Technology and film scholarship: experience, study theory
This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography an...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam
Amsterdam University Press
[2018]
|
| Series: | Film theory in media history
|
| Subjects: | |
| Online Access: | Volltext |
| Summary: | This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger |
| Physical Description: | 1 Online-Ressource (264 Seiten) illustrations |
| ISBN: | 9048525276 9789048525270 |
| Access: | Open Access |
Staff View
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| 505 | 8 | 0 | |r André Gaudreault -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t The discursive spaces between a history of film technology and technological experience |r Santiago Hidalgo -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Experience -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t When Did Cinema Become Cinema? Technology, History, and the Moving Pictures |r Charles Musser -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Exhibition Practices in Transition: Spectators, Audiences, and Projectors |r Jan Olsson -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia |r Andre Habib -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? |r Dana Cooley -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Study -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film |r David Colangelo -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |
| 505 | 8 | 0 | |t Film Analysis and Statistics: A Field Report |r Charles O'Brien -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History |r Paul Moore -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Theory -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Cine-Graphism: A New Approach to the Evolution of Film Language through Technology |r Tom Gunning -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology |r Vinzenz Hediger -- |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |t On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema |r Benoit Turquety |g Foreword |g Introduction |g Section I |g 1 |g 2 |g 3 |g 4 |g Section II |g 5 |g 6 |g 7 |g Section III |g 8 |g 9 |g 10 |
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Record in the Search Index
| _version_ | 1804184103617036288 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Hidalgo, Santiago |
| author2_role | edt |
| author2_variant | s h sh |
| author_additional | André Gaudreault -- Santiago Hidalgo -- Charles Musser -- Jan Olsson -- Andre Habib -- Dana Cooley -- David Colangelo -- Charles O'Brien -- Paul Moore -- Tom Gunning -- Vinzenz Hediger -- Benoit Turquety |
| author_facet | Hidalgo, Santiago |
| building | Verbundindex |
| bvnumber | BV048279288 |
| classification_rvk | AP 45100 |
| collection | ZDB-4-EOAC |
| contents | The discursive spaces between a history of film technology and technological experience Experience -- When Did Cinema Become Cinema? Technology, History, and the Moving Pictures Exhibition Practices in Transition: Spectators, Audiences, and Projectors Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? Study -- Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film Film Analysis and Statistics: A Field Report A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History Theory -- Cine-Graphism: A New Approach to the Evolution of Film Language through Technology Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema |
| ctrlnum | (OCoLC)1019871722 (DE-599)BVBBV048279288 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048279288 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:00:50Z |
| indexdate | 2024-07-10T09:34:01Z |
| institution | BVB |
| isbn | 9048525276 9789048525270 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033659453 |
| oclc_num | 1019871722 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR DE-Po75 |
| owner_facet | DE-355 DE-BY-UBR DE-Po75 |
| physical | 1 Online-Ressource (264 Seiten) illustrations |
| psigel | ZDB-4-EOAC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Film theory in media history |
| spelling | Technology and film scholarship experience, study theory edited by Santiago Hidalgo ; foreword by André Gaudreault Amsterdam Amsterdam University Press [2018] ©2018 1 Online-Ressource (264 Seiten) illustrations txt rdacontent c rdamedia cr rdacarrier Film theory in media history André Gaudreault -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 The discursive spaces between a history of film technology and technological experience Santiago Hidalgo -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Experience -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 When Did Cinema Become Cinema? Technology, History, and the Moving Pictures Charles Musser -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Exhibition Practices in Transition: Spectators, Audiences, and Projectors Jan Olsson -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia Andre Habib -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? Dana Cooley -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Study -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film David Colangelo -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Film Analysis and Statistics: A Field Report Charles O'Brien -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History Paul Moore -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Theory -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Cine-Graphism: A New Approach to the Evolution of Film Language through Technology Tom Gunning -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology Vinzenz Hediger -- Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema Benoit Turquety Foreword Introduction Section I 1 2 3 4 Section II 5 6 7 Section III 8 9 10 Open Access EbpS This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger Geschichte gnd rswk-swf Filmtheorie Performing Arts PERFORMING ARTS Reference Technology in motion pictures Technology in motion pictures History Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmtechnik (DE-588)4017144-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Electronic books History (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmtheorie (DE-588)4071216-3 s Film (DE-588)4017102-4 s Filmtechnik (DE-588)4017144-9 s Geschichte z DE-604 Gaudreault, André writer of foreword oth Hidalgo, Santiago editor oth Erscheint auch als Druck-Ausgabe Technology and film scholarship Amsterdam : Amsterdam University Press, [2018] 9789089647542 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1685492 Verlag kostenfrei Volltext |
| spellingShingle | Technology and film scholarship experience, study theory The discursive spaces between a history of film technology and technological experience Experience -- When Did Cinema Become Cinema? Technology, History, and the Moving Pictures Exhibition Practices in Transition: Spectators, Audiences, and Projectors Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? Study -- Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film Film Analysis and Statistics: A Field Report A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History Theory -- Cine-Graphism: A New Approach to the Evolution of Film Language through Technology Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema Filmtheorie Performing Arts PERFORMING ARTS Reference Technology in motion pictures Technology in motion pictures History Filmtheorie (DE-588)4071216-3 gnd Filmtechnik (DE-588)4017144-9 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4071216-3 (DE-588)4017144-9 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Technology and film scholarship experience, study theory |
| title_alt | The discursive spaces between a history of film technology and technological experience Experience -- When Did Cinema Become Cinema? Technology, History, and the Moving Pictures Exhibition Practices in Transition: Spectators, Audiences, and Projectors Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? Study -- Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film Film Analysis and Statistics: A Field Report A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History Theory -- Cine-Graphism: A New Approach to the Evolution of Film Language through Technology Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema |
| title_auth | Technology and film scholarship experience, study theory |
| title_exact_search | Technology and film scholarship experience, study theory |
| title_exact_search_txtP | Technology and film scholarship experience, study theory |
| title_full | Technology and film scholarship experience, study theory edited by Santiago Hidalgo ; foreword by André Gaudreault |
| title_fullStr | Technology and film scholarship experience, study theory edited by Santiago Hidalgo ; foreword by André Gaudreault |
| title_full_unstemmed | Technology and film scholarship experience, study theory edited by Santiago Hidalgo ; foreword by André Gaudreault |
| title_short | Technology and film scholarship |
| title_sort | technology and film scholarship experience study theory |
| title_sub | experience, study theory |
| topic | Filmtheorie Performing Arts PERFORMING ARTS Reference Technology in motion pictures Technology in motion pictures History Filmtheorie (DE-588)4071216-3 gnd Filmtechnik (DE-588)4017144-9 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Filmtheorie Performing Arts PERFORMING ARTS Technology in motion pictures Technology in motion pictures History Filmtechnik Film Aufsatzsammlung |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1685492 |
| work_keys_str_mv | AT gaudreaultandre technologyandfilmscholarshipexperiencestudytheory AT hidalgosantiago technologyandfilmscholarshipexperiencestudytheory |