Eric Rohmer's film theory (1948-1953): from 'école Scherer' to 'politique des auteurs'
In the 1950s, a group of critics writing for 'Cahiers du Cinéma' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hund...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2018]
|
| Schriftenreihe: | Film Theory in Media History
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the 1950s, a group of critics writing for 'Cahiers du Cinéma' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism |
| Beschreibung: | 1 Online-Ressource (301 Seiten) |
| ISBN: | 9048537037 9789048537037 |
| Zugangseinschränkungen: | Open Access |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048279468 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220610s2018 |||| o||u| ||||||eng d | ||
| 020 | |a 9048537037 |q (electronic bk.) |9 9048537037 | ||
| 020 | |a 9789048537037 |q (electronic bk.) |9 9789048537037 | ||
| 020 | |z 9462985804 |9 9462985804 | ||
| 020 | |z 9789462985803 |9 9789462985803 | ||
| 024 | 7 | |a 10.5117/9789462985803 |2 doi | |
| 024 | 8 | |a https://arno.uva.nl/cgi/arno/show.cgi?fid=657351 | |
| 035 | |a (OCoLC)1041854170 | ||
| 035 | |a (DE-599)BVBBV048279468 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 |a DE-Po75 | ||
| 100 | 1 | |a Grosoli, Marco |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Eric Rohmer's film theory (1948-1953) |b from 'école Scherer' to 'politique des auteurs' |c Marco Grosoli |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2018] | |
| 300 | |a 1 Online-Ressource (301 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film Theory in Media History | |
| 505 | 8 | |a Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics -- and Heidegger's reinterpretation; 2.2. 'Dialectique et cinéma'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo' | |
| 505 | 8 | |a 3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale | |
| 505 | 8 | |a 5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scène; Conclusion; About the Author; Index of Names | |
| 506 | 0 | |a Open Access |5 EbpS | |
| 520 | 3 | |a In the 1950s, a group of critics writing for 'Cahiers du Cinéma' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism | |
| 546 | |a Undetermined | ||
| 600 | 1 | 7 | |a Rohmer, Eric |d 1920-2010 |0 (DE-588)11860225X |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1948-1953 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Auteur theory (Motion pictures) | |
| 650 | 4 | |a Film theory & criticism | |
| 650 | 4 | |a Filmtheorie | |
| 650 | 7 | |a PERFORMING ARTS |2 Film & Video | |
| 650 | 7 | |a PERFORMING ARTS |2 Reference | |
| 650 | 4 | |a Auteur theory (Motion pictures) | |
| 650 | 0 | 7 | |a Filmtheorie |0 (DE-588)4071216-3 |2 gnd |9 rswk-swf |
| 653 | |a auteurs | ||
| 653 | |a criticism | ||
| 653 | |a Kant | ||
| 653 | |a Rohmer | ||
| 653 | |a Sartre | ||
| 653 | 1 | |a Rohmer, Éric / 1920-2010 / Criticism and interpretation | |
| 653 | 1 | |a Rohmer, Éric / 1920-2010 / Criticism and interpretation | |
| 653 | 1 | |a Rohmer, Éric / 1920-2010 | |
| 653 | 6 | |a Electronic books | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Rohmer, Eric |d 1920-2010 |0 (DE-588)11860225X |D p |
| 689 | 0 | 1 | |a Filmtheorie |0 (DE-588)4071216-3 |D s |
| 689 | 0 | 2 | |a Geschichte 1948-1953 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Grosoli, Marco |t Eric Rohmer's film theory (1948-1953) |d Amsterdam : Amsterdam University Press, [2018] |z 9789462985803 |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1833771 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ZDB-4-EOAC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033659634 | ||
| 347 | |a data file | ||
Datensatz im Suchindex
| _version_ | 1804184103658979328 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Grosoli, Marco |
| author_facet | Grosoli, Marco |
| author_role | aut |
| author_sort | Grosoli, Marco |
| author_variant | m g mg |
| building | Verbundindex |
| bvnumber | BV048279468 |
| collection | ZDB-4-EOAC |
| contents | Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics -- and Heidegger's reinterpretation; 2.2. 'Dialectique et cinéma'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo' 3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale 5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scène; Conclusion; About the Author; Index of Names |
| ctrlnum | (OCoLC)1041854170 (DE-599)BVBBV048279468 |
| era | Geschichte 1948-1953 gnd |
| era_facet | Geschichte 1948-1953 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04780nmm a2200721 c 4500</leader><controlfield tag="001">BV048279468</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220610s2018 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9048537037</subfield><subfield code="q">(electronic bk.)</subfield><subfield code="9">9048537037</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048537037</subfield><subfield code="q">(electronic bk.)</subfield><subfield code="9">9789048537037</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9462985804</subfield><subfield code="9">9462985804</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789462985803</subfield><subfield code="9">9789462985803</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5117/9789462985803</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="8" ind2=" "><subfield code="a">https://arno.uva.nl/cgi/arno/show.cgi?fid=657351</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1041854170</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048279468</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Grosoli, Marco</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Eric Rohmer's film theory (1948-1953)</subfield><subfield code="b">from 'école Scherer' to 'politique des auteurs'</subfield><subfield code="c">Marco Grosoli</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (301 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film Theory in Media History</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics -- and Heidegger's reinterpretation; 2.2. 'Dialectique et cinéma'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo'</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scène; Conclusion; About the Author; Index of Names</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="5">EbpS</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In the 1950s, a group of critics writing for 'Cahiers du Cinéma' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Undetermined</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Rohmer, Eric</subfield><subfield code="d">1920-2010</subfield><subfield code="0">(DE-588)11860225X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1948-1953</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Auteur theory (Motion pictures)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film theory & criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Filmtheorie</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="2">Film & Video</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="2">Reference</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Auteur theory (Motion pictures)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">auteurs</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">criticism</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Kant</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Rohmer</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sartre</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Rohmer, Éric / 1920-2010 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Rohmer, Éric / 1920-2010 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Rohmer, Éric / 1920-2010</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Electronic books</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rohmer, Eric</subfield><subfield code="d">1920-2010</subfield><subfield code="0">(DE-588)11860225X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1948-1953</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Grosoli, Marco</subfield><subfield code="t">Eric Rohmer's film theory (1948-1953)</subfield><subfield code="d">Amsterdam : Amsterdam University Press, [2018]</subfield><subfield code="z">9789462985803</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1833771</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EOAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033659634</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield></record></collection> |
| id | DE-604.BV048279468 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:00:50Z |
| indexdate | 2024-07-10T09:34:01Z |
| institution | BVB |
| isbn | 9048537037 9789048537037 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033659634 |
| oclc_num | 1041854170 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR DE-Po75 |
| owner_facet | DE-355 DE-BY-UBR DE-Po75 |
| physical | 1 Online-Ressource (301 Seiten) |
| psigel | ZDB-4-EOAC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Film Theory in Media History |
| spelling | Grosoli, Marco Verfasser aut Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' Marco Grosoli Amsterdam Amsterdam University Press [2018] 1 Online-Ressource (301 Seiten) txt rdacontent c rdamedia cr rdacarrier Film Theory in Media History Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics -- and Heidegger's reinterpretation; 2.2. 'Dialectique et cinéma'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo' 3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale 5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scène; Conclusion; About the Author; Index of Names Open Access EbpS In the 1950s, a group of critics writing for 'Cahiers du Cinéma' launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism Undetermined Rohmer, Eric 1920-2010 (DE-588)11860225X gnd rswk-swf Geschichte 1948-1953 gnd rswk-swf Auteur theory (Motion pictures) Film theory & criticism Filmtheorie PERFORMING ARTS Film & Video PERFORMING ARTS Reference Filmtheorie (DE-588)4071216-3 gnd rswk-swf auteurs criticism Kant Rohmer Sartre Rohmer, Éric / 1920-2010 / Criticism and interpretation Rohmer, Éric / 1920-2010 Electronic books Criticism, interpretation, etc Rohmer, Eric 1920-2010 (DE-588)11860225X p Filmtheorie (DE-588)4071216-3 s Geschichte 1948-1953 z DE-604 Erscheint auch als Druck-Ausgabe Grosoli, Marco Eric Rohmer's film theory (1948-1953) Amsterdam : Amsterdam University Press, [2018] 9789462985803 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1833771 Verlag kostenfrei Volltext data file |
| spellingShingle | Grosoli, Marco Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' Cover; Table of contents; Acknowledgments; Introduction; 1. A Novelistic Art of Space; 1.1. Sartre's ontology; 1.2. A novelistic ontology?; 1.3. Cinema: Novelistic consciousness qua actual nothingness; 1.4. An art of space; 1.5. An art of appearance for appearance's sake; 1.6. Space vs. language; 1.7. An art more novelistic than the novel itself; 2. Alexandre Astruc: An Early but Decisive Influence; 2.1. Kant's transcendental aesthetics -- and Heidegger's reinterpretation; 2.2. 'Dialectique et cinéma'; 2.3. From and beyond Sartre's Heideggerian perspective; 2.4. The 'Camera-Stylo' 3. Under and On the Volcano: Rohmer's Conversion3.1. The Other; 3.2. The triumph of exteriority over interiority; 3.3. Pulling phenomenology back to its Kantian roots; 3.4. Ethics; 3.5. God?; 3.6. Echoes of the conversion; 4. The Art of Nature; 4.1. To show and not to tell; 4.2. Natural beauty; 4.3. Immediate mediation; 4.4. Movement and narrative; 4.5. Mechanism as the background for freedom; 5. Ethics at the Heart of Aesthetics; 5.1. On abjection: The Wages of Fear; 5.2. Films with a soul; 5.3. Tragedy; 5.4. Solitude morale 5.5. The vertiginous moment: The reversal between inside and outside6. After Modernity: Rohmer's Classicism and Universalism; 6.1. Beyond modern art; 6.2. Classic = Modern; 6.3. An anti-evolutionist approach; 6.4. Universalism; 6.5. Authorship and mise en scène; Conclusion; About the Author; Index of Names Rohmer, Eric 1920-2010 (DE-588)11860225X gnd Auteur theory (Motion pictures) Film theory & criticism Filmtheorie PERFORMING ARTS Film & Video PERFORMING ARTS Reference Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)11860225X (DE-588)4071216-3 |
| title | Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' |
| title_auth | Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' |
| title_exact_search | Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' |
| title_exact_search_txtP | Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' |
| title_full | Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' Marco Grosoli |
| title_fullStr | Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' Marco Grosoli |
| title_full_unstemmed | Eric Rohmer's film theory (1948-1953) from 'école Scherer' to 'politique des auteurs' Marco Grosoli |
| title_short | Eric Rohmer's film theory (1948-1953) |
| title_sort | eric rohmer s film theory 1948 1953 from ecole scherer to politique des auteurs |
| title_sub | from 'école Scherer' to 'politique des auteurs' |
| topic | Rohmer, Eric 1920-2010 (DE-588)11860225X gnd Auteur theory (Motion pictures) Film theory & criticism Filmtheorie PERFORMING ARTS Film & Video PERFORMING ARTS Reference Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Rohmer, Eric 1920-2010 Auteur theory (Motion pictures) Film theory & criticism Filmtheorie PERFORMING ARTS |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1833771 |
| work_keys_str_mv | AT grosolimarco ericrohmersfilmtheory19481953fromecolescherertopolitiquedesauteurs |