A century of composition by women: music against the odds
Saved in:
| Other Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cham, Switzerland
Palgrave Macmillan
[2022]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | xxxi, 437 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9783030955564 |
Staff View
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Record in the Search Index
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| adam_text | Contents vii Foreword by Glenda Keam 1 Composing Women’s (Very) Long 100-Year Fight: Evolutions, Illuminations, Solutions Linda Kouvaras Part I 2 1 Creative Work: Then and Now 25 Synaesthetic Associations and Gendered Nature Imagery: Female Agency in the Piano Music of Amy Beach 27 Sabrina Clarke 3 Australian Bush Songs as Multimodal Discourse: The Remarkable Collaboration of Ida Rentoni Outhwaite, Annie Rentoni, and Georgette Peterson Johanna Selleck 53 4 The 1940s Australian Ballet That “Far Outstripped ... ‘Swan Lake’ in Popular Appeal”: Esther Rofe’s GroundBreaking Ballet, Sea. Legend 79 Emma Townsend XV
xvi 5 6 7 CONTENTS Italians, Indians and the Indigenous: Innovative Themes and Material Used in Operas Written by Early-TwentiethCentury Australian Women Composers Jeanell Carrigan “Conjuring Up the Magic”: Helen Gifford’s Compositional Passage to the Creation of Fable for Solo Harp Jacinta Dennett Of Broken Trees and Elephant Ivories·. The Revivification of the Colonial Piano Manifested Through a New Work by Catherine Milliken Gabriella Smart 97 115 143 8 Beyond Exploitation: Feminist Satire in Jennifer Walshe’s XXXLIVE_NUDE_GIRLSH! Jaslyn Robertson 157 9 Hildegard’s Daughters: Women Composers “Overcoming Their Astonishment” Natalie Williams 171 10 Is the Category of the “Woman Artist” Still Helpful? Susan Best Part II The State of the Industry in the Present Day 11 12 191 207 “Dear Women Composers in Australia (and Beyond)”: (A Letter from a Music Critic) Rosalind Appleby 209 Programming Orchestral Repertoire by Women Composers: Challenges and Opportunity Joanna Drimatis 225
CONTENTS 13 14 Troubleshooting Gender in the Australian Screen Music Industry: An Insider Perspective Felicity Wilcox 247 Programming with Gender Parity in Call-Based New Music Festivals Alice Bennett 263 15 Mentoring Emerging Women Composers Maria Grenfell 16 Content Targets Work: A Practical Example of Changing Behaviours and Processes in Programming Women Composers Naomi Johnson and Matthew Dewey 17 Working Towards Gender Equality and Empowerment in Australian Music Culture Cat Hope Part ПІ Creating; Collaborating: Composer and Performer Reflections 18 19 20 xvii 277 291 307 325 The Book of Daughters and The Sonic aGender Guitar Project·. Inclusivity as Guiding Principle Lisa MacKinney 327 When We Sfeak·. Creating (“Something Personal”) in a Three-Level Collaboration Lisa Cheney 347 “It Gently Makes Itself Known...”: A Composer and Performer Discuss the Genesis and Practice of Cranes for Solo Viola Phoebe Green 367
xviii 21 CONTENTS Children’s Opera in the Twenty-First Century: The Child-Centred Approach to Writing Emma Jayakumar 383 22 Making Music in A Chorus of Women Glenda Cloughley and Johanna McBride 403 Index 431
|
| adam_txt |
Contents vii Foreword by Glenda Keam 1 Composing Women’s (Very) Long 100-Year Fight: Evolutions, Illuminations, Solutions Linda Kouvaras Part I 2 1 Creative Work: Then and Now 25 Synaesthetic Associations and Gendered Nature Imagery: Female Agency in the Piano Music of Amy Beach 27 Sabrina Clarke 3 Australian Bush Songs as Multimodal Discourse: The Remarkable Collaboration of Ida Rentoni Outhwaite, Annie Rentoni, and Georgette Peterson Johanna Selleck 53 4 The 1940s Australian Ballet That “Far Outstripped . ‘Swan Lake’ in Popular Appeal”: Esther Rofe’s GroundBreaking Ballet, Sea. Legend 79 Emma Townsend XV
xvi 5 6 7 CONTENTS Italians, Indians and the Indigenous: Innovative Themes and Material Used in Operas Written by Early-TwentiethCentury Australian Women Composers Jeanell Carrigan “Conjuring Up the Magic”: Helen Gifford’s Compositional Passage to the Creation of Fable for Solo Harp Jacinta Dennett Of Broken Trees and Elephant Ivories·. The Revivification of the Colonial Piano Manifested Through a New Work by Catherine Milliken Gabriella Smart 97 115 143 8 Beyond Exploitation: Feminist Satire in Jennifer Walshe’s XXXLIVE_NUDE_GIRLSH! Jaslyn Robertson 157 9 Hildegard’s Daughters: Women Composers “Overcoming Their Astonishment” Natalie Williams 171 10 Is the Category of the “Woman Artist” Still Helpful? Susan Best Part II The State of the Industry in the Present Day 11 12 191 207 “Dear Women Composers in Australia (and Beyond)”: (A Letter from a Music Critic) Rosalind Appleby 209 Programming Orchestral Repertoire by Women Composers: Challenges and Opportunity Joanna Drimatis 225
CONTENTS 13 14 Troubleshooting Gender in the Australian Screen Music Industry: An Insider Perspective Felicity Wilcox 247 Programming with Gender Parity in Call-Based New Music Festivals Alice Bennett 263 15 Mentoring Emerging Women Composers Maria Grenfell 16 Content Targets Work: A Practical Example of Changing Behaviours and Processes in Programming Women Composers Naomi Johnson and Matthew Dewey 17 Working Towards Gender Equality and Empowerment in Australian Music Culture Cat Hope Part ПІ Creating; Collaborating: Composer and Performer Reflections 18 19 20 xvii 277 291 307 325 The Book of Daughters and The Sonic aGender Guitar Project·. Inclusivity as Guiding Principle Lisa MacKinney 327 When We Sfeak·. Creating (“Something Personal”) in a Three-Level Collaboration Lisa Cheney 347 “It Gently Makes Itself Known.”: A Composer and Performer Discuss the Genesis and Practice of Cranes for Solo Viola Phoebe Green 367
xviii 21 CONTENTS Children’s Opera in the Twenty-First Century: The Child-Centred Approach to Writing Emma Jayakumar 383 22 Making Music in A Chorus of Women Glenda Cloughley and Johanna McBride 403 Index 431 |
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| spelling | A century of composition by women music against the odds Linda Kouvaras, Maria Grenfell, Natalie Williams (editors) Cham, Switzerland Palgrave Macmillan [2022] © 2022 xxxi, 437 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Geschichte 1900- gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Komponistin (DE-588)4032010-8 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Australien (DE-588)4003900-6 g Komponistin (DE-588)4032010-8 s Komposition Musik (DE-588)4133320-2 s Geschlechterrolle (DE-588)4071776-8 s Geschichte 1900- z DE-604 Kouvaras, Linda Ioanna 1960- (DE-588)103485156X edt Grenfell, Maria 1969- (DE-588)1175417343 edt Williams, Natalie ca. 20. Jh. (DE-588)116063128X edt Erscheint auch als Online-Ausgabe 978-3-030-95557-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033633288&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | A century of composition by women music against the odds Geschlechterrolle (DE-588)4071776-8 gnd Komposition Musik (DE-588)4133320-2 gnd Komponistin (DE-588)4032010-8 gnd |
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| title | A century of composition by women music against the odds |
| title_auth | A century of composition by women music against the odds |
| title_exact_search | A century of composition by women music against the odds |
| title_exact_search_txtP | A century of composition by women music against the odds |
| title_full | A century of composition by women music against the odds Linda Kouvaras, Maria Grenfell, Natalie Williams (editors) |
| title_fullStr | A century of composition by women music against the odds Linda Kouvaras, Maria Grenfell, Natalie Williams (editors) |
| title_full_unstemmed | A century of composition by women music against the odds Linda Kouvaras, Maria Grenfell, Natalie Williams (editors) |
| title_short | A century of composition by women |
| title_sort | a century of composition by women music against the odds |
| title_sub | music against the odds |
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