Screening race in American nontheatrical film:
"Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and au...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
2019
|
Ausgabe: | [Open access version] |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to this book examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed--for various purposes and intentions--the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it."-- |
Beschreibung: | 1 Online-Ressource |
ISBN: | 147809009X 9781478090090 |
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245 | 1 | 0 | |a Screening race in American nontheatrical film |c Allyson Nadia Field, Marsha Gordon, editors ; with a foreword by Jacqueline Najuma Stewart |
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505 | 8 | 0 | |t Foreword. Giving voice, taking voice: nonwhite and nontheatrical |r Jacqueline Najuma Stewart -- |t Introduction |r Allyson Nadia Field and Marsha Gordon -- |t 'A vanishing race'? The Native American films of J.K. Dixon |r Caitlin McGrath -- |t 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 |r Tanya Goldman -- |t 'I'll see you in church': local films in African American communities, 1924-1962 |r Martin L. Johnson -- |t The politics of vanishing celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American ethnographic film |r Colin Williamson -- |t Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 |r Walter Forsberg -- |t Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art |r Colin Gunckel -- |t Ever-widening horizons? The National Urban League and the pathologization of blackness in A morning for Jimmy |r Michelle Kelley -- |t 'A touch of the Orient': negotiating Japanese American identity in The challenge (1957) |r Todd Kushigemachi and Dino Everett -- |9 |t 'I have my choice': behind every good man and the black queer subject in American nontheatrical film |r Noah Tsika -- |9 |t Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT |r Joshua Glick -- |9 |t 'A new sense of black awareness?' Navigating expectations in The black cop (1969) |r Travis L. Wagner and Mark Garrett Cooper -- |9 |t 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops |r Elena Rossi-Snook and Lauren Tilton -- |9 |
505 | 8 | 0 | |t Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 |r Noelle Griffis -- |9 |t Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 |r Dan Streible -- |9 |t Government-sponsored film and latinidad: Voice of la raza (1971) |r Laura Isabel Serna -- |9 |t An aesthetics of multiculturalism: Asian American assimilation and the learning corporation of America's Many Americans series (1970-1982) |r Nadine Chan -- |9 |t 'The right kind of family': memories to light and the home movie as racialized technology |r Crystal Mun-hye Baik -- |9 |t Black home movies: time to represent |r Jasmyn R. Castro |9 |
520 | 3 | |a "Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to this book examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed--for various purposes and intentions--the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it."-- | |
650 | 4 | |a Cinéma en éducation | |
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650 | 4 | |a Noirs américains au cinéma | |
650 | 4 | |a Race au cinéma | |
650 | 4 | |a 20.10 art and society: general | |
650 | 4 | |a 24.32 history of film art | |
650 | 4 | |a African Americans in motion pictures | |
650 | 4 | |a Amateur films | |
650 | 4 | |a Amateurfilm | |
650 | 4 | |a Bildung | |
650 | 4 | |a Ethnographic films | |
650 | 4 | |a Ethnologie | |
650 | 4 | |a Minorities in motion pictures | |
650 | 4 | |a Motion pictures in education | |
650 | 4 | |a Nationale Minderheit | |
650 | 4 | |a Race awareness in motion pictures | |
650 | 4 | |a Race in motion pictures | |
650 | 4 | |a Schwarze | |
650 | 4 | |a African Americans in motion pictures | |
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776 | 0 | 8 | |i Online version |t Screening race in American nontheatrical film |d Durham : Duke University Press, 2019 |z 9781478005605 |
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Datensatz im Suchindex
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---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Field, Allyson Nadia 1976- Gordon, Marsha 1971- |
author2_role | edt edt |
author2_variant | a n f an anf m g mg |
author_additional | Jacqueline Najuma Stewart -- Allyson Nadia Field and Marsha Gordon -- Caitlin McGrath -- Tanya Goldman -- Martin L. Johnson -- Colin Williamson -- Walter Forsberg -- Colin Gunckel -- Michelle Kelley -- Todd Kushigemachi and Dino Everett -- Noah Tsika -- Joshua Glick -- Travis L. Wagner and Mark Garrett Cooper -- Elena Rossi-Snook and Lauren Tilton -- Noelle Griffis -- Dan Streible -- Laura Isabel Serna -- Nadine Chan -- Crystal Mun-hye Baik -- Jasmyn R. Castro |
author_facet | Field, Allyson Nadia 1976- Gordon, Marsha 1971- |
building | Verbundindex |
bvnumber | BV048282752 |
collection | ZDB-4-EOAC |
contents | Foreword. Giving voice, taking voice: nonwhite and nontheatrical Introduction 'A vanishing race'? The Native American films of J.K. Dixon 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 'I'll see you in church': local films in African American communities, 1924-1962 The politics of vanishing celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American ethnographic film Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art Ever-widening horizons? The National Urban League and the pathologization of blackness in A morning for Jimmy 'A touch of the Orient': negotiating Japanese American identity in The challenge (1957) 'I have my choice': behind every good man and the black queer subject in American nontheatrical film Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT 'A new sense of black awareness?' Navigating expectations in The black cop (1969) 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 Government-sponsored film and latinidad: Voice of la raza (1971) An aesthetics of multiculturalism: Asian American assimilation and the learning corporation of America's Many Americans series (1970-1982) 'The right kind of family': memories to light and the home movie as racialized technology Black home movies: time to represent |
ctrlnum | (OCoLC)1308952680 (DE-599)BVBBV048282752 |
edition | [Open access version] |
format | Electronic eBook |
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id | DE-604.BV048282752 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:00:58Z |
indexdate | 2024-07-10T09:34:06Z |
institution | BVB |
isbn | 147809009X 9781478090090 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033662918 |
oclc_num | 1308952680 |
open_access_boolean | 1 |
owner | DE-355 DE-BY-UBR |
owner_facet | DE-355 DE-BY-UBR |
physical | 1 Online-Ressource |
psigel | ZDB-4-EOAC |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Duke University Press |
record_format | marc |
spelling | Screening race in American nontheatrical film Allyson Nadia Field, Marsha Gordon, editors ; with a foreword by Jacqueline Najuma Stewart [Open access version] Durham Duke University Press 2019 ©2019 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Foreword. Giving voice, taking voice: nonwhite and nontheatrical Jacqueline Najuma Stewart -- Introduction Allyson Nadia Field and Marsha Gordon -- 'A vanishing race'? The Native American films of J.K. Dixon Caitlin McGrath -- 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 Tanya Goldman -- 'I'll see you in church': local films in African American communities, 1924-1962 Martin L. Johnson -- The politics of vanishing celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American ethnographic film Colin Williamson -- Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 Walter Forsberg -- Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art Colin Gunckel -- Ever-widening horizons? The National Urban League and the pathologization of blackness in A morning for Jimmy Michelle Kelley -- 'A touch of the Orient': negotiating Japanese American identity in The challenge (1957) Todd Kushigemachi and Dino Everett -- 'I have my choice': behind every good man and the black queer subject in American nontheatrical film Noah Tsika -- Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT Joshua Glick -- 'A new sense of black awareness?' Navigating expectations in The black cop (1969) Travis L. Wagner and Mark Garrett Cooper -- 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops Elena Rossi-Snook and Lauren Tilton -- Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 Noelle Griffis -- Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 Dan Streible -- Government-sponsored film and latinidad: Voice of la raza (1971) Laura Isabel Serna -- An aesthetics of multiculturalism: Asian American assimilation and the learning corporation of America's Many Americans series (1970-1982) Nadine Chan -- 'The right kind of family': memories to light and the home movie as racialized technology Crystal Mun-hye Baik -- Black home movies: time to represent Jasmyn R. Castro "Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to this book examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed--for various purposes and intentions--the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it."-- Cinéma en éducation Films d'amateurs Films ethnographiques Minorités au cinéma Noirs américains au cinéma Race au cinéma 20.10 art and society: general 24.32 history of film art African Americans in motion pictures Amateur films Amateurfilm Bildung Ethnographic films Ethnologie Minorities in motion pictures Motion pictures in education Nationale Minderheit Race awareness in motion pictures Race in motion pictures Schwarze Amateur films United States Ethnographic films United States Motion pictures in education United States Ethnologie (DE-588)4078931-7 gnd rswk-swf Bildung (DE-588)4006650-2 gnd rswk-swf Amateurfilm (DE-588)4132119-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Nationale Minderheit (DE-588)4039409-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf United States Electronic books (DE-588)4143413-4 Aufsatzsammlung gnd-content Ethnologie (DE-588)4078931-7 s Amateurfilm (DE-588)4132119-4 s Nationale Minderheit (DE-588)4039409-8 s Bildung (DE-588)4006650-2 s Schwarze (DE-588)4116433-7 s USA (DE-588)4078704-7 g DE-604 Field, Allyson Nadia 1976- editor oth Gordon, Marsha 1971- editor oth Stewart, Jacqueline Najuma 1970- writer of the foreword oth Online version Screening race in American nontheatrical film Durham : Duke University Press, 2019 9781478005605 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3119191 Verlag kostenfrei Volltext |
spellingShingle | Screening race in American nontheatrical film Foreword. Giving voice, taking voice: nonwhite and nontheatrical Introduction 'A vanishing race'? The Native American films of J.K. Dixon 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 'I'll see you in church': local films in African American communities, 1924-1962 The politics of vanishing celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American ethnographic film Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art Ever-widening horizons? The National Urban League and the pathologization of blackness in A morning for Jimmy 'A touch of the Orient': negotiating Japanese American identity in The challenge (1957) 'I have my choice': behind every good man and the black queer subject in American nontheatrical film Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT 'A new sense of black awareness?' Navigating expectations in The black cop (1969) 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 Government-sponsored film and latinidad: Voice of la raza (1971) An aesthetics of multiculturalism: Asian American assimilation and the learning corporation of America's Many Americans series (1970-1982) 'The right kind of family': memories to light and the home movie as racialized technology Black home movies: time to represent Cinéma en éducation Films d'amateurs Films ethnographiques Minorités au cinéma Noirs américains au cinéma Race au cinéma 20.10 art and society: general 24.32 history of film art African Americans in motion pictures Amateur films Amateurfilm Bildung Ethnographic films Ethnologie Minorities in motion pictures Motion pictures in education Nationale Minderheit Race awareness in motion pictures Race in motion pictures Schwarze Amateur films United States Ethnographic films United States Motion pictures in education United States Ethnologie (DE-588)4078931-7 gnd Bildung (DE-588)4006650-2 gnd Amateurfilm (DE-588)4132119-4 gnd Schwarze (DE-588)4116433-7 gnd Nationale Minderheit (DE-588)4039409-8 gnd |
subject_GND | (DE-588)4078931-7 (DE-588)4006650-2 (DE-588)4132119-4 (DE-588)4116433-7 (DE-588)4039409-8 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Screening race in American nontheatrical film |
title_alt | Foreword. Giving voice, taking voice: nonwhite and nontheatrical Introduction 'A vanishing race'? The Native American films of J.K. Dixon 'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 'I'll see you in church': local films in African American communities, 1924-1962 The politics of vanishing celluloid: Fort Rupert (1951) and the Kwakwaka'wakw in American ethnographic film Red star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 Charles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art Ever-widening horizons? The National Urban League and the pathologization of blackness in A morning for Jimmy 'A touch of the Orient': negotiating Japanese American identity in The challenge (1957) 'I have my choice': behind every good man and the black queer subject in American nontheatrical film Televising Watts: Joe Saltzman's Black on Black (1968) on KNXT 'A new sense of black awareness?' Navigating expectations in The black cop (1969) 'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops Teenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 Ro-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 Government-sponsored film and latinidad: Voice of la raza (1971) An aesthetics of multiculturalism: Asian American assimilation and the learning corporation of America's Many Americans series (1970-1982) 'The right kind of family': memories to light and the home movie as racialized technology Black home movies: time to represent |
title_auth | Screening race in American nontheatrical film |
title_exact_search | Screening race in American nontheatrical film |
title_exact_search_txtP | Screening race in American nontheatrical film |
title_full | Screening race in American nontheatrical film Allyson Nadia Field, Marsha Gordon, editors ; with a foreword by Jacqueline Najuma Stewart |
title_fullStr | Screening race in American nontheatrical film Allyson Nadia Field, Marsha Gordon, editors ; with a foreword by Jacqueline Najuma Stewart |
title_full_unstemmed | Screening race in American nontheatrical film Allyson Nadia Field, Marsha Gordon, editors ; with a foreword by Jacqueline Najuma Stewart |
title_short | Screening race in American nontheatrical film |
title_sort | screening race in american nontheatrical film |
topic | Cinéma en éducation Films d'amateurs Films ethnographiques Minorités au cinéma Noirs américains au cinéma Race au cinéma 20.10 art and society: general 24.32 history of film art African Americans in motion pictures Amateur films Amateurfilm Bildung Ethnographic films Ethnologie Minorities in motion pictures Motion pictures in education Nationale Minderheit Race awareness in motion pictures Race in motion pictures Schwarze Amateur films United States Ethnographic films United States Motion pictures in education United States Ethnologie (DE-588)4078931-7 gnd Bildung (DE-588)4006650-2 gnd Amateurfilm (DE-588)4132119-4 gnd Schwarze (DE-588)4116433-7 gnd Nationale Minderheit (DE-588)4039409-8 gnd |
topic_facet | Cinéma en éducation Films d'amateurs Films ethnographiques Minorités au cinéma Noirs américains au cinéma Race au cinéma 20.10 art and society: general 24.32 history of film art African Americans in motion pictures Amateur films Amateurfilm Bildung Ethnographic films Ethnologie Minorities in motion pictures Motion pictures in education Nationale Minderheit Race awareness in motion pictures Race in motion pictures Schwarze Amateur films United States Ethnographic films United States Motion pictures in education United States USA Aufsatzsammlung |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3119191 |
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