Sustainable Luxury and Craftsmanship:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Singapore
Springer Singapore Pte. Limited
2020
|
| Schriftenreihe: | Environmental Footprints and Eco-Design of Products and Processes Ser
|
| Schlagworte: | |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 Online-Ressource (166 pages) |
| ISBN: | 9789811537691 |
Internformat
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| 505 | 8 | |a Intro -- Preface -- Contents -- About the Editors -- Jewellery Between Product and Experience: Luxury in the Twenty-First Century -- 1 Luxury: From Preciousness to Awareness -- 2 A Renewed Sustainable Tradition -- 2.1 Respecting Diversity and Traditions -- 2.2 Respecting People -- 2.3 Respecting the Environment -- 3 The Digital Shift: The Impact of Digital Technologies on Jewellery -- 4 The Power of Communication: From Exclusivity to Inclusion -- 4.1 Listening -- 4.2 Mutual Interest -- 4.3 Understanding and Acceptance -- 4.4 Changing an Attitude -- 5 Conclusions -- Bibliography -- Sustainable Luxury, Craftsmanship and Vicuna Poncho -- 1 Sustainable Luxury, Craftsmanship and Handcrafted Quality -- 1.1 Concepts and Thoughts -- 2 The Poncho -- 2.1 Introduction -- 2.2 The Poncho: History and Cultural Value -- 2.3 The Vicuña, A Sacred Animal -- 3 The Vicuña Poncho of Cooperativa Mesa Local Laguna Blanca -- 3.1 Laguna Blanca: What Is It? History -- 3.2 The Experience in Cusco -- 3.3 From the Heights of the Puna to New Mexico Collectors' Market -- 3.4 Some Institutions and Organisations that Supported the Co-operative and Consolidated Its Entry into the International Market -- 4 Sustainable Luxury and Indigenous Production -- 4.1 Characteristics of the Social and Production Community Experience -- 5 Some Considerations and Conclusions -- References -- Unwritten: The Implicit Luxury -- 1 Introduction -- 2 Khipu -- 3 Bogolanfini -- 4 Felt -- 5 Why Non-verbal Textile Languages? -- 6 How Can Ancestral Cultures and Unwritten Languages Inspire the New Concept of Luxury? -- Bibliography -- The Artification of Luxury: How Art Can Affect Perceived Durability and Purchase Intention of Luxury Products -- 1 Defining Luxury -- 2 Luxury Consumption: Personal Versus Interpersonal Motives -- 3 The Luxury Dream and Scarcity -- 4 Luxury and Sustainability | |
| 505 | 8 | |a 5 The Growth of Luxury Market -- 6 The Challenges Posed by Luxury Growth and the Resolutive Role of Art -- 7 The "Art Infusion Effect" -- 7.1 How Product Type and Price Affect the Art Infusion Effect -- 7.2 Beyond Product Evaluation: How Art Affects Consumers' WTP and Brand Extendibility -- 7.3 The Content-Independent Influence of Visual Art -- 7.4 The Role of Art Saliency in the Art Infusion Effect -- 8 A New Theoretical Model -- 9 Empirical Study -- 9.1 Procedure and Sample -- 9.2 Results -- 10 General Discussion -- References -- Lasting Luxury: Arts and Crafts with Xia Bu 夏布, a Traditional Handloomed Ramie Fabric -- 1 Lasting Luxury -- 2 Sustainable Luxury Materials -- 2.1 A Gift from Nature: Ramie -- 3 Ramie Fibre: A Luxury Vegan Silk -- 4 Xia Bu 夏布, a Handmade Fabric with Ramie -- 5 Ramie Raw Fibre Preparation -- 6 Xia Bu Yarns Preparation -- 7 New Luxury: Half Handmade Xia Bu -- 8 Environment Protection and Intangible Cultural Heritage from Chinese Government -- 9 Xia Bu Products -- 10 Hand-Loom Weaving -- 11 Embroidery -- 12 Semi-Handmade Xia Bu Bedding Set -- 13 Sustainability with Ramie/Xia Bu Projects -- 14 Mama Making Project in Rong Chang Village -- Luxury Craftsmanship as an Alternative to Building Social Fabric and Preserving Ancestral Knowledge: A Look at Colombia -- 1 Crafts and Indigenous Communities in Colombia -- 2 Colombia -- 3 Can Ancestral Crafts Flourish in a Capitalist World? -- 4 Sombrero Vueltiao, an Example of Cultural Appropriation -- 5 Globalization -- 6 Sustainable Luxury as a Vehicle to Savage Ancestral Crafts -- 7 El Cumare -- 8 Fabric in Guanga -- 9 Conclusions -- References -- Crafting Luxury with 'More-ish' Qualities at the YSL Museum: An Organic Approach -- 1 Introduction -- 2 Twisting Yves Saint Laurent's Mark in Marrakech -- 3 Crafting Luxury, Berber Textiles and Brick Making -- 4 'More-ish' Qualities | |
| 505 | 8 | |a 5 Brick-Trickery Craftwork at the Yves Saint Laurent Museum, an Organic Approach -- 6 Recrafting Amazigh Luxury -- References | |
| 650 | 4 | |a Luxury goods industry | |
| 700 | 1 | |a Coste-Manière, Ivan |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Gardetti, Miguel Ángel |t Sustainable Luxury and Craftsmanship |d Singapore : Springer Singapore Pte. Limited,c2020 |z 9789811537684 |
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Datensatz im Suchindex
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| author | Gardetti, Miguel Ángel |
| author_facet | Gardetti, Miguel Ángel |
| author_role | aut |
| author_sort | Gardetti, Miguel Ángel |
| author_variant | m á g má mág |
| building | Verbundindex |
| bvnumber | BV048222604 |
| collection | ZDB-30-PQE |
| contents | Intro -- Preface -- Contents -- About the Editors -- Jewellery Between Product and Experience: Luxury in the Twenty-First Century -- 1 Luxury: From Preciousness to Awareness -- 2 A Renewed Sustainable Tradition -- 2.1 Respecting Diversity and Traditions -- 2.2 Respecting People -- 2.3 Respecting the Environment -- 3 The Digital Shift: The Impact of Digital Technologies on Jewellery -- 4 The Power of Communication: From Exclusivity to Inclusion -- 4.1 Listening -- 4.2 Mutual Interest -- 4.3 Understanding and Acceptance -- 4.4 Changing an Attitude -- 5 Conclusions -- Bibliography -- Sustainable Luxury, Craftsmanship and Vicuna Poncho -- 1 Sustainable Luxury, Craftsmanship and Handcrafted Quality -- 1.1 Concepts and Thoughts -- 2 The Poncho -- 2.1 Introduction -- 2.2 The Poncho: History and Cultural Value -- 2.3 The Vicuña, A Sacred Animal -- 3 The Vicuña Poncho of Cooperativa Mesa Local Laguna Blanca -- 3.1 Laguna Blanca: What Is It? History -- 3.2 The Experience in Cusco -- 3.3 From the Heights of the Puna to New Mexico Collectors' Market -- 3.4 Some Institutions and Organisations that Supported the Co-operative and Consolidated Its Entry into the International Market -- 4 Sustainable Luxury and Indigenous Production -- 4.1 Characteristics of the Social and Production Community Experience -- 5 Some Considerations and Conclusions -- References -- Unwritten: The Implicit Luxury -- 1 Introduction -- 2 Khipu -- 3 Bogolanfini -- 4 Felt -- 5 Why Non-verbal Textile Languages? -- 6 How Can Ancestral Cultures and Unwritten Languages Inspire the New Concept of Luxury? -- Bibliography -- The Artification of Luxury: How Art Can Affect Perceived Durability and Purchase Intention of Luxury Products -- 1 Defining Luxury -- 2 Luxury Consumption: Personal Versus Interpersonal Motives -- 3 The Luxury Dream and Scarcity -- 4 Luxury and Sustainability 5 The Growth of Luxury Market -- 6 The Challenges Posed by Luxury Growth and the Resolutive Role of Art -- 7 The "Art Infusion Effect" -- 7.1 How Product Type and Price Affect the Art Infusion Effect -- 7.2 Beyond Product Evaluation: How Art Affects Consumers' WTP and Brand Extendibility -- 7.3 The Content-Independent Influence of Visual Art -- 7.4 The Role of Art Saliency in the Art Infusion Effect -- 8 A New Theoretical Model -- 9 Empirical Study -- 9.1 Procedure and Sample -- 9.2 Results -- 10 General Discussion -- References -- Lasting Luxury: Arts and Crafts with Xia Bu 夏布, a Traditional Handloomed Ramie Fabric -- 1 Lasting Luxury -- 2 Sustainable Luxury Materials -- 2.1 A Gift from Nature: Ramie -- 3 Ramie Fibre: A Luxury Vegan Silk -- 4 Xia Bu 夏布, a Handmade Fabric with Ramie -- 5 Ramie Raw Fibre Preparation -- 6 Xia Bu Yarns Preparation -- 7 New Luxury: Half Handmade Xia Bu -- 8 Environment Protection and Intangible Cultural Heritage from Chinese Government -- 9 Xia Bu Products -- 10 Hand-Loom Weaving -- 11 Embroidery -- 12 Semi-Handmade Xia Bu Bedding Set -- 13 Sustainability with Ramie/Xia Bu Projects -- 14 Mama Making Project in Rong Chang Village -- Luxury Craftsmanship as an Alternative to Building Social Fabric and Preserving Ancestral Knowledge: A Look at Colombia -- 1 Crafts and Indigenous Communities in Colombia -- 2 Colombia -- 3 Can Ancestral Crafts Flourish in a Capitalist World? -- 4 Sombrero Vueltiao, an Example of Cultural Appropriation -- 5 Globalization -- 6 Sustainable Luxury as a Vehicle to Savage Ancestral Crafts -- 7 El Cumare -- 8 Fabric in Guanga -- 9 Conclusions -- References -- Crafting Luxury with 'More-ish' Qualities at the YSL Museum: An Organic Approach -- 1 Introduction -- 2 Twisting Yves Saint Laurent's Mark in Marrakech -- 3 Crafting Luxury, Berber Textiles and Brick Making -- 4 'More-ish' Qualities 5 Brick-Trickery Craftwork at the Yves Saint Laurent Museum, an Organic Approach -- 6 Recrafting Amazigh Luxury -- References |
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| dewey-full | 338.47 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 338 - Production |
| dewey-raw | 338.47 |
| dewey-search | 338.47 |
| dewey-sort | 3338.47 |
| dewey-tens | 330 - Economics |
| discipline | Wirtschaftswissenschaften |
| discipline_str_mv | Wirtschaftswissenschaften |
| format | Electronic eBook |
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| id | DE-604.BV048222604 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:50:37Z |
| indexdate | 2024-07-10T09:32:26Z |
| institution | BVB |
| isbn | 9789811537691 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033603337 |
| oclc_num | 1148865589 |
| open_access_boolean | |
| physical | 1 Online-Ressource (166 pages) |
| psigel | ZDB-30-PQE |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Springer Singapore Pte. Limited |
| record_format | marc |
| series2 | Environmental Footprints and Eco-Design of Products and Processes Ser |
| spelling | Gardetti, Miguel Ángel Verfasser aut Sustainable Luxury and Craftsmanship Singapore Springer Singapore Pte. Limited 2020 ©2020 1 Online-Ressource (166 pages) txt rdacontent c rdamedia cr rdacarrier Environmental Footprints and Eco-Design of Products and Processes Ser Description based on publisher supplied metadata and other sources Intro -- Preface -- Contents -- About the Editors -- Jewellery Between Product and Experience: Luxury in the Twenty-First Century -- 1 Luxury: From Preciousness to Awareness -- 2 A Renewed Sustainable Tradition -- 2.1 Respecting Diversity and Traditions -- 2.2 Respecting People -- 2.3 Respecting the Environment -- 3 The Digital Shift: The Impact of Digital Technologies on Jewellery -- 4 The Power of Communication: From Exclusivity to Inclusion -- 4.1 Listening -- 4.2 Mutual Interest -- 4.3 Understanding and Acceptance -- 4.4 Changing an Attitude -- 5 Conclusions -- Bibliography -- Sustainable Luxury, Craftsmanship and Vicuna Poncho -- 1 Sustainable Luxury, Craftsmanship and Handcrafted Quality -- 1.1 Concepts and Thoughts -- 2 The Poncho -- 2.1 Introduction -- 2.2 The Poncho: History and Cultural Value -- 2.3 The Vicuña, A Sacred Animal -- 3 The Vicuña Poncho of Cooperativa Mesa Local Laguna Blanca -- 3.1 Laguna Blanca: What Is It? History -- 3.2 The Experience in Cusco -- 3.3 From the Heights of the Puna to New Mexico Collectors' Market -- 3.4 Some Institutions and Organisations that Supported the Co-operative and Consolidated Its Entry into the International Market -- 4 Sustainable Luxury and Indigenous Production -- 4.1 Characteristics of the Social and Production Community Experience -- 5 Some Considerations and Conclusions -- References -- Unwritten: The Implicit Luxury -- 1 Introduction -- 2 Khipu -- 3 Bogolanfini -- 4 Felt -- 5 Why Non-verbal Textile Languages? -- 6 How Can Ancestral Cultures and Unwritten Languages Inspire the New Concept of Luxury? -- Bibliography -- The Artification of Luxury: How Art Can Affect Perceived Durability and Purchase Intention of Luxury Products -- 1 Defining Luxury -- 2 Luxury Consumption: Personal Versus Interpersonal Motives -- 3 The Luxury Dream and Scarcity -- 4 Luxury and Sustainability 5 The Growth of Luxury Market -- 6 The Challenges Posed by Luxury Growth and the Resolutive Role of Art -- 7 The "Art Infusion Effect" -- 7.1 How Product Type and Price Affect the Art Infusion Effect -- 7.2 Beyond Product Evaluation: How Art Affects Consumers' WTP and Brand Extendibility -- 7.3 The Content-Independent Influence of Visual Art -- 7.4 The Role of Art Saliency in the Art Infusion Effect -- 8 A New Theoretical Model -- 9 Empirical Study -- 9.1 Procedure and Sample -- 9.2 Results -- 10 General Discussion -- References -- Lasting Luxury: Arts and Crafts with Xia Bu 夏布, a Traditional Handloomed Ramie Fabric -- 1 Lasting Luxury -- 2 Sustainable Luxury Materials -- 2.1 A Gift from Nature: Ramie -- 3 Ramie Fibre: A Luxury Vegan Silk -- 4 Xia Bu 夏布, a Handmade Fabric with Ramie -- 5 Ramie Raw Fibre Preparation -- 6 Xia Bu Yarns Preparation -- 7 New Luxury: Half Handmade Xia Bu -- 8 Environment Protection and Intangible Cultural Heritage from Chinese Government -- 9 Xia Bu Products -- 10 Hand-Loom Weaving -- 11 Embroidery -- 12 Semi-Handmade Xia Bu Bedding Set -- 13 Sustainability with Ramie/Xia Bu Projects -- 14 Mama Making Project in Rong Chang Village -- Luxury Craftsmanship as an Alternative to Building Social Fabric and Preserving Ancestral Knowledge: A Look at Colombia -- 1 Crafts and Indigenous Communities in Colombia -- 2 Colombia -- 3 Can Ancestral Crafts Flourish in a Capitalist World? -- 4 Sombrero Vueltiao, an Example of Cultural Appropriation -- 5 Globalization -- 6 Sustainable Luxury as a Vehicle to Savage Ancestral Crafts -- 7 El Cumare -- 8 Fabric in Guanga -- 9 Conclusions -- References -- Crafting Luxury with 'More-ish' Qualities at the YSL Museum: An Organic Approach -- 1 Introduction -- 2 Twisting Yves Saint Laurent's Mark in Marrakech -- 3 Crafting Luxury, Berber Textiles and Brick Making -- 4 'More-ish' Qualities 5 Brick-Trickery Craftwork at the Yves Saint Laurent Museum, an Organic Approach -- 6 Recrafting Amazigh Luxury -- References Luxury goods industry Coste-Manière, Ivan Sonstige oth Erscheint auch als Druck-Ausgabe Gardetti, Miguel Ángel Sustainable Luxury and Craftsmanship Singapore : Springer Singapore Pte. Limited,c2020 9789811537684 |
| spellingShingle | Gardetti, Miguel Ángel Sustainable Luxury and Craftsmanship Intro -- Preface -- Contents -- About the Editors -- Jewellery Between Product and Experience: Luxury in the Twenty-First Century -- 1 Luxury: From Preciousness to Awareness -- 2 A Renewed Sustainable Tradition -- 2.1 Respecting Diversity and Traditions -- 2.2 Respecting People -- 2.3 Respecting the Environment -- 3 The Digital Shift: The Impact of Digital Technologies on Jewellery -- 4 The Power of Communication: From Exclusivity to Inclusion -- 4.1 Listening -- 4.2 Mutual Interest -- 4.3 Understanding and Acceptance -- 4.4 Changing an Attitude -- 5 Conclusions -- Bibliography -- Sustainable Luxury, Craftsmanship and Vicuna Poncho -- 1 Sustainable Luxury, Craftsmanship and Handcrafted Quality -- 1.1 Concepts and Thoughts -- 2 The Poncho -- 2.1 Introduction -- 2.2 The Poncho: History and Cultural Value -- 2.3 The Vicuña, A Sacred Animal -- 3 The Vicuña Poncho of Cooperativa Mesa Local Laguna Blanca -- 3.1 Laguna Blanca: What Is It? History -- 3.2 The Experience in Cusco -- 3.3 From the Heights of the Puna to New Mexico Collectors' Market -- 3.4 Some Institutions and Organisations that Supported the Co-operative and Consolidated Its Entry into the International Market -- 4 Sustainable Luxury and Indigenous Production -- 4.1 Characteristics of the Social and Production Community Experience -- 5 Some Considerations and Conclusions -- References -- Unwritten: The Implicit Luxury -- 1 Introduction -- 2 Khipu -- 3 Bogolanfini -- 4 Felt -- 5 Why Non-verbal Textile Languages? -- 6 How Can Ancestral Cultures and Unwritten Languages Inspire the New Concept of Luxury? -- Bibliography -- The Artification of Luxury: How Art Can Affect Perceived Durability and Purchase Intention of Luxury Products -- 1 Defining Luxury -- 2 Luxury Consumption: Personal Versus Interpersonal Motives -- 3 The Luxury Dream and Scarcity -- 4 Luxury and Sustainability 5 The Growth of Luxury Market -- 6 The Challenges Posed by Luxury Growth and the Resolutive Role of Art -- 7 The "Art Infusion Effect" -- 7.1 How Product Type and Price Affect the Art Infusion Effect -- 7.2 Beyond Product Evaluation: How Art Affects Consumers' WTP and Brand Extendibility -- 7.3 The Content-Independent Influence of Visual Art -- 7.4 The Role of Art Saliency in the Art Infusion Effect -- 8 A New Theoretical Model -- 9 Empirical Study -- 9.1 Procedure and Sample -- 9.2 Results -- 10 General Discussion -- References -- Lasting Luxury: Arts and Crafts with Xia Bu 夏布, a Traditional Handloomed Ramie Fabric -- 1 Lasting Luxury -- 2 Sustainable Luxury Materials -- 2.1 A Gift from Nature: Ramie -- 3 Ramie Fibre: A Luxury Vegan Silk -- 4 Xia Bu 夏布, a Handmade Fabric with Ramie -- 5 Ramie Raw Fibre Preparation -- 6 Xia Bu Yarns Preparation -- 7 New Luxury: Half Handmade Xia Bu -- 8 Environment Protection and Intangible Cultural Heritage from Chinese Government -- 9 Xia Bu Products -- 10 Hand-Loom Weaving -- 11 Embroidery -- 12 Semi-Handmade Xia Bu Bedding Set -- 13 Sustainability with Ramie/Xia Bu Projects -- 14 Mama Making Project in Rong Chang Village -- Luxury Craftsmanship as an Alternative to Building Social Fabric and Preserving Ancestral Knowledge: A Look at Colombia -- 1 Crafts and Indigenous Communities in Colombia -- 2 Colombia -- 3 Can Ancestral Crafts Flourish in a Capitalist World? -- 4 Sombrero Vueltiao, an Example of Cultural Appropriation -- 5 Globalization -- 6 Sustainable Luxury as a Vehicle to Savage Ancestral Crafts -- 7 El Cumare -- 8 Fabric in Guanga -- 9 Conclusions -- References -- Crafting Luxury with 'More-ish' Qualities at the YSL Museum: An Organic Approach -- 1 Introduction -- 2 Twisting Yves Saint Laurent's Mark in Marrakech -- 3 Crafting Luxury, Berber Textiles and Brick Making -- 4 'More-ish' Qualities 5 Brick-Trickery Craftwork at the Yves Saint Laurent Museum, an Organic Approach -- 6 Recrafting Amazigh Luxury -- References Luxury goods industry |
| title | Sustainable Luxury and Craftsmanship |
| title_auth | Sustainable Luxury and Craftsmanship |
| title_exact_search | Sustainable Luxury and Craftsmanship |
| title_exact_search_txtP | Sustainable Luxury and Craftsmanship |
| title_full | Sustainable Luxury and Craftsmanship |
| title_fullStr | Sustainable Luxury and Craftsmanship |
| title_full_unstemmed | Sustainable Luxury and Craftsmanship |
| title_short | Sustainable Luxury and Craftsmanship |
| title_sort | sustainable luxury and craftsmanship |
| topic | Luxury goods industry |
| topic_facet | Luxury goods industry |
| work_keys_str_mv | AT gardettimiguelangel sustainableluxuryandcraftsmanship AT costemaniereivan sustainableluxuryandcraftsmanship |