Designing interactions for music and sound:
"Designing Interactions for Music and Sound presents multidisciplinary research and case studies in electronic music production, dance-composer collaboration, AI tools for live performance, multimedia works, installations in public spaces, locative media, AR/VR//MR/XR and health. As the follow-...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2022
|
| Schriftenreihe: | Sound design series
A Focal Press book |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Designing Interactions for Music and Sound presents multidisciplinary research and case studies in electronic music production, dance-composer collaboration, AI tools for live performance, multimedia works, installations in public spaces, locative media, AR/VR//MR/XR and health. As the follow-on volume to Foundations in Sound Design for Interactive Media, the authors cover key practices, technologies and concepts such as: classifications, design guidelines and taxonomies of programs, interfaces, sensors, spatialization and other means for enhancing musical expressivity; controllerism-the techniques of non-musician performers of electronic music who utilize MIDI, OSC and wireless technologies to manipulate sound in real time; artificial intelligence tools used in live club music, soundscape poetics and research creation based on audio walks, environmental attunement and embodied listening; new sound design techniques for VR/AR/MR/XR that express virtual human motion; and the use of interactive sound in health contexts, such as designing sonic interfaces for users with dementia. Collectively the chapters illustrate the robustness and variety of contemporary interactive sound design research, creativity and its many applied contexts for students, teachers, researchers and practitioners"-- |
| Beschreibung: | xvii, 208 Seiten Illustrationen (schwarz-weiß) |
| ISBN: | 9780367691349 9780367691370 |
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| 520 | 3 | |a "Designing Interactions for Music and Sound presents multidisciplinary research and case studies in electronic music production, dance-composer collaboration, AI tools for live performance, multimedia works, installations in public spaces, locative media, AR/VR//MR/XR and health. As the follow-on volume to Foundations in Sound Design for Interactive Media, the authors cover key practices, technologies and concepts such as: classifications, design guidelines and taxonomies of programs, interfaces, sensors, spatialization and other means for enhancing musical expressivity; controllerism-the techniques of non-musician performers of electronic music who utilize MIDI, OSC and wireless technologies to manipulate sound in real time; artificial intelligence tools used in live club music, soundscape poetics and research creation based on audio walks, environmental attunement and embodied listening; new sound design techniques for VR/AR/MR/XR that express virtual human motion; and the use of interactive sound in health contexts, such as designing sonic interfaces for users with dementia. Collectively the chapters illustrate the robustness and variety of contemporary interactive sound design research, creativity and its many applied contexts for students, teachers, researchers and practitioners"-- | |
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Datensatz im Suchindex
| _version_ | 1804184128629768192 |
|---|---|
| adam_text | Contents List ofFigures List of Tables Contributors Bios Volume Introduction Acknowledgment 1 vii x xii xvi xviii 1 Designing interactive Musical Interfaces DAN OVERHOLT 2 Collective Con trollerisin : A Non-Musician ’s Perspective of Interactive Dance as Controllerist Practice 30 MANOLI MORIATY 3 Compute and Resonate: An Ongoing Experiment in Creating Acid Music Using Accessible Artificial Intelligence and Computer-Based Generative Tools 65 DYLAN DAVIS 4 Sonic Poetics of the Tidal Flats 83 PROPHECY SUN, FREYA ZINOVIEFF, KRISTIN CARLSON AND REESE MUNTEAN 5 Designing Sound Installations in Public Spaces: A Collaborative Research Creation Approach 108 CATHERINE GUASTAVINO, VALÉRIAN FRAISSE, SIMONE D’AMBROSIO, ETIENNE LEGAST AND MARYSE LAVOIE 6 Embodied Listening within Geolocative Sonic Art JIMMY EADIE 134
vi Contents 7 Sound Mixed Reality Prompts for People With Dementia: A Familiar and Meaningful Experience 151 SHITAL DESAI, JOEL ONG, DEBORAH FELS AND ARLENE ASTELL 8 Leveraging Motion and Conceptual Frameworks of Sound as a Novel Means of Sound Design in Extended Reality 177 TOMA. GARNER Index 198
|
| adam_txt |
Contents List ofFigures List of Tables Contributors Bios Volume Introduction Acknowledgment 1 vii x xii xvi xviii 1 Designing interactive Musical Interfaces DAN OVERHOLT 2 Collective Con trollerisin : A Non-Musician ’s Perspective of Interactive Dance as Controllerist Practice 30 MANOLI MORIATY 3 Compute and Resonate: An Ongoing Experiment in Creating Acid Music Using Accessible Artificial Intelligence and Computer-Based Generative Tools 65 DYLAN DAVIS 4 Sonic Poetics of the Tidal Flats 83 PROPHECY SUN, FREYA ZINOVIEFF, KRISTIN CARLSON AND REESE MUNTEAN 5 Designing Sound Installations in Public Spaces: A Collaborative Research Creation Approach 108 CATHERINE GUASTAVINO, VALÉRIAN FRAISSE, SIMONE D’AMBROSIO, ETIENNE LEGAST AND MARYSE LAVOIE 6 Embodied Listening within Geolocative Sonic Art JIMMY EADIE 134
vi Contents 7 Sound Mixed Reality Prompts for People With Dementia: A Familiar and Meaningful Experience 151 SHITAL DESAI, JOEL ONG, DEBORAH FELS AND ARLENE ASTELL 8 Leveraging Motion and Conceptual Frameworks of Sound as a Novel Means of Sound Design in Extended Reality 177 TOMA. GARNER Index 198 |
| any_adam_object | 1 |
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| author2 | Filimowicz, Michael 1971- |
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| author_facet | Filimowicz, Michael 1971- |
| building | Verbundindex |
| bvnumber | BV048293387 |
| contents | Designing Interactive Musical Interfaces / by Dan Overholt -- Collective Controllerism : a Non-musician's Perspective of Interactive Dance as Controllerist Practice / by Manoli Moriaty -- Compute and Resonate : Creating Electronic Music of the Acid Genre for Presentation within a Club Environment Utilizing Accessible Artificial Intelligence and Computer-based Generative Tools / by Dylan Davis -- Sonic Poetics of the Tidal Flats / by Prophecy Sun, Freya Zinovieff, Kristin Carlson and Reese Muntean -- Designing Sound Installations in Public Spaces : A Collaborative Research Creation Approach / by Catherine Guastavino, Valérian Fraisse, Simone D'Ambrosio, Etienne Legast and Maryse Lavoie -- Embodied Listening within Geolocative Sonic Art / by Jimmy Eadie -- Sound Mixed Reality Prompts for People with Dementia : a Familiar andMeaningful Experience / by Shital Desai, Joel Ong, Deborah Fels and Arlene Astell -- Leveraging Motion and Conceptual Frameworks of Sound as a Novel Means of Sound Design in Extended Reality / by Tom A. Garner |
| ctrlnum | (OCoLC)1337127975 (DE-599)BVBBV048293387 |
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| series2 | Sound design series A Focal Press book |
| spelling | Designing interactions for music and sound edited by Michael Filimowicz London ; New York Routledge 2022 xvii, 208 Seiten Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Sound design series A Focal Press book Designing Interactive Musical Interfaces / by Dan Overholt -- Collective Controllerism : a Non-musician's Perspective of Interactive Dance as Controllerist Practice / by Manoli Moriaty -- Compute and Resonate : Creating Electronic Music of the Acid Genre for Presentation within a Club Environment Utilizing Accessible Artificial Intelligence and Computer-based Generative Tools / by Dylan Davis -- Sonic Poetics of the Tidal Flats / by Prophecy Sun, Freya Zinovieff, Kristin Carlson and Reese Muntean -- Designing Sound Installations in Public Spaces : A Collaborative Research Creation Approach / by Catherine Guastavino, Valérian Fraisse, Simone D'Ambrosio, Etienne Legast and Maryse Lavoie -- Embodied Listening within Geolocative Sonic Art / by Jimmy Eadie -- Sound Mixed Reality Prompts for People with Dementia : a Familiar andMeaningful Experience / by Shital Desai, Joel Ong, Deborah Fels and Arlene Astell -- Leveraging Motion and Conceptual Frameworks of Sound as a Novel Means of Sound Design in Extended Reality / by Tom A. Garner "Designing Interactions for Music and Sound presents multidisciplinary research and case studies in electronic music production, dance-composer collaboration, AI tools for live performance, multimedia works, installations in public spaces, locative media, AR/VR//MR/XR and health. As the follow-on volume to Foundations in Sound Design for Interactive Media, the authors cover key practices, technologies and concepts such as: classifications, design guidelines and taxonomies of programs, interfaces, sensors, spatialization and other means for enhancing musical expressivity; controllerism-the techniques of non-musician performers of electronic music who utilize MIDI, OSC and wireless technologies to manipulate sound in real time; artificial intelligence tools used in live club music, soundscape poetics and research creation based on audio walks, environmental attunement and embodied listening; new sound design techniques for VR/AR/MR/XR that express virtual human motion; and the use of interactive sound in health contexts, such as designing sonic interfaces for users with dementia. Collectively the chapters illustrate the robustness and variety of contemporary interactive sound design research, creativity and its many applied contexts for students, teachers, researchers and practitioners"-- Musikproduktion (DE-588)4235850-4 gnd rswk-swf Sounddesign (DE-588)7693207-2 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Electronic music / Production and direction Electronic dance music / Production and direction Electronic musical instruments Human-computer interaction Instruments de musique électroniques electronic instruments (DE-588)4143413-4 Aufsatzsammlung gnd-content Elektronische Musik (DE-588)4014355-7 s Sounddesign (DE-588)7693207-2 s Musikproduktion (DE-588)4235850-4 s DE-604 Filimowicz, Michael 1971- (DE-588)1049761898 edt Erscheint auch als Online-Ausgabe, ebk. 978-1-00-314053-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033673322&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Designing interactions for music and sound Designing Interactive Musical Interfaces / by Dan Overholt -- Collective Controllerism : a Non-musician's Perspective of Interactive Dance as Controllerist Practice / by Manoli Moriaty -- Compute and Resonate : Creating Electronic Music of the Acid Genre for Presentation within a Club Environment Utilizing Accessible Artificial Intelligence and Computer-based Generative Tools / by Dylan Davis -- Sonic Poetics of the Tidal Flats / by Prophecy Sun, Freya Zinovieff, Kristin Carlson and Reese Muntean -- Designing Sound Installations in Public Spaces : A Collaborative Research Creation Approach / by Catherine Guastavino, Valérian Fraisse, Simone D'Ambrosio, Etienne Legast and Maryse Lavoie -- Embodied Listening within Geolocative Sonic Art / by Jimmy Eadie -- Sound Mixed Reality Prompts for People with Dementia : a Familiar andMeaningful Experience / by Shital Desai, Joel Ong, Deborah Fels and Arlene Astell -- Leveraging Motion and Conceptual Frameworks of Sound as a Novel Means of Sound Design in Extended Reality / by Tom A. Garner Musikproduktion (DE-588)4235850-4 gnd Sounddesign (DE-588)7693207-2 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| subject_GND | (DE-588)4235850-4 (DE-588)7693207-2 (DE-588)4014355-7 (DE-588)4143413-4 |
| title | Designing interactions for music and sound |
| title_auth | Designing interactions for music and sound |
| title_exact_search | Designing interactions for music and sound |
| title_exact_search_txtP | Designing interactions for music and sound |
| title_full | Designing interactions for music and sound edited by Michael Filimowicz |
| title_fullStr | Designing interactions for music and sound edited by Michael Filimowicz |
| title_full_unstemmed | Designing interactions for music and sound edited by Michael Filimowicz |
| title_short | Designing interactions for music and sound |
| title_sort | designing interactions for music and sound |
| topic | Musikproduktion (DE-588)4235850-4 gnd Sounddesign (DE-588)7693207-2 gnd Elektronische Musik (DE-588)4014355-7 gnd |
| topic_facet | Musikproduktion Sounddesign Elektronische Musik Aufsatzsammlung |
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