Elliott Carter's late music:
"Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual traject...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY, USA
Cambridge University Press
2022
|
| Schriftenreihe: | Music since 1900
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic and professional development that he cultivated assiduously over decades. And he paid close attention to how his artistic objectives could be presented most effectively to the performers, listeners, and patrons on whom his career depended. Together with his wife Helen Frost-Jones Carter, he skillfully steered a course through the turbulent waters of the twentieth and early twenty-first centuries with steadily increasing success. The story of Carter's artistic life, as he told it and as it was promoted by several generations of advocates, is one of independence, uncompromising vision, and technical progress. It was astutely tailored to the beliefs and values of its intended audience and, as autobiography, it reports selectively and glosses over or omits events and attitudes deemed unhelpful in building Carter's reputation and authority, and promoting his music" |
| Beschreibung: | Literaturverzeichnis: Seite 454-473 |
| Beschreibung: | xxiv, 484 Seiten Notenbeispiele |
| ISBN: | 9780521769761 |
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| 505 | 8 | |a Preface -- Part I : Context. Carter's career and reception history ; The elements of an aesthetic ; Harmony ; Rhythm and form -- Part II : A literary imagination : text settings. Sense and sensibility : opera ; A kind of light : song cycles and other text settings -- Part III : Instrumental music. Illusions : music for orchestra ; Social aspirations : music for instrumental soloist and ensemble ; A free society : music for large chamber ensemble ; Social relations : music for small chamber ensemble ; Reflections : short instrumental pieces -- Afterword | |
| 520 | 3 | |a "Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic and professional development that he cultivated assiduously over decades. And he paid close attention to how his artistic objectives could be presented most effectively to the performers, listeners, and patrons on whom his career depended. Together with his wife Helen Frost-Jones Carter, he skillfully steered a course through the turbulent waters of the twentieth and early twenty-first centuries with steadily increasing success. The story of Carter's artistic life, as he told it and as it was promoted by several generations of advocates, is one of independence, uncompromising vision, and technical progress. It was astutely tailored to the beliefs and values of its intended audience and, as autobiography, it reports selectively and glosses over or omits events and attitudes deemed unhelpful in building Carter's reputation and authority, and promoting his music" | |
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| 653 | 0 | |a Music / 21st century / History and criticism | |
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Datensatz im Suchindex
| _version_ | 1811004339583451136 |
|---|---|
| adam_text |
Contents List of Tables List of Examples Preface Acknowledgments List of Abbreviations Part I [ix] Context pagex xi XV xviii xxiv 1 3 1 Carter’s Career and Reception History 2 The Elements of an Aesthetic 20 з Harmony 33 4 Rhythm and Form 77 Part II A Literary Imagination: Text Settings 93 5 Sense and Sensibility: Opera 95 6 A Kind of Light: Song Cycles and Other Text Settings 117 Part III Instrumental Music 227 7 Illusions: Music for Orchestra 229 8 Social Aspirations: Music for Instrumental Soloist and Ensemble 256 9 A Free Society: Music for Large Chamber Ensemble 297 10 Social Relations: Music for Small Chamber Ensemble 317 11 Reflections: Short Instrumental Pieces 370 Afterword 440 Appendix 1 Set-Class Catalog Appendix 2 Derived Core Harmonies Bibliography Index 444 448 454 474 |
| adam_txt |
Contents List of Tables List of Examples Preface Acknowledgments List of Abbreviations Part I [ix] Context pagex xi XV xviii xxiv 1 3 1 Carter’s Career and Reception History 2 The Elements of an Aesthetic 20 з Harmony 33 4 Rhythm and Form 77 Part II A Literary Imagination: Text Settings 93 5 Sense and Sensibility: Opera 95 6 A Kind of Light: Song Cycles and Other Text Settings 117 Part III Instrumental Music 227 7 Illusions: Music for Orchestra 229 8 Social Aspirations: Music for Instrumental Soloist and Ensemble 256 9 A Free Society: Music for Large Chamber Ensemble 297 10 Social Relations: Music for Small Chamber Ensemble 317 11 Reflections: Short Instrumental Pieces 370 Afterword 440 Appendix 1 Set-Class Catalog Appendix 2 Derived Core Harmonies Bibliography Index 444 448 454 474 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Link, John 1965- |
| author_GND | (DE-588)1123832730 |
| author_facet | Link, John 1965- |
| author_role | aut |
| author_sort | Link, John 1965- |
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| bvnumber | BV048259389 |
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| contents | Preface -- Part I : Context. Carter's career and reception history ; The elements of an aesthetic ; Harmony ; Rhythm and form -- Part II : A literary imagination : text settings. Sense and sensibility : opera ; A kind of light : song cycles and other text settings -- Part III : Instrumental music. Illusions : music for orchestra ; Social aspirations : music for instrumental soloist and ensemble ; A free society : music for large chamber ensemble ; Social relations : music for small chamber ensemble ; Reflections : short instrumental pieces -- Afterword |
| ctrlnum | (OCoLC)1303071279 (DE-599)BVBBV048259389 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
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| id | DE-604.BV048259389 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:59:31Z |
| indexdate | 2024-09-23T16:18:44Z |
| institution | BVB |
| isbn | 9780521769761 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033639593 |
| oclc_num | 1303071279 |
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| owner_facet | DE-12 DE-355 DE-BY-UBR |
| physical | xxiv, 484 Seiten Notenbeispiele |
| psigel | BSB_NED_20220712 |
| publishDate | 2022 |
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| publisher | Cambridge University Press |
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| spelling | Link, John 1965- Verfasser (DE-588)1123832730 aut Elliott Carter's late music John Link, William Paterson University Cambridge, United Kingdom ; New York, NY, USA Cambridge University Press 2022 xxiv, 484 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music since 1900 Literaturverzeichnis: Seite 454-473 Preface -- Part I : Context. Carter's career and reception history ; The elements of an aesthetic ; Harmony ; Rhythm and form -- Part II : A literary imagination : text settings. Sense and sensibility : opera ; A kind of light : song cycles and other text settings -- Part III : Instrumental music. Illusions : music for orchestra ; Social aspirations : music for instrumental soloist and ensemble ; A free society : music for large chamber ensemble ; Social relations : music for small chamber ensemble ; Reflections : short instrumental pieces -- Afterword "Elliott Carter was born four months after Orville Wright demonstrated the Wright Brothers' Flyer to the U.S. Army, and he died two months after the Voyager 1 spacecraft left the heliosphere at the threshold of interstellar space. Carter's remarkable longevity, and the unusual trajectory of his life and work through more than a century of disruptive change, has affected the reception history of his music in ways that we are only beginning to acknowledge. Over the course of a nearly eighty-year-long career, Carter leveraged his advantages and turned obstacles into opportunities with admirable persistence. He chose projects that not only interested him but also fit into the plans for artistic and professional development that he cultivated assiduously over decades. And he paid close attention to how his artistic objectives could be presented most effectively to the performers, listeners, and patrons on whom his career depended. Together with his wife Helen Frost-Jones Carter, he skillfully steered a course through the turbulent waters of the twentieth and early twenty-first centuries with steadily increasing success. The story of Carter's artistic life, as he told it and as it was promoted by several generations of advocates, is one of independence, uncompromising vision, and technical progress. It was astutely tailored to the beliefs and values of its intended audience and, as autobiography, it reports selectively and glosses over or omits events and attitudes deemed unhelpful in building Carter's reputation and authority, and promoting his music" Carter, Elliott 1908-2012 (DE-588)119086964 gnd rswk-swf Carter, Elliott / 1908-2012 / Criticism and interpretation Music / 20th century / History and criticism Music / 21st century / History and criticism Musique / 21e siècle / Histoire et critique MUSIC / General Carter, Elliott / 1908-2012 Music 1900-2099 Criticism, interpretation, etc Carter, Elliott 1908-2012 (DE-588)119086964 p DE-604 Erscheint auch als Online-Ausgabe 978-1-139-01987-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033639593&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Link, John 1965- Elliott Carter's late music Preface -- Part I : Context. Carter's career and reception history ; The elements of an aesthetic ; Harmony ; Rhythm and form -- Part II : A literary imagination : text settings. Sense and sensibility : opera ; A kind of light : song cycles and other text settings -- Part III : Instrumental music. Illusions : music for orchestra ; Social aspirations : music for instrumental soloist and ensemble ; A free society : music for large chamber ensemble ; Social relations : music for small chamber ensemble ; Reflections : short instrumental pieces -- Afterword Carter, Elliott 1908-2012 (DE-588)119086964 gnd |
| subject_GND | (DE-588)119086964 |
| title | Elliott Carter's late music |
| title_auth | Elliott Carter's late music |
| title_exact_search | Elliott Carter's late music |
| title_exact_search_txtP | Elliott Carter's late music |
| title_full | Elliott Carter's late music John Link, William Paterson University |
| title_fullStr | Elliott Carter's late music John Link, William Paterson University |
| title_full_unstemmed | Elliott Carter's late music John Link, William Paterson University |
| title_short | Elliott Carter's late music |
| title_sort | elliott carter s late music |
| topic | Carter, Elliott 1908-2012 (DE-588)119086964 gnd |
| topic_facet | Carter, Elliott 1908-2012 |
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