Music and time: psychology, philosophy, practice
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
Boydell Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 206 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781783277087 |
Internformat
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Datensatz im Suchindex
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| adam_text |
Contents List ofFigures Contributors vii ix Introduction i Matthew Sergeant and Michelle Phillips Part I. Experiences i Music Listening and the Perception of Time: The LEMI Model н Michelle Phillips i The Remembrance of Things to Be: An Approach to Memory, Repetition, and Cyclical Structures 29 Bryn Harrison 3 4 An Overview ofthe Psychology of Time Perception LukeAJones 42 The Perceptual Present and the Philosophical Puzzle of Musical Experience 55 Abigail Connor and Joel Smith Part II. Enactments 5 Ensemble Timing in String Quartets 73 Alan Wing, Maria Witek, Ryan Stables, and Adrian Bradbury 6 Midway Ambiguities: Disorientation and Interpretation in LongDuration Music 97 Philip Thomas 7 Live Coding as a Theatre of Agency and a Factory of Time Alejandro Franco Briones Part III. Meanings 8 Comparing Temporal Fictions in Tonality and Triadic Post-Tonality: Chopin’s Fourth Ballade as a Link Between the Ages 129 Jason Noble 9 ‘Nothing Really Changes’: Material Processes in and as Time in hearmleop—gieddunga 147 Lauren Redhead 112
Contents vi io Music, Time, and Society 162 Matthew Sergeant Conclusion: Multiplicity, Fluidity, Fragility 177 Michelle Phillips and Matthew Sergeant Bibliography Index 181 197 |
| adam_txt |
Contents List ofFigures Contributors vii ix Introduction i Matthew Sergeant and Michelle Phillips Part I. Experiences i Music Listening and the Perception of Time: The LEMI Model н Michelle Phillips i The Remembrance of Things to Be: An Approach to Memory, Repetition, and Cyclical Structures 29 Bryn Harrison 3 4 An Overview ofthe Psychology of Time Perception LukeAJones 42 The Perceptual Present and the Philosophical Puzzle of Musical Experience 55 Abigail Connor and Joel Smith Part II. Enactments 5 Ensemble Timing in String Quartets 73 Alan Wing, Maria Witek, Ryan Stables, and Adrian Bradbury 6 Midway Ambiguities: Disorientation and Interpretation in LongDuration Music 97 Philip Thomas 7 Live Coding as a Theatre of Agency and a Factory of Time Alejandro Franco Briones Part III. Meanings 8 Comparing Temporal Fictions in Tonality and Triadic Post-Tonality: Chopin’s Fourth Ballade as a Link Between the Ages 129 Jason Noble 9 ‘Nothing Really Changes’: Material Processes in and as Time in hearmleop—gieddunga 147 Lauren Redhead 112
Contents vi io Music, Time, and Society 162 Matthew Sergeant Conclusion: Multiplicity, Fluidity, Fragility 177 Michelle Phillips and Matthew Sergeant Bibliography Index 181 197 |
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| discipline_str_mv | Musikwissenschaft |
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