Selfie aesthetics: seeing trans feminist futures in self-representational art
In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningf...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
[2022]
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| Subjects: | |
| Online Access: | DE-12 DE-898 DE-188 Volltext Volltext |
| Summary: | In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) |
| Physical Description: | 1 Online-Ressource (197 Seiten) |
| ISBN: | 9781478022756 |
| DOI: | 10.1215/9781478022756 |
Staff View
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| 520 | |a In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience | ||
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| discipline | Kunstgeschichte Allgemeines |
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| doi_str_mv | 10.1215/9781478022756 10.1515/9781478022756 |
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| indexdate | 2025-02-19T17:34:54Z |
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| spelling | Morse, Nicole Erin 1987- Verfasser (DE-588)1238031714 aut Selfie aesthetics seeing trans feminist futures in self-representational art Nicole Erin Morse Durham Duke University Press [2022] © 2022 1 Online-Ressource (197 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience In English Photography / Criticism bisacsh Feminism in art Portrait photography Political aspects Portrait photography Social aspects Self-presentation in art Selfies (Photography) Social aspects Transgender artists Transgender people in art Transgender women Selfie (DE-588)1106460030 gnd rswk-swf Transsexualität (DE-588)4185937-6 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Feminismus (DE-588)4222126-2 s Transsexualität (DE-588)4185937-6 s Selfie (DE-588)1106460030 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-4780-1551-2 Erscheint auch als Druck-Ausgabe 1-4780-1551-9 Erscheint auch als Druck-Ausgabe 978-1-4780-1814-8 Erscheint auch als Druck-Ausgabe 1-4780-1814-3 https://doi.org/10.1215/9781478022756?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.1515/9781478022756 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Morse, Nicole Erin 1987- Selfie aesthetics seeing trans feminist futures in self-representational art Photography / Criticism bisacsh Feminism in art Portrait photography Political aspects Portrait photography Social aspects Self-presentation in art Selfies (Photography) Social aspects Transgender artists Transgender people in art Transgender women Selfie (DE-588)1106460030 gnd Transsexualität (DE-588)4185937-6 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)1106460030 (DE-588)4185937-6 (DE-588)4222126-2 |
| title | Selfie aesthetics seeing trans feminist futures in self-representational art |
| title_auth | Selfie aesthetics seeing trans feminist futures in self-representational art |
| title_exact_search | Selfie aesthetics seeing trans feminist futures in self-representational art |
| title_exact_search_txtP | Selfie aesthetics seeing trans feminist futures in self-representational art |
| title_full | Selfie aesthetics seeing trans feminist futures in self-representational art Nicole Erin Morse |
| title_fullStr | Selfie aesthetics seeing trans feminist futures in self-representational art Nicole Erin Morse |
| title_full_unstemmed | Selfie aesthetics seeing trans feminist futures in self-representational art Nicole Erin Morse |
| title_short | Selfie aesthetics |
| title_sort | selfie aesthetics seeing trans feminist futures in self representational art |
| title_sub | seeing trans feminist futures in self-representational art |
| topic | Photography / Criticism bisacsh Feminism in art Portrait photography Political aspects Portrait photography Social aspects Self-presentation in art Selfies (Photography) Social aspects Transgender artists Transgender people in art Transgender women Selfie (DE-588)1106460030 gnd Transsexualität (DE-588)4185937-6 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | Photography / Criticism Feminism in art Portrait photography Political aspects Portrait photography Social aspects Self-presentation in art Selfies (Photography) Social aspects Transgender artists Transgender people in art Transgender women Selfie Transsexualität Feminismus |
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