Qur'ānic Stories: God, Revelation and the Audience
Explores the use of storytelling and narrative devices in the Qur'anExplores the use of storytelling and narrative devices in the Qur'anDraws on narratology, rhetoric and Qur'anic studies to develop a new methodologyExamines the interaction of the text, audience, characters and narrat...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
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| Series: | Edinburgh Studies in Classical Arabic Literature : ESCAL
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | Explores the use of storytelling and narrative devices in the Qur'anExplores the use of storytelling and narrative devices in the Qur'anDraws on narratology, rhetoric and Qur'anic studies to develop a new methodologyExamines the interaction of the text, audience, characters and narratorAnalyses Qur'anic commentary: classical and modern; Sunni, Sufi and Shi'iStudies stories that represent the variety of Qur'anic narrative: Surat Yūsuf; Surat Āl 'Imrān; Surat Maryam; Surat Ṭaha; and Surat al-QaṣaṣLeyla Ozgur Alhassen approaches the Qur'an as a literary, religious and oral text that affects its audience. She looks at how Qur'anic stories function as narrative: how characters and dialogues are portrayed; what themes are repeated; what verbal echoes and conceptual links are present; what structure is established; and what beliefs these narrative choices strengthen. Ozgur Alhassen argues that, in the Qur'an, some narrative features that are otherwise puzzling can be seen as instances in which God, as the narrator, centres himself while putting the audience in its place. In essence, this makes the act of reading an interaction between God and the audience |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Physical Description: | 1 Online-Ressource (184 pages) 1 B/W illustrations 5 B/W tables |
| ISBN: | 9781474483209 |
| DOI: | 10.1515/9781474483209 |
Staff View
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| author | Ozgur Alhassen, Leyla |
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| dewey-full | 297.1/226 |
| dewey-hundreds | 200 - Religion |
| dewey-ones | 297 - Islam, Babism & Bahai Faith |
| dewey-raw | 297.1/226 |
| dewey-search | 297.1/226 |
| dewey-sort | 3297.1 3226 |
| dewey-tens | 290 - Other religions |
| discipline | Theologie / Religionswissenschaften |
| discipline_str_mv | Theologie / Religionswissenschaften |
| doi_str_mv | 10.1515/9781474483209 |
| format | Electronic eBook |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:45:11Z |
| indexdate | 2025-02-19T17:34:45Z |
| institution | BVB |
| isbn | 9781474483209 |
| language | English |
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| spelling | Ozgur Alhassen, Leyla Verfasser aut Qur'ānic Stories God, Revelation and the Audience Leyla Ozgur Alhassen Edinburgh Edinburgh University Press [2022] © 2021 1 Online-Ressource (184 pages) 1 B/W illustrations 5 B/W tables txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Classical Arabic Literature : ESCAL Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Explores the use of storytelling and narrative devices in the Qur'anExplores the use of storytelling and narrative devices in the Qur'anDraws on narratology, rhetoric and Qur'anic studies to develop a new methodologyExamines the interaction of the text, audience, characters and narratorAnalyses Qur'anic commentary: classical and modern; Sunni, Sufi and Shi'iStudies stories that represent the variety of Qur'anic narrative: Surat Yūsuf; Surat Āl 'Imrān; Surat Maryam; Surat Ṭaha; and Surat al-QaṣaṣLeyla Ozgur Alhassen approaches the Qur'an as a literary, religious and oral text that affects its audience. She looks at how Qur'anic stories function as narrative: how characters and dialogues are portrayed; what themes are repeated; what verbal echoes and conceptual links are present; what structure is established; and what beliefs these narrative choices strengthen. Ozgur Alhassen argues that, in the Qur'an, some narrative features that are otherwise puzzling can be seen as instances in which God, as the narrator, centres himself while putting the audience in its place. In essence, this makes the act of reading an interaction between God and the audience In English Islamic Studies LITERARY CRITICISM / Ancient & Classical bisacsh Qur'an stories History and criticism Qurʼan stories History and criticism https://doi.org/10.1515/9781474483209 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ozgur Alhassen, Leyla Qur'ānic Stories God, Revelation and the Audience Islamic Studies LITERARY CRITICISM / Ancient & Classical bisacsh Qur'an stories History and criticism Qurʼan stories History and criticism |
| title | Qur'ānic Stories God, Revelation and the Audience |
| title_auth | Qur'ānic Stories God, Revelation and the Audience |
| title_exact_search | Qur'ānic Stories God, Revelation and the Audience |
| title_exact_search_txtP | Qur'ānic Stories God, Revelation and the Audience |
| title_full | Qur'ānic Stories God, Revelation and the Audience Leyla Ozgur Alhassen |
| title_fullStr | Qur'ānic Stories God, Revelation and the Audience Leyla Ozgur Alhassen |
| title_full_unstemmed | Qur'ānic Stories God, Revelation and the Audience Leyla Ozgur Alhassen |
| title_short | Qur'ānic Stories |
| title_sort | qur anic stories god revelation and the audience |
| title_sub | God, Revelation and the Audience |
| topic | Islamic Studies LITERARY CRITICISM / Ancient & Classical bisacsh Qur'an stories History and criticism Qurʼan stories History and criticism |
| topic_facet | Islamic Studies LITERARY CRITICISM / Ancient & Classical Qur'an stories History and criticism Qurʼan stories History and criticism |
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