The Middle Ages and the movies: eight key films
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Reaktion Books LTD
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 288 Seiten 48 Illustrationen (schwarz-weiß) |
| ISBN: | 9781789145526 |
Internformat
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Datensatz im Suchindex
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CONTENTS PREFACE: Medieval History on the Screen 7 i Sex and Nationalism: Braveheart (1995) 21 2 From the Page to the Screen: The Name ofthe Rose (1986) 49 3 Now for Something Completely Different: Monty Python and the Holy Grail (1975) 77 4 The Artist and the State: Andrei Rublev (1966) 10$ $ Good and Bad Muslims: ЕІ Cid (1961) 131 6 Playing Chess with Death: The Seventh Seal (1957) 161 7 Heroic Leadership: Alexander Nevsky (1938) 187 8 A Silent Epic: Die Nibelungen 1: Siegfried (1924) 215 Wrapping Up 243
FURTHER READING 266 PHOTO ACKNOWLEDGEMENTS 273 INDEX 274
In lhe Aíiddle Ages and the Movies, eminent historian Robert Bartlett takes a fresh, cogent look at how our view of medieval historv has been shaped by eight significant films of the twentieth centurv. The book ranges from the concoction of sex and nationalism in Mel Gibson’s Braveheart to Fritz Langs silent masterpiece Siegfried to the art-house classic The Seventh Seni, Tarkovsky’s Andrei Rublev and the epic historical drama El Cid. Tire historical accuracy of these films is examined, as well as other salient aspects how was Umberto Feo’s The Name of the Rose translated from page to screen? Whv is Monty Python and the Holy Grail funnv? And how was Eisenstein’s Alexander Nevsky shaped bv the Stalinist tvrannv under which it was filmed? ì Vith 4S illustrations |
| adam_txt |
CONTENTS PREFACE: Medieval History on the Screen 7 i Sex and Nationalism: Braveheart (1995) 21 2 From the Page to the Screen: The Name ofthe Rose (1986) 49 3 Now for Something Completely Different: Monty Python and the Holy Grail (1975) 77 4 The Artist and the State: Andrei Rublev (1966) 10$ $ Good and Bad Muslims: ЕІ Cid (1961) 131 6 Playing Chess with Death: The Seventh Seal (1957) 161 7 Heroic Leadership: Alexander Nevsky (1938) 187 8 A Silent Epic: Die Nibelungen 1: Siegfried (1924) 215 Wrapping Up 243
FURTHER READING 266 PHOTO ACKNOWLEDGEMENTS 273 INDEX 274
In lhe Aíiddle Ages and the Movies, eminent historian Robert Bartlett takes a fresh, cogent look at how our view of medieval historv has been shaped by eight significant films of the twentieth centurv. The book ranges from the concoction of sex and nationalism in Mel Gibson’s Braveheart to Fritz Langs silent masterpiece Siegfried to the art-house classic The Seventh Seni, Tarkovsky’s Andrei Rublev and the epic historical drama El Cid. Tire historical accuracy of these films is examined, as well as other salient aspects how was Umberto Feo’s The Name of the Rose translated from page to screen? Whv is Monty Python and the Holy Grail funnv? And how was Eisenstein’s Alexander Nevsky shaped bv the Stalinist tvrannv under which it was filmed? ì Vith 4S illustrations |
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| discipline | Allgemeines Geschichte |
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| era | Geschichte 1924-1995 gnd |
| era_facet | Geschichte 1924-1995 |
| format | Book |
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| isbn | 9781789145526 |
| language | English |
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| title | The Middle Ages and the movies eight key films |
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