Channeling Violence: The Economic Market for Violent Television Programming
"If it bleeds, it leads." The phrase captures television news directors' famed preference for opening newscasts with the most violent stories they can find. And what is true for news is often true for entertainment programming, where violence is used as a product to attract both viewe...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Princeton, NJ
Princeton University Press
[2022]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | "If it bleeds, it leads." The phrase captures television news directors' famed preference for opening newscasts with the most violent stories they can find. And what is true for news is often true for entertainment programming, where violence is used as a product to attract both viewers and sponsors. In this book, James Hamilton presents the first major theoretical and empirical examination of the market for television violence. Hamilton approaches television violence in the same way that other economists approach the problem of pollution: that is, as an example of market failure. He argues that television violence, like pollution, generates negative externalities, defined as costs borne by others than those involved in the production activity. Broadcasters seeking to attract viewers may not fully bear the costs to society of their violent programming, if those costs include such factors as increased levels of aggression and crime in society. Hamilton goes on to say that the comparison to pollution remains relevant when considering how to deal with the problem. Approaches devised to control violent programming, such as restricting it to certain times and rating programs according to the violence they contain, have parallels in zoning and education policies designed to protect the environment. Hamilton examines in detail the microstructure of incentives that operate at every level of television broadcasting, from programming and advertising to viewer behavior, so that remedies can be devised to reduce violent programming without restricting broadcasters' right to compete |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Beschreibung: | 1 Online-Ressource (390 pages) 16 line illus. 97 tables |
| ISBN: | 9780691228310 |
| DOI: | 10.1515/9780691228310 |
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| 520 | |a "If it bleeds, it leads." The phrase captures television news directors' famed preference for opening newscasts with the most violent stories they can find. And what is true for news is often true for entertainment programming, where violence is used as a product to attract both viewers and sponsors. In this book, James Hamilton presents the first major theoretical and empirical examination of the market for television violence. Hamilton approaches television violence in the same way that other economists approach the problem of pollution: that is, as an example of market failure. He argues that television violence, like pollution, generates negative externalities, defined as costs borne by others than those involved in the production activity. Broadcasters seeking to attract viewers may not fully bear the costs to society of their violent programming, if those costs include such factors as increased levels of aggression and crime in society. Hamilton goes on to say that the comparison to pollution remains relevant when considering how to deal with the problem. Approaches devised to control violent programming, such as restricting it to certain times and rating programs according to the violence they contain, have parallels in zoning and education policies designed to protect the environment. Hamilton examines in detail the microstructure of incentives that operate at every level of television broadcasting, from programming and advertising to viewer behavior, so that remedies can be devised to reduce violent programming without restricting broadcasters' right to compete | ||
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| spelling | Hamilton, James T. Verfasser aut Channeling Violence The Economic Market for Violent Television Programming James T. Hamilton Princeton, NJ Princeton University Press [2022] © 1998 1 Online-Ressource (390 pages) 16 line illus. 97 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) "If it bleeds, it leads." The phrase captures television news directors' famed preference for opening newscasts with the most violent stories they can find. And what is true for news is often true for entertainment programming, where violence is used as a product to attract both viewers and sponsors. In this book, James Hamilton presents the first major theoretical and empirical examination of the market for television violence. Hamilton approaches television violence in the same way that other economists approach the problem of pollution: that is, as an example of market failure. He argues that television violence, like pollution, generates negative externalities, defined as costs borne by others than those involved in the production activity. Broadcasters seeking to attract viewers may not fully bear the costs to society of their violent programming, if those costs include such factors as increased levels of aggression and crime in society. Hamilton goes on to say that the comparison to pollution remains relevant when considering how to deal with the problem. Approaches devised to control violent programming, such as restricting it to certain times and rating programs according to the violence they contain, have parallels in zoning and education policies designed to protect the environment. Hamilton examines in detail the microstructure of incentives that operate at every level of television broadcasting, from programming and advertising to viewer behavior, so that remedies can be devised to reduce violent programming without restricting broadcasters' right to compete In English PERFORMING ARTS / Television / History & Criticism bisacsh Nasilje Television broadcasting Economic aspects United States Televizija Violence on television https://doi.org/10.1515/9780691228310 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hamilton, James T. Channeling Violence The Economic Market for Violent Television Programming PERFORMING ARTS / Television / History & Criticism bisacsh Nasilje Television broadcasting Economic aspects United States Televizija Violence on television |
| title | Channeling Violence The Economic Market for Violent Television Programming |
| title_auth | Channeling Violence The Economic Market for Violent Television Programming |
| title_exact_search | Channeling Violence The Economic Market for Violent Television Programming |
| title_exact_search_txtP | Channeling Violence The Economic Market for Violent Television Programming |
| title_full | Channeling Violence The Economic Market for Violent Television Programming James T. Hamilton |
| title_fullStr | Channeling Violence The Economic Market for Violent Television Programming James T. Hamilton |
| title_full_unstemmed | Channeling Violence The Economic Market for Violent Television Programming James T. Hamilton |
| title_short | Channeling Violence |
| title_sort | channeling violence the economic market for violent television programming |
| title_sub | The Economic Market for Violent Television Programming |
| topic | PERFORMING ARTS / Television / History & Criticism bisacsh Nasilje Television broadcasting Economic aspects United States Televizija Violence on television |
| topic_facet | PERFORMING ARTS / Television / History & Criticism Nasilje Television broadcasting Economic aspects United States Televizija Violence on television |
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