROCUREMENT OF THE
GLASS.134
12.3 THE ORGANISATION OF PRODUCTION IN THORNTON'S
WORKSHOP.135
12.4 A WINDOW TO THE
PAST.
135
APPENDIX A. THE GREAT EAST WINDOW OF YORK MINSTER: SUPPLEMENTARY
MATERIALS AND SAMPLING
.
137
A. 1 THE CONTRACT FOR THE GLAZING OF THE
GEW.
137
A. 1.1 JAMES TORRE, ENGLISH
VERSION.
137
MAKING A MEDIEVAL STAINED GLASS WINDOW
A. 1.2 MATTHEW HUTTON (ENGLISH
TRANSLATION).1
A.2 TIMELINE OF THE
GEW.137
A. 3 IMAGES AND
SAMPLING.
138
APPENDIX B. ANALYTICAL METHODS: SUPPLEMENTARY
INFORMATION.151
B. 1 EPMA-WDS CHANNELS AND
CRYSTALS.151
B. 2 EMPIRICAL CALIBRATIONS FOR THE PXRF
ANALYSES.
152
B. 2.1 EMPIRICAL CALIBRATIONS FOR THE PANEL 3B
ANALYSES.153
B.2.2 EMPIRICAL CALIBRATIONS FOR THE ROWS 1 AND 15
ANALYSES.155
B.2.3 EMPIRICAL CALIBRATIONS FOR THE ROW 10
ANALYSES.
157
APPENDIX C. UCL REFERENCE GLASSES ADI, AD2 AND AD3, BASED ON MEDIEVAL
FOREST GLASS COMPOSITIONS
.
159
C. 1 PREPARATION OF THE
STANDARDS.159
C.2 ELEMENTAL ANALYSIS BY EPMA-WDS AND
LA-ICP-MS.159
C.3 RECOMMENDED COMPOSITIONS BASED ON ELEMENTAL
ANALYSIS.161
APPENDIX D. RESULTS OF THE CHEMICAL
ANALYSES.163
APPENDIX E. IDENTIFICATION OF
BATCHES.209
E. 1 PANEL 1
E.211
E.2 PANEL
LH.
212
E.3 PANEL
LJ.213
E.4 PANEL
3B.214
E.5 PANEL
10C.215
E.6 PANEL
LOE.216
E.7 PANEL
LOH.217
E.8 PANEL
15A.218
E.9 PANEL
15B.219
E.10 PANEL
15F.220
E.LL PANEL
15G.221
E.12 PANEL
15H.222
REFERENCES
223 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T20:06:13Z |
| indexdate | 2024-07-20T05:58:48Z |
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| isbn | 9781407358505 |
| language | English |
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| spelling | Adlington, Laura W. Verfasser (DE-588)1109811853 aut Making a medieval stained glass window an archaeometric study of technology and production Laura W. Adlington Oxford BAR Publishing 2022 xxi, 238 Seiten Illustrationen, Diagramme, Pläne (teilweise farbig) txt rdacontent sti rdacontent n rdamedia nc rdacarrier Bar British series 671 UCL Institute of Archaeology PHD series Volume 5 Dissertation Geschichte 1405-1408 gnd rswk-swf Archäometrie (DE-588)4130392-1 gnd rswk-swf Künstlerische Technik (DE-588)4165888-7 gnd rswk-swf Glasmalerei (DE-588)4021177-0 gnd rswk-swf Kathedrale York York (DE-588)4225218-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Kathedrale York York (DE-588)4225218-0 g Glasmalerei (DE-588)4021177-0 s Geschichte 1405-1408 z DE-604 Künstlerische Technik (DE-588)4165888-7 s Archäometrie (DE-588)4130392-1 s Erscheint auch als Online-Ausgabe, EPUB 978-1-4073-5851-2 Bar British series 671 (DE-604)BV000897461 671 UCL Institute of Archaeology PHD series Volume 5 (DE-604)BV048416878 5 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033678917&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Adlington, Laura W. Making a medieval stained glass window an archaeometric study of technology and production Bar British series UCL Institute of Archaeology PHD series Archäometrie (DE-588)4130392-1 gnd Künstlerische Technik (DE-588)4165888-7 gnd Glasmalerei (DE-588)4021177-0 gnd |
| subject_GND | (DE-588)4130392-1 (DE-588)4165888-7 (DE-588)4021177-0 (DE-588)4225218-0 (DE-588)4113937-9 |
| title | Making a medieval stained glass window an archaeometric study of technology and production |
| title_auth | Making a medieval stained glass window an archaeometric study of technology and production |
| title_exact_search | Making a medieval stained glass window an archaeometric study of technology and production |
| title_exact_search_txtP | Making a medieval stained glass window an archaeometric study of technology and production |
| title_full | Making a medieval stained glass window an archaeometric study of technology and production Laura W. Adlington |
| title_fullStr | Making a medieval stained glass window an archaeometric study of technology and production Laura W. Adlington |
| title_full_unstemmed | Making a medieval stained glass window an archaeometric study of technology and production Laura W. Adlington |
| title_short | Making a medieval stained glass window |
| title_sort | making a medieval stained glass window an archaeometric study of technology and production |
| title_sub | an archaeometric study of technology and production |
| topic | Archäometrie (DE-588)4130392-1 gnd Künstlerische Technik (DE-588)4165888-7 gnd Glasmalerei (DE-588)4021177-0 gnd |
| topic_facet | Archäometrie Künstlerische Technik Glasmalerei Kathedrale York York Hochschulschrift |
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