Renaissance Studies: A «Festschrift» in Honor of Professor Edward J. Olszewski
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2013
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | DE-12 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (229 Seiten) |
| ISBN: | 9781453910450 |
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| 505 | 8 | |a This Festschrift is dedicated to Edward J. Olszewski and was created by his former PhD students in gratitude and honor of a professor whose innovative and comprehensive research spans the Renaissance and Baroque periods. His research provided much insight to the arts, issues of patronage, conservation, and context. The text includes an array of topics conceived by each author while studying with Olszewski. His intense seminar on Michelangelo was the catalyst for many articles: Jennifer Finkel introduces new ideas regarding the proposed sculptural plan for the façade of San Lorenzo; Dena M. Woodall provides keen insight on the representations of genii on the Sistine Ceiling; Karen Edwards proposes the early creation of the figura serpentinata in Michelangelo's own drawings and paintings; and Rachel Geshwind offers a new interpretation of his use of color symbolism in the Sistine Chapel. This seminar, and another on Mannerism, involved provocative discussion of the competitors of Michelangelo, where the foundation was laid for the much needed re-examination of Baccio Bandinelli's Hercules and Cacus in Michael Morford's article, which introduces the probability of Machiavellian influence, and Christine Corretti's interpretation of Cellini's Perseus and Medusa as the symbol of Cosimo's I ideas of justice and the influence of women in his life. Olszewski's own research on patronage, especially of the Ottoboni, mirrors Henrietta Silberger's article on the collecting habits of Livio Odescalchi. Finally, Holley Witchey provides a personal experience in authenticating works of art in collections (a topic of interest for Olszewski) and ends her essay with a series of important questions for each of us to ask ourselves | |
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| contents | This Festschrift is dedicated to Edward J. Olszewski and was created by his former PhD students in gratitude and honor of a professor whose innovative and comprehensive research spans the Renaissance and Baroque periods. His research provided much insight to the arts, issues of patronage, conservation, and context. The text includes an array of topics conceived by each author while studying with Olszewski. His intense seminar on Michelangelo was the catalyst for many articles: Jennifer Finkel introduces new ideas regarding the proposed sculptural plan for the façade of San Lorenzo; Dena M. Woodall provides keen insight on the representations of genii on the Sistine Ceiling; Karen Edwards proposes the early creation of the figura serpentinata in Michelangelo's own drawings and paintings; and Rachel Geshwind offers a new interpretation of his use of color symbolism in the Sistine Chapel. This seminar, and another on Mannerism, involved provocative discussion of the competitors of Michelangelo, where the foundation was laid for the much needed re-examination of Baccio Bandinelli's Hercules and Cacus in Michael Morford's article, which introduces the probability of Machiavellian influence, and Christine Corretti's interpretation of Cellini's Perseus and Medusa as the symbol of Cosimo's I ideas of justice and the influence of women in his life. Olszewski's own research on patronage, especially of the Ottoboni, mirrors Henrietta Silberger's article on the collecting habits of Livio Odescalchi. Finally, Holley Witchey provides a personal experience in authenticating works of art in collections (a topic of interest for Olszewski) and ends her essay with a series of important questions for each of us to ask ourselves |
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| edition | 1st, New ed |
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| format | Electronic eBook |
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| spelling | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski Jennifer H. Finkel, Michael D. Morford, Dena M. Woodall 1st, New ed New York Peter Lang Inc., International Academic Publishers 2013 ©2014 1 Online-Ressource (229 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) This Festschrift is dedicated to Edward J. Olszewski and was created by his former PhD students in gratitude and honor of a professor whose innovative and comprehensive research spans the Renaissance and Baroque periods. His research provided much insight to the arts, issues of patronage, conservation, and context. The text includes an array of topics conceived by each author while studying with Olszewski. His intense seminar on Michelangelo was the catalyst for many articles: Jennifer Finkel introduces new ideas regarding the proposed sculptural plan for the façade of San Lorenzo; Dena M. Woodall provides keen insight on the representations of genii on the Sistine Ceiling; Karen Edwards proposes the early creation of the figura serpentinata in Michelangelo's own drawings and paintings; and Rachel Geshwind offers a new interpretation of his use of color symbolism in the Sistine Chapel. This seminar, and another on Mannerism, involved provocative discussion of the competitors of Michelangelo, where the foundation was laid for the much needed re-examination of Baccio Bandinelli's Hercules and Cacus in Michael Morford's article, which introduces the probability of Machiavellian influence, and Christine Corretti's interpretation of Cellini's Perseus and Medusa as the symbol of Cosimo's I ideas of justice and the influence of women in his life. Olszewski's own research on patronage, especially of the Ottoboni, mirrors Henrietta Silberger's article on the collecting habits of Livio Odescalchi. Finally, Holley Witchey provides a personal experience in authenticating works of art in collections (a topic of interest for Olszewski) and ends her essay with a series of important questions for each of us to ask ourselves Geschichte 1420-1600 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf (DE-588)4016928-5 Festschrift gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Italien (DE-588)4027833-5 g Kunst (DE-588)4114333-4 s Renaissance (DE-588)4049450-0 s Geschichte 1420-1600 z DE-604 Finkel, Jennifer H. edt Morford, Michael D. edt Woodall, Dena M. edt Erscheint auch als Druck-Ausgabe 9781433115882 https://www.peterlang.com/view/product/29429?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski This Festschrift is dedicated to Edward J. Olszewski and was created by his former PhD students in gratitude and honor of a professor whose innovative and comprehensive research spans the Renaissance and Baroque periods. His research provided much insight to the arts, issues of patronage, conservation, and context. The text includes an array of topics conceived by each author while studying with Olszewski. His intense seminar on Michelangelo was the catalyst for many articles: Jennifer Finkel introduces new ideas regarding the proposed sculptural plan for the façade of San Lorenzo; Dena M. Woodall provides keen insight on the representations of genii on the Sistine Ceiling; Karen Edwards proposes the early creation of the figura serpentinata in Michelangelo's own drawings and paintings; and Rachel Geshwind offers a new interpretation of his use of color symbolism in the Sistine Chapel. This seminar, and another on Mannerism, involved provocative discussion of the competitors of Michelangelo, where the foundation was laid for the much needed re-examination of Baccio Bandinelli's Hercules and Cacus in Michael Morford's article, which introduces the probability of Machiavellian influence, and Christine Corretti's interpretation of Cellini's Perseus and Medusa as the symbol of Cosimo's I ideas of justice and the influence of women in his life. Olszewski's own research on patronage, especially of the Ottoboni, mirrors Henrietta Silberger's article on the collecting habits of Livio Odescalchi. Finally, Holley Witchey provides a personal experience in authenticating works of art in collections (a topic of interest for Olszewski) and ends her essay with a series of important questions for each of us to ask ourselves Renaissance (DE-588)4049450-0 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4049450-0 (DE-588)4114333-4 (DE-588)4027833-5 (DE-588)4016928-5 (DE-588)4143413-4 |
| title | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski |
| title_auth | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski |
| title_exact_search | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski |
| title_exact_search_txtP | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski |
| title_full | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski Jennifer H. Finkel, Michael D. Morford, Dena M. Woodall |
| title_fullStr | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski Jennifer H. Finkel, Michael D. Morford, Dena M. Woodall |
| title_full_unstemmed | Renaissance Studies A «Festschrift» in Honor of Professor Edward J. Olszewski Jennifer H. Finkel, Michael D. Morford, Dena M. Woodall |
| title_short | Renaissance Studies |
| title_sort | renaissance studies a festschrift in honor of professor edward j olszewski |
| title_sub | A «Festschrift» in Honor of Professor Edward J. Olszewski |
| topic | Renaissance (DE-588)4049450-0 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Renaissance Kunst Italien Festschrift Aufsatzsammlung |
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