Time, Existential Presence and the Cinematic Image: Ethics and Emergence to Being in Film
Uses philosophical thinking on delayed cinema, time and ethics to provide a new approach to reading filmIn Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of "delayed cinema" to ideas on time and the relationship to the other in the writ...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | Uses philosophical thinking on delayed cinema, time and ethics to provide a new approach to reading filmIn Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of "delayed cinema" to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey's phrase, "stillness and the moving image" enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens "free" cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Physical Description: | 1 Online-Ressource (200 pages) 10 B/W illustrations |
| ISBN: | 9781474436250 |
| DOI: | 10.1515/9781474436250 |
Staff View
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| spelling | Girgus, Sam B. Verfasser aut Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film Sam B. Girgus Edinburgh Edinburgh University Press [2022] © 2018 1 Online-Ressource (200 pages) 10 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Uses philosophical thinking on delayed cinema, time and ethics to provide a new approach to reading filmIn Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of "delayed cinema" to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey's phrase, "stillness and the moving image" enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens "free" cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Existentialism in motion pictures Motion pictures Moral and ethical aspects Motion pictures Philosophy https://doi.org/10.1515/9781474436250 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Girgus, Sam B. Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Existentialism in motion pictures Motion pictures Moral and ethical aspects Motion pictures Philosophy |
| title | Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film |
| title_auth | Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film |
| title_exact_search | Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film |
| title_exact_search_txtP | Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film |
| title_full | Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film Sam B. Girgus |
| title_fullStr | Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film Sam B. Girgus |
| title_full_unstemmed | Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film Sam B. Girgus |
| title_short | Time, Existential Presence and the Cinematic Image |
| title_sort | time existential presence and the cinematic image ethics and emergence to being in film |
| title_sub | Ethics and Emergence to Being in Film |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Existentialism in motion pictures Motion pictures Moral and ethical aspects Motion pictures Philosophy |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Existentialism in motion pictures Motion pictures Moral and ethical aspects Motion pictures Philosophy |
| url | https://doi.org/10.1515/9781474436250 |
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