Circulating photomontage: the appropriation of Soviet visual material by French Communist networks, 1928-1936
Intended to promote the success of rapid industrialisation, especially at the time of the first Five-Year Plan (1928–32), Soviet photography was disseminated to other countries through the networks of the Communist International. The circulation of Soviet photographs in the press helped define a spe...
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2022
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Schlagworte: | |
Zusammenfassung: | Intended to promote the success of rapid industrialisation, especially at the time of the first Five-Year Plan (1928–32), Soviet photography was disseminated to other countries through the networks of the Communist International. The circulation of Soviet photographs in the press helped define a specifically communist visual culture, characterised by idiosyncratic visual tropes and graphic treatment of images through photomontage and dynamic page layout. This article highlights the role of graphic designers and illustrators in the development of political photomontage in France, particularly through periodicals associated with the Communist Party such as Regards and the Almanach ouvrier et paysan. These illustrated publications often borrowed their iconography and innovative page layout directly from Soviet magazines such as USSR in Construction. By showing how images have been appropriated and transformed, I suggest that communist editors in the early 1930s encouraged a type of militant participation that challenged individual authorship. |
Beschreibung: | Illustrationen |
ISSN: | 0308-7298 |
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520 | 3 | |a Intended to promote the success of rapid industrialisation, especially at the time of the first Five-Year Plan (1928–32), Soviet photography was disseminated to other countries through the networks of the Communist International. The circulation of Soviet photographs in the press helped define a specifically communist visual culture, characterised by idiosyncratic visual tropes and graphic treatment of images through photomontage and dynamic page layout. This article highlights the role of graphic designers and illustrators in the development of political photomontage in France, particularly through periodicals associated with the Communist Party such as Regards and the Almanach ouvrier et paysan. These illustrated publications often borrowed their iconography and innovative page layout directly from Soviet magazines such as USSR in Construction. By showing how images have been appropriated and transformed, I suggest that communist editors in the early 1930s encouraged a type of militant participation that challenged individual authorship. | |
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spelling | Bonhomme, Max 19XX- Verfasser (DE-588)1078730717 aut Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 Max Bonhomme 2022 Illustrationen txt rdacontent n rdamedia nc rdacarrier Intended to promote the success of rapid industrialisation, especially at the time of the first Five-Year Plan (1928–32), Soviet photography was disseminated to other countries through the networks of the Communist International. The circulation of Soviet photographs in the press helped define a specifically communist visual culture, characterised by idiosyncratic visual tropes and graphic treatment of images through photomontage and dynamic page layout. This article highlights the role of graphic designers and illustrators in the development of political photomontage in France, particularly through periodicals associated with the Communist Party such as Regards and the Almanach ouvrier et paysan. These illustrated publications often borrowed their iconography and innovative page layout directly from Soviet magazines such as USSR in Construction. By showing how images have been appropriated and transformed, I suggest that communist editors in the early 1930s encouraged a type of militant participation that challenged individual authorship. Geschichte 1928-1936 gnd rswk-swf Fotomontage (DE-588)4045920-2 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kommunismus (DE-588)4031892-8 gnd rswk-swf Zeitschrift (DE-588)4067488-5 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Sowjetunion (DE-588)4077548-3 g Kommunismus (DE-588)4031892-8 s Fotografie (DE-588)4045895-7 s Geschichte 1928-1936 z Rezeption (DE-588)4049716-1 s Frankreich (DE-588)4018145-5 g Fotomontage (DE-588)4045920-2 s Zeitschrift (DE-588)4067488-5 s DE-604 volume:45 number:1 year:2021 pages:64-77 History of photography Abingdon, 2022 Volume 45, issue 1 (2021), Seite 64-77 (DE-604)BV002672782 0308-7298 (DE-600)199333-1 |
spellingShingle | Bonhomme, Max 19XX- Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 Fotomontage (DE-588)4045920-2 gnd Rezeption (DE-588)4049716-1 gnd Kommunismus (DE-588)4031892-8 gnd Zeitschrift (DE-588)4067488-5 gnd Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)4045920-2 (DE-588)4049716-1 (DE-588)4031892-8 (DE-588)4067488-5 (DE-588)4045895-7 (DE-588)4077548-3 (DE-588)4018145-5 |
title | Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 |
title_auth | Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 |
title_exact_search | Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 |
title_exact_search_txtP | Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 |
title_full | Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 Max Bonhomme |
title_fullStr | Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 Max Bonhomme |
title_full_unstemmed | Circulating photomontage the appropriation of Soviet visual material by French Communist networks, 1928-1936 Max Bonhomme |
title_short | Circulating photomontage |
title_sort | circulating photomontage the appropriation of soviet visual material by french communist networks 1928 1936 |
title_sub | the appropriation of Soviet visual material by French Communist networks, 1928-1936 |
topic | Fotomontage (DE-588)4045920-2 gnd Rezeption (DE-588)4049716-1 gnd Kommunismus (DE-588)4031892-8 gnd Zeitschrift (DE-588)4067488-5 gnd Fotografie (DE-588)4045895-7 gnd |
topic_facet | Fotomontage Rezeption Kommunismus Zeitschrift Fotografie Sowjetunion Frankreich |
work_keys_str_mv | AT bonhommemax circulatingphotomontagetheappropriationofsovietvisualmaterialbyfrenchcommunistnetworks19281936 |