Selfie aesthetics: seeing trans feminist futures in self-representational art
In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningf...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FHR01 FUBA1 FHA01 Volltext Volltext |
| Zusammenfassung: | In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) |
| Beschreibung: | 1 Online-Ressource (197 Seiten) |
| ISBN: | 9781478022756 |
| DOI: | 10.1215/9781478022756 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048197693 | ||
| 003 | DE-604 | ||
| 005 | 20230328 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220504s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781478022756 |9 978-1-4780-2275-6 | ||
| 024 | 7 | |a 10.1215/9781478022756 |2 doi | |
| 024 | 7 | |a 10.1515/9781478022756 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781478022756 | ||
| 035 | |a (ZDB-98-DUP)org.bibliovault.9781478022756 | ||
| 035 | |a (OCoLC)1314900178 | ||
| 035 | |a (DE-599)BVBBV048197693 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-188 |a DE-898 |a DE-Aug4 | ||
| 082 | 0 | |a 770 |2 23//eng/20211012eng | |
| 084 | |a LH 85290 |0 (DE-625)95378: |2 rvk | ||
| 084 | |a AP 14800 |0 (DE-625)6907: |2 rvk | ||
| 100 | 1 | |a Morse, Nicole Erin |d 1987- |e Verfasser |0 (DE-588)1238031714 |4 aut | |
| 245 | 1 | 0 | |a Selfie aesthetics |b seeing trans feminist futures in self-representational art |c Nicole Erin Morse |
| 264 | 1 | |a Durham |b Duke University Press |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a 1 Online-Ressource (197 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | ||
| 520 | |a In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience | ||
| 546 | |a In English | ||
| 650 | 7 | |a Photography / Criticism |2 bisacsh | |
| 650 | 4 | |a Feminism in art | |
| 650 | 4 | |a Portrait photography |x Political aspects | |
| 650 | 4 | |a Portrait photography |x Social aspects | |
| 650 | 4 | |a Self-presentation in art | |
| 650 | 4 | |a Selfies (Photography) |x Social aspects | |
| 650 | 4 | |a Transgender artists | |
| 650 | 4 | |a Transgender people in art | |
| 650 | 4 | |a Transgender women | |
| 650 | 0 | 7 | |a Transsexualität |0 (DE-588)4185937-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Selfie |0 (DE-588)1106460030 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Feminismus |0 (DE-588)4222126-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Feminismus |0 (DE-588)4222126-2 |D s |
| 689 | 0 | 1 | |a Transsexualität |0 (DE-588)4185937-6 |D s |
| 689 | 0 | 2 | |a Selfie |0 (DE-588)1106460030 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-4780-1551-2 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 1-4780-1551-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-4780-1814-8 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 1-4780-1814-3 |
| 856 | 4 | 0 | |u https://doi.org/10.1215/9781478022756?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781478022756 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-198-DUP |a ZDB-23-DGG | ||
| 940 | 1 | |q ZDB-198-DUP22 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033578782 | ||
| 966 | e | |u https://doi.org/10.1215/9781478022756?locatt=mode:legacy |l BSB01 |p ZDB-198-DUP |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478022756 |l FHR01 |p ZDB-23-DAD |q ZDB-23-DAD22 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1215/9781478022756?locatt=mode:legacy |l FUBA1 |p ZDB-198-DUP |q ZDB-198-DUP 2022 |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9781478022756 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183960572395520 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Morse, Nicole Erin 1987- |
| author_GND | (DE-588)1238031714 |
| author_facet | Morse, Nicole Erin 1987- |
| author_role | aut |
| author_sort | Morse, Nicole Erin 1987- |
| author_variant | n e m ne nem |
| building | Verbundindex |
| bvnumber | BV048197693 |
| classification_rvk | LH 85290 AP 14800 |
| collection | ZDB-198-DUP ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781478022756 (ZDB-98-DUP)org.bibliovault.9781478022756 (OCoLC)1314900178 (DE-599)BVBBV048197693 |
| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770 |
| dewey-search | 770 |
| dewey-sort | 3770 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| doi_str_mv | 10.1215/9781478022756 10.1515/9781478022756 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04328nmm a2200721 c 4500</leader><controlfield tag="001">BV048197693</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230328 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220504s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478022756</subfield><subfield code="9">978-1-4780-2275-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1215/9781478022756</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781478022756</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781478022756</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-98-DUP)org.bibliovault.9781478022756</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314900178</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048197693</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-898</subfield><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">770</subfield><subfield code="2">23//eng/20211012eng</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 85290</subfield><subfield code="0">(DE-625)95378:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 14800</subfield><subfield code="0">(DE-625)6907:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Morse, Nicole Erin</subfield><subfield code="d">1987-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1238031714</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Selfie aesthetics</subfield><subfield code="b">seeing trans feminist futures in self-representational art</subfield><subfield code="c">Nicole Erin Morse</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (197 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Photography / Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminism in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Portrait photography</subfield><subfield code="x">Political aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Portrait photography</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Self-presentation in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Selfies (Photography)</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Transgender artists</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Transgender people in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Transgender women</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Transsexualität</subfield><subfield code="0">(DE-588)4185937-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Selfie</subfield><subfield code="0">(DE-588)1106460030</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Feminismus</subfield><subfield code="0">(DE-588)4222126-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Feminismus</subfield><subfield code="0">(DE-588)4222126-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Transsexualität</subfield><subfield code="0">(DE-588)4185937-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Selfie</subfield><subfield code="0">(DE-588)1106460030</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-4780-1551-2</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">1-4780-1551-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-4780-1814-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">1-4780-1814-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1215/9781478022756?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781478022756</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-198-DUP</subfield><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-198-DUP22</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033578782</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1215/9781478022756?locatt=mode:legacy</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-198-DUP</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478022756</subfield><subfield code="l">FHR01</subfield><subfield code="p">ZDB-23-DAD</subfield><subfield code="q">ZDB-23-DAD22</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1215/9781478022756?locatt=mode:legacy</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-198-DUP</subfield><subfield code="q">ZDB-198-DUP 2022</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9781478022756</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048197693 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:45:43Z |
| indexdate | 2024-07-10T09:31:45Z |
| institution | BVB |
| isbn | 9781478022756 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033578782 |
| oclc_num | 1314900178 |
| open_access_boolean | |
| owner | DE-12 DE-188 DE-898 DE-BY-UBR DE-Aug4 |
| owner_facet | DE-12 DE-188 DE-898 DE-BY-UBR DE-Aug4 |
| physical | 1 Online-Ressource (197 Seiten) |
| psigel | ZDB-198-DUP ZDB-23-DGG ZDB-198-DUP22 ZDB-23-DAD ZDB-23-DAD22 ZDB-198-DUP ZDB-198-DUP 2022 ZDB-23-DGG FHA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Morse, Nicole Erin 1987- Verfasser (DE-588)1238031714 aut Selfie aesthetics seeing trans feminist futures in self-representational art Nicole Erin Morse Durham Duke University Press [2022] © 2022 1 Online-Ressource (197 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience In English Photography / Criticism bisacsh Feminism in art Portrait photography Political aspects Portrait photography Social aspects Self-presentation in art Selfies (Photography) Social aspects Transgender artists Transgender people in art Transgender women Transsexualität (DE-588)4185937-6 gnd rswk-swf Selfie (DE-588)1106460030 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Feminismus (DE-588)4222126-2 s Transsexualität (DE-588)4185937-6 s Selfie (DE-588)1106460030 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-4780-1551-2 Erscheint auch als Druck-Ausgabe 1-4780-1551-9 Erscheint auch als Druck-Ausgabe 978-1-4780-1814-8 Erscheint auch als Druck-Ausgabe 1-4780-1814-3 https://doi.org/10.1215/9781478022756?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.1515/9781478022756 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Morse, Nicole Erin 1987- Selfie aesthetics seeing trans feminist futures in self-representational art Photography / Criticism bisacsh Feminism in art Portrait photography Political aspects Portrait photography Social aspects Self-presentation in art Selfies (Photography) Social aspects Transgender artists Transgender people in art Transgender women Transsexualität (DE-588)4185937-6 gnd Selfie (DE-588)1106460030 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)4185937-6 (DE-588)1106460030 (DE-588)4222126-2 |
| title | Selfie aesthetics seeing trans feminist futures in self-representational art |
| title_auth | Selfie aesthetics seeing trans feminist futures in self-representational art |
| title_exact_search | Selfie aesthetics seeing trans feminist futures in self-representational art |
| title_exact_search_txtP | Selfie aesthetics seeing trans feminist futures in self-representational art |
| title_full | Selfie aesthetics seeing trans feminist futures in self-representational art Nicole Erin Morse |
| title_fullStr | Selfie aesthetics seeing trans feminist futures in self-representational art Nicole Erin Morse |
| title_full_unstemmed | Selfie aesthetics seeing trans feminist futures in self-representational art Nicole Erin Morse |
| title_short | Selfie aesthetics |
| title_sort | selfie aesthetics seeing trans feminist futures in self representational art |
| title_sub | seeing trans feminist futures in self-representational art |
| topic | Photography / Criticism bisacsh Feminism in art Portrait photography Political aspects Portrait photography Social aspects Self-presentation in art Selfies (Photography) Social aspects Transgender artists Transgender people in art Transgender women Transsexualität (DE-588)4185937-6 gnd Selfie (DE-588)1106460030 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | Photography / Criticism Feminism in art Portrait photography Political aspects Portrait photography Social aspects Self-presentation in art Selfies (Photography) Social aspects Transgender artists Transgender people in art Transgender women Transsexualität Selfie Feminismus |
| url | https://doi.org/10.1215/9781478022756?locatt=mode:legacy https://doi.org/10.1515/9781478022756 |
| work_keys_str_mv | AT morsenicoleerin selfieaestheticsseeingtransfeministfuturesinselfrepresentationalart |