The limits of familiarity: authorship and Romantic readers
"What did Wordsworth wear, and where did he walk? Who was Byron's new mistress, and how did his marriage fare? Answers-sometimes accurate, sometimes not-were tantalizingly at the ready for Romantic-era readers. Confessional poetry, romans à clef, personal essays, gossip columns, and more g...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lewisburg, Pennsylvania
Bucknell University Press
[2022]
|
| Schriftenreihe: | Transits: literature, thought & culture 1650-1850
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "What did Wordsworth wear, and where did he walk? Who was Byron's new mistress, and how did his marriage fare? Answers-sometimes accurate, sometimes not-were tantalizingly at the ready for Romantic-era readers. Confessional poetry, romans à clef, personal essays, gossip columns, and more gave readers exceptional access to well-known authors. But how close was too close? Widely recognized as a social virtue, familiarity-a feeling of emotional closeness or comforting predictability-could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert argues that these questions influenced literary production in the Romantic period. Uniting reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the line between telling all and telling all too much"-- |
| Beschreibung: | xvii, 236 Seiten Illustrationen 24 cm |
| ISBN: | 9781684483907 9781684483914 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Illustrations xi Acknowledgments xiii Abbreviations xvii Introduction: Familiarity’s “due bounds” 1 1 Charlotte Smith, William Wordsworth, and the Problems of Reading Familiarity 27 2 “Though a stranger to you”: Byron’s Poetics of Familiarity and Readerly Attachment 51 3 Lady Caroline Lamb’s Female Follies and the Dangers of Familiarity 78 4 “the whole cursed story”: William Hazlitt’s Familiar Style 105 5 Mediating a Manuscript Ethos: Familiarity in Albums and Literary Annuals 130 Coda: Lifting “the film of familiarity” 160 Notes 167 Bibliography 209 Index 227 / [ ix ]
hat did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability— could also be dangerous, vulgar, or boring. In The Limits ofFamiliarity. Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling too much. W
|
| adam_txt |
CONTENTS List of Illustrations xi Acknowledgments xiii Abbreviations xvii Introduction: Familiarity’s “due bounds” 1 1 Charlotte Smith, William Wordsworth, and the Problems of Reading Familiarity 27 2 “Though a stranger to you”: Byron’s Poetics of Familiarity and Readerly Attachment 51 3 Lady Caroline Lamb’s Female Follies and the Dangers of Familiarity 78 4 “the whole cursed story”: William Hazlitt’s Familiar Style 105 5 Mediating a Manuscript Ethos: Familiarity in Albums and Literary Annuals 130 Coda: Lifting “the film of familiarity” 160 Notes 167 Bibliography 209 Index 227 / [ ix ]
hat did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability— could also be dangerous, vulgar, or boring. In The Limits ofFamiliarity. Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling too much. W |
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| spelling | Eckert, Lindsey ca. 20./21. Jh. Verfasser (DE-588)1262354501 aut The limits of familiarity authorship and Romantic readers Lindsey Eckert Lewisburg, Pennsylvania Bucknell University Press [2022] xvii, 236 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Transits: literature, thought & culture 1650-1850 "What did Wordsworth wear, and where did he walk? Who was Byron's new mistress, and how did his marriage fare? Answers-sometimes accurate, sometimes not-were tantalizingly at the ready for Romantic-era readers. Confessional poetry, romans à clef, personal essays, gossip columns, and more gave readers exceptional access to well-known authors. But how close was too close? Widely recognized as a social virtue, familiarity-a feeling of emotional closeness or comforting predictability-could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert argues that these questions influenced literary production in the Romantic period. Uniting reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the line between telling all and telling all too much"-- Publikum (DE-588)4047764-2 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Berühmte Persönlichkeit (DE-588)4191412-0 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Romanticism / England Authors and readers / Great Britain / History / 18th century Fame / Social aspects / Great Britain / History / 18th century Books and reading / Great Britain / History / 18th century Romantisme / Angleterre Écrivains et lecteurs / Grande-Bretagne / Histoire / 18e siècle Livres et lecture / Grande-Bretagne / Histoire / 18e siècle Authors and readers Books and reading Fame / Social aspects Romanticism England Great Britain 1700-1799 History Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Romantik (DE-588)4050491-8 s Berühmte Persönlichkeit (DE-588)4191412-0 s Publikum (DE-588)4047764-2 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-68448-394-5 Erscheint auch als Online-Ausgabe, EPUB 978-1-68448-392-1 Erscheint auch als Online-Ausgabe, MOBI 978-1-68448-393-8 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033657448&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033657448&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The limits of familiarity authorship and Romantic readers |
| title_auth | The limits of familiarity authorship and Romantic readers |
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| title_full | The limits of familiarity authorship and Romantic readers Lindsey Eckert |
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| title_full_unstemmed | The limits of familiarity authorship and Romantic readers Lindsey Eckert |
| title_short | The limits of familiarity |
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