Reframing Todd Haynes: Feminism's Indelible Mark
For three decades, award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women's stories to the screen. Analyzing Hayn...
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| Other Authors: | , |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
[2022]
|
| Series: | A Camera Obscura Book
|
| Subjects: | |
| Online Access: | DE-12 DE-188 Volltext Volltext |
| Summary: | For three decades, award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women's stories to the screen. Analyzing Haynes's films including Safe (1995), Velvet Goldmine (1998), Far from Heaven (2002), and Carol (2015), as well as his unauthorized Karen Carpenter biopic, Superstar (1987), and the television miniseries Mildred Pierce (2011), the contributors to Reframing Todd Haynes reassess his work in light of his long-standing feminist commitments and his exceptional career as a director of women's films. They present multiple perspectives on Haynes's film and television work and on his role as an artist-activist who draws on academic theorizations of gender and cinema. The volume illustrates the influence of feminist theory on Haynes's aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman's film. The contributors contend that no consideration of Haynes's work can afford to ignore the crucial place of feminism within it.Contributors. Danielle Bouchard, Nick Davis, Jigna Desai, Mary R. Desjardins, Patrick Flanery, Theresa L. Geller, Rebecca M. Gordon, Jess Issacharoff, Lynne Joyrich, Bridget Kies, Julia Leyda, David E. Maynard, Noah A. Tsika, Patricia White, Sharon Willis |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) |
| Physical Description: | 1 Online-Ressource (360 Seiten) |
| ISBN: | 9781478022626 |
| DOI: | 10.1215/9781478022626 |
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| isbn | 9781478022626 |
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| spelling | Reframing Todd Haynes Feminism's Indelible Mark edited by Julia Leyda, Theresa L. Geller Durham Duke University Press [2022] © 2022 1 Online-Ressource (360 Seiten) txt rdacontent c rdamedia cr rdacarrier A Camera Obscura Book Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) For three decades, award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women's stories to the screen. Analyzing Haynes's films including Safe (1995), Velvet Goldmine (1998), Far from Heaven (2002), and Carol (2015), as well as his unauthorized Karen Carpenter biopic, Superstar (1987), and the television miniseries Mildred Pierce (2011), the contributors to Reframing Todd Haynes reassess his work in light of his long-standing feminist commitments and his exceptional career as a director of women's films. They present multiple perspectives on Haynes's film and television work and on his role as an artist-activist who draws on academic theorizations of gender and cinema. The volume illustrates the influence of feminist theory on Haynes's aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman's film. The contributors contend that no consideration of Haynes's work can afford to ignore the crucial place of feminism within it.Contributors. Danielle Bouchard, Nick Davis, Jigna Desai, Mary R. Desjardins, Patrick Flanery, Theresa L. Geller, Rebecca M. Gordon, Jess Issacharoff, Lynne Joyrich, Bridget Kies, Julia Leyda, David E. Maynard, Noah A. Tsika, Patricia White, Sharon Willis In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Feminism and motion pictures United States Motion picture producers and directors United States Queer theory In motion pictures Geller, Theresa L. (DE-588)123621787X edt Leyda, Julia (DE-588)1059578212 edt Erscheint auch als Druck-Ausgabe 978-1-4780-1539-0 Erscheint auch als Druck-Ausgabe 1-4780-1539-X Erscheint auch als Druck-Ausgabe 978-1-4780-1800-1 Erscheint auch als Druck-Ausgabe 1-4780-1800-3 https://doi.org/10.1215/9781478022626?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext https://www.degruyter.com/isbn/9781478022626 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Reframing Todd Haynes Feminism's Indelible Mark PERFORMING ARTS / Film & Video / History & Criticism bisacsh Feminism and motion pictures United States Motion picture producers and directors United States Queer theory In motion pictures |
| title | Reframing Todd Haynes Feminism's Indelible Mark |
| title_auth | Reframing Todd Haynes Feminism's Indelible Mark |
| title_exact_search | Reframing Todd Haynes Feminism's Indelible Mark |
| title_exact_search_txtP | Reframing Todd Haynes Feminism's Indelible Mark |
| title_full | Reframing Todd Haynes Feminism's Indelible Mark edited by Julia Leyda, Theresa L. Geller |
| title_fullStr | Reframing Todd Haynes Feminism's Indelible Mark edited by Julia Leyda, Theresa L. Geller |
| title_full_unstemmed | Reframing Todd Haynes Feminism's Indelible Mark edited by Julia Leyda, Theresa L. Geller |
| title_short | Reframing Todd Haynes |
| title_sort | reframing todd haynes feminism s indelible mark |
| title_sub | Feminism's Indelible Mark |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Feminism and motion pictures United States Motion picture producers and directors United States Queer theory In motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Feminism and motion pictures United States Motion picture producers and directors United States Queer theory In motion pictures |
| url | https://doi.org/10.1215/9781478022626?locatt=mode:legacy https://www.degruyter.com/isbn/9781478022626 |
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