Lars von Trier Beyond Depression: Contexts and Collaborations
Lars von Trier built a reputation as a provocateur from the start-but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013-14), and The House That Jack Built (2018) brandished the cinematic virtuosity von...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
Columbia University Press
[2022]
|
Schlagworte: | |
Online-Zugang: | FHA01 URL des Erstveröffentlichers |
Zusammenfassung: | Lars von Trier built a reputation as a provocateur from the start-but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013-14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to "extreme" cinema. Following von Trier's experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director's controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier's preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier's artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier's work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, "dark ecology," and the postcinematic |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) |
Beschreibung: | 1 Online-Ressource 28 film stills |
ISBN: | 9780231549448 |
DOI: | 10.7312/badl19152 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048194732 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 220503s2022 |||| o||u| ||||||eng d | ||
020 | |a 9780231549448 |9 978-0-231-54944-8 | ||
024 | 7 | |a 10.7312/badl19152 |2 doi | |
035 | |a (ZDB-23-DGG)9780231549448 | ||
035 | |a (OCoLC)1314902945 | ||
035 | |a (DE-599)BVBBV048194732 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-Aug4 | ||
082 | 0 | |a 791.4302/33092 |2 23 | |
100 | 1 | |a Badley, Linda |e Verfasser |4 aut | |
245 | 1 | 0 | |a Lars von Trier Beyond Depression |b Contexts and Collaborations |c Linda Badley |
264 | 1 | |a New York, NY |b Columbia University Press |c [2022] | |
264 | 4 | |c © 2022 | |
300 | |a 1 Online-Ressource |b 28 film stills | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | ||
520 | |a Lars von Trier built a reputation as a provocateur from the start-but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013-14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to "extreme" cinema. Following von Trier's experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director's controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier's preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier's artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier's work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, "dark ecology," and the postcinematic | ||
546 | |a In English | ||
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
650 | 4 | |a Motion picture producers and directors |z Denmark |v Biography | |
650 | 4 | |a Motion pictures |x Production and direction |z Denmark | |
650 | 4 | |a Motion pictures |z Denmark |x History |y 21st century | |
856 | 4 | 0 | |u https://doi.org/10.7312/badl19152 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033575854 | ||
966 | e | |u https://doi.org/10.7312/badl19152 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804183953854169088 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Badley, Linda |
author_facet | Badley, Linda |
author_role | aut |
author_sort | Badley, Linda |
author_variant | l b lb |
building | Verbundindex |
bvnumber | BV048194732 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780231549448 (OCoLC)1314902945 (DE-599)BVBBV048194732 |
dewey-full | 791.4302/33092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/33092 |
dewey-search | 791.4302/33092 |
dewey-sort | 3791.4302 533092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.7312/badl19152 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03218nmm a2200421zc 4500</leader><controlfield tag="001">BV048194732</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220503s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231549448</subfield><subfield code="9">978-0-231-54944-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/badl19152</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780231549448</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314902945</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048194732</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4302/33092</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Badley, Linda</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Lars von Trier Beyond Depression</subfield><subfield code="b">Contexts and Collaborations</subfield><subfield code="c">Linda Badley</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">28 film stills</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Lars von Trier built a reputation as a provocateur from the start-but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013-14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to "extreme" cinema. Following von Trier's experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director's controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier's preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier's artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier's work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, "dark ecology," and the postcinematic</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture producers and directors</subfield><subfield code="z">Denmark</subfield><subfield code="v">Biography</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Production and direction</subfield><subfield code="z">Denmark</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Denmark</subfield><subfield code="x">History</subfield><subfield code="y">21st century</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/badl19152</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033575854</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/badl19152</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048194732 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:45:08Z |
indexdate | 2024-07-10T09:31:38Z |
institution | BVB |
isbn | 9780231549448 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033575854 |
oclc_num | 1314902945 |
open_access_boolean | |
owner | DE-Aug4 |
owner_facet | DE-Aug4 |
physical | 1 Online-Ressource 28 film stills |
psigel | ZDB-23-DGG ZDB-23-DGG FHA_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Columbia University Press |
record_format | marc |
spelling | Badley, Linda Verfasser aut Lars von Trier Beyond Depression Contexts and Collaborations Linda Badley New York, NY Columbia University Press [2022] © 2022 1 Online-Ressource 28 film stills txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Lars von Trier built a reputation as a provocateur from the start-but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013-14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to "extreme" cinema. Following von Trier's experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director's controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier's preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier's artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier's work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, "dark ecology," and the postcinematic In English PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture producers and directors Denmark Biography Motion pictures Production and direction Denmark Motion pictures Denmark History 21st century https://doi.org/10.7312/badl19152 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Badley, Linda Lars von Trier Beyond Depression Contexts and Collaborations PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture producers and directors Denmark Biography Motion pictures Production and direction Denmark Motion pictures Denmark History 21st century |
title | Lars von Trier Beyond Depression Contexts and Collaborations |
title_auth | Lars von Trier Beyond Depression Contexts and Collaborations |
title_exact_search | Lars von Trier Beyond Depression Contexts and Collaborations |
title_exact_search_txtP | Lars von Trier Beyond Depression Contexts and Collaborations |
title_full | Lars von Trier Beyond Depression Contexts and Collaborations Linda Badley |
title_fullStr | Lars von Trier Beyond Depression Contexts and Collaborations Linda Badley |
title_full_unstemmed | Lars von Trier Beyond Depression Contexts and Collaborations Linda Badley |
title_short | Lars von Trier Beyond Depression |
title_sort | lars von trier beyond depression contexts and collaborations |
title_sub | Contexts and Collaborations |
topic | PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture producers and directors Denmark Biography Motion pictures Production and direction Denmark Motion pictures Denmark History 21st century |
topic_facet | PERFORMING ARTS / Film & Video / Direction & Production Motion picture producers and directors Denmark Biography Motion pictures Production and direction Denmark Motion pictures Denmark History 21st century |
url | https://doi.org/10.7312/badl19152 |
work_keys_str_mv | AT badleylinda larsvontrierbeyonddepressioncontextsandcollaborations |