Music, the moving image and Ireland, 1897-2017:
"Music, the Moving Image and Ireland, 1897-2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It identifies and interprets tendencies over the first 120 years of a field comprising the relatively distinct yet often overlapping areas of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2022
|
| Schriftenreihe: | Ashgate screen music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Music, the Moving Image and Ireland, 1897-2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It identifies and interprets tendencies over the first 120 years of a field comprising the relatively distinct yet often overlapping areas of Irish-themed and Irish-produced film. Dividing into three parts, the book first explores accompaniments and scores for 20th-century Irish-themed narrative features that resulted in significant contributions by many Hollywood, British, continental European and, to a lesser extent, Irish composers; along with the input of many orchestras and other musicians. Its second part is framed by a consideration of various cultural, political and economic developments in both the Republic of Ireland and Northern Ireland from the 1920s (including the Troubles of 1968-1998). Focusing on scoring and other aspects of soundtrack production for domestic newsreel, documentary film and TV programming, it interprets the substantial output of many Irish composers within this milieu, particularly from the 1960s-1990s. Also referring to broader cultural and historical themes, the book's third and final part charts approaches to, and developments in music and sound design over various waves of Irish cinema, from its relatively late emergence in the 1970s to an exponential growth and increasingly transnational orientation in the early decades of the 21st century"-- |
| Beschreibung: | xvi, 290 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781138561779 |
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| 505 | 8 | |a Introduction. Music, the moving image, and Ireland -- Part 1. Irish Themes on Screen and in Sound. The first half-century : From silent newsreel to narrative sound ; Harping on? The 1950s to the 1990s ; Literature-to-film adaptations and music -- Part 2. Perception and Production from Within. Sounding nation and culture on screen ; Soundtracks to Ireland's troubles : dramas and documentaries ; Irish Composers and 20th-century film and TV -- Part 3. Cinematic and Musical Developments. Soundtracks for an emerging Irish cinema : Margins, borders, troubles ; A plurality of genres ; 21st-century themes -- Conclusion. Retrospectives and recent developments | |
| 520 | 3 | |a "Music, the Moving Image and Ireland, 1897-2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It identifies and interprets tendencies over the first 120 years of a field comprising the relatively distinct yet often overlapping areas of Irish-themed and Irish-produced film. Dividing into three parts, the book first explores accompaniments and scores for 20th-century Irish-themed narrative features that resulted in significant contributions by many Hollywood, British, continental European and, to a lesser extent, Irish composers; along with the input of many orchestras and other musicians. Its second part is framed by a consideration of various cultural, political and economic developments in both the Republic of Ireland and Northern Ireland from the 1920s (including the Troubles of 1968-1998). Focusing on scoring and other aspects of soundtrack production for domestic newsreel, documentary film and TV programming, it interprets the substantial output of many Irish composers within this milieu, particularly from the 1960s-1990s. Also referring to broader cultural and historical themes, the book's third and final part charts approaches to, and developments in music and sound design over various waves of Irish cinema, from its relatively late emergence in the 1970s to an exponential growth and increasingly transnational orientation in the early decades of the 21st century"-- | |
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Datensatz im Suchindex
| _version_ | 1804183647220137984 |
|---|---|
| adam_text | Contents List ofillustrations Acknowledgements List of abbreviations X xii XV Introduction: music, the moving image and Ireland 1 Conceiving the field 1 A national cinema? 3 Aims and methods 6 Representing Ireland 6 Musical tropes and their alternatives: a book ofthree parts 7 Musical and ideological readings 10 PARTI Irish themes on screen and in sound 1 The first half-century: from silent newsreel to narrative sound film 13 15 The beginnings ofIrish cinema 15 Early Irish-themed soundfilm 18 Max Steiner and Irish-themedfilm 20 British and Irishfilm: the mid-to-late 1930s 28 Irish-themed British film music: William Alwyn 32 The luck ofthe Irish? 36 2 Harping on? the 1950s֊1990s The early to mid-1950s 41 Irish-produced and Irish-themed 46 Fighters, writers and leprechauns 47 41
viii Contents Different directions in the 1970s 54 Reworking sonic Irishness 60 3 Literature-to-film adaptations and music 66 O’Casey and Synge 66 Joyce, music andfilm 70 New generations ofwriters 73 Elmer Bernstein and adapted Irish screenplays 75 End-of-century adaptations 79 PART 2 Perception and production from within 85 4 87 Sounding nation and culture on screen Early perspectives on the independence struggle 87 Anthropology and ideology 89 Nation-building 91 Tourism, heritage and the natural world 96 Commemoration 100 Documenting tradition in a modern age 105 5 Soundtracks to Ireland’s troubles: dramas and documentaries 112 The long 19th century on TV 112 The Northern Ireland Troubles in documentaryfilm 115 The mid-1990s: a new aestheticfor Troubles documentaries? 121 Critical perspectives on the Republic: the 1960s 123 Continuing themes of unemployment, emigration and diaspora 126 Abuse, abjection and marginalization 129 Millennial perspectives on Irish history 131 6 Irish composers and 20th-century film and TV Mid-20th-century composers 136 Combining tradition and modernity? 139 Experimental scoring: Brian Boydell 141 Composingfor TV: A.J. Potter 145 From newsreel to feature film: Gerard Victory 148 The late 20th century: Seoirse Bodley, John Buckley and Roger Doyle 151 135
Contents ix PART З Cinematic and musical developments 7 Soundtracks for an emerging Irish cinema: margins, borders, troubles 161 163 On the margins: first-wave Irish cinema 163 Early narrative features on the Troubles 170 Troubles films go mainstream 174 South ofthe border: past troubles 180 8 A plurality of genres 188 Documenting music on screen 189 Traditional andfolk soundtracks 191 Traditional music and orchestral scores: Mícheál Ó Súilleabháin, Bill Whelan and Shaun Davey 193 From stage to soundtrack: music hall, dance bands andjazz 198 Popular music: composition and compilation 201 The Irish music-film 204 9 21st-century themes 212 Soundtracks, places, spaces 212 Crime drama 217 Past traumas 219 Looking back at the Troubles 224 Outsiders 229 Beyond Ireland 234 Conclusion: retrospectives and recent developments 237 Music, the moving image and Ireland: thefirst 120 years 237 21st-century documentaryfeatures 238 Retrospectives and (re)composition 241 Developments in screen music production 245 Glossary ofmusical terms Selectfilmography Bibliography Index 250 255 264 276
|
| adam_txt |
Contents List ofillustrations Acknowledgements List of abbreviations X xii XV Introduction: music, the moving image and Ireland 1 Conceiving the field 1 A national cinema? 3 Aims and methods 6 Representing Ireland 6 Musical tropes and their alternatives: a book ofthree parts 7 Musical and ideological readings 10 PARTI Irish themes on screen and in sound 1 The first half-century: from silent newsreel to narrative sound film 13 15 The beginnings ofIrish cinema 15 Early Irish-themed soundfilm 18 Max Steiner and Irish-themedfilm 20 British and Irishfilm: the mid-to-late 1930s 28 Irish-themed British film music: William Alwyn 32 The luck ofthe Irish? 36 2 Harping on? the 1950s֊1990s The early to mid-1950s 41 Irish-produced and Irish-themed 46 Fighters, writers and leprechauns 47 41
viii Contents Different directions in the 1970s 54 Reworking sonic Irishness 60 3 Literature-to-film adaptations and music 66 O’Casey and Synge 66 Joyce, music andfilm 70 New generations ofwriters 73 Elmer Bernstein and adapted Irish screenplays 75 End-of-century adaptations 79 PART 2 Perception and production from within 85 4 87 Sounding nation and culture on screen Early perspectives on the independence struggle 87 Anthropology and ideology 89 Nation-building 91 Tourism, heritage and the natural world 96 Commemoration 100 Documenting tradition in a modern age 105 5 Soundtracks to Ireland’s troubles: dramas and documentaries 112 The long 19th century on TV 112 The Northern Ireland Troubles in documentaryfilm 115 The mid-1990s: a new aestheticfor Troubles documentaries? 121 Critical perspectives on the Republic: the 1960s 123 Continuing themes of unemployment, emigration and diaspora 126 Abuse, abjection and marginalization 129 Millennial perspectives on Irish history 131 6 Irish composers and 20th-century film and TV Mid-20th-century composers 136 Combining tradition and modernity? 139 Experimental scoring: Brian Boydell 141 Composingfor TV: A.J. Potter 145 From newsreel to feature film: Gerard Victory 148 The late 20th century: Seoirse Bodley, John Buckley and Roger Doyle 151 135
Contents ix PART З Cinematic and musical developments 7 Soundtracks for an emerging Irish cinema: margins, borders, troubles 161 163 On the margins: first-wave Irish cinema 163 Early narrative features on the Troubles 170 Troubles films go mainstream 174 South ofthe border: past troubles 180 8 A plurality of genres 188 Documenting music on screen 189 Traditional andfolk soundtracks 191 Traditional music and orchestral scores: Mícheál Ó Súilleabháin, Bill Whelan and Shaun Davey 193 From stage to soundtrack: music hall, dance bands andjazz 198 Popular music: composition and compilation 201 The Irish music-film 204 9 21st-century themes 212 Soundtracks, places, spaces 212 Crime drama 217 Past traumas 219 Looking back at the Troubles 224 Outsiders 229 Beyond Ireland 234 Conclusion: retrospectives and recent developments 237 Music, the moving image and Ireland: thefirst 120 years 237 21st-century documentaryfeatures 238 Retrospectives and (re)composition 241 Developments in screen music production 245 Glossary ofmusical terms Selectfilmography Bibliography Index 250 255 264 276 |
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| contents | Introduction. Music, the moving image, and Ireland -- Part 1. Irish Themes on Screen and in Sound. The first half-century : From silent newsreel to narrative sound ; Harping on? The 1950s to the 1990s ; Literature-to-film adaptations and music -- Part 2. Perception and Production from Within. Sounding nation and culture on screen ; Soundtracks to Ireland's troubles : dramas and documentaries ; Irish Composers and 20th-century film and TV -- Part 3. Cinematic and Musical Developments. Soundtracks for an emerging Irish cinema : Margins, borders, troubles ; A plurality of genres ; 21st-century themes -- Conclusion. Retrospectives and recent developments |
| ctrlnum | (OCoLC)1322799405 (DE-599)BVBBV047959036 |
| era | Geschichte 1897-2017 gnd |
| era_facet | Geschichte 1897-2017 |
| format | Book |
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| spelling | O'Flynn, John Verfasser (DE-588)1226351670 aut Music, the moving image and Ireland, 1897-2017 John O'Flynn London ; New York Routledge 2022 xvi, 290 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Ashgate screen music series Introduction. Music, the moving image, and Ireland -- Part 1. Irish Themes on Screen and in Sound. The first half-century : From silent newsreel to narrative sound ; Harping on? The 1950s to the 1990s ; Literature-to-film adaptations and music -- Part 2. Perception and Production from Within. Sounding nation and culture on screen ; Soundtracks to Ireland's troubles : dramas and documentaries ; Irish Composers and 20th-century film and TV -- Part 3. Cinematic and Musical Developments. Soundtracks for an emerging Irish cinema : Margins, borders, troubles ; A plurality of genres ; 21st-century themes -- Conclusion. Retrospectives and recent developments "Music, the Moving Image and Ireland, 1897-2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It identifies and interprets tendencies over the first 120 years of a field comprising the relatively distinct yet often overlapping areas of Irish-themed and Irish-produced film. Dividing into three parts, the book first explores accompaniments and scores for 20th-century Irish-themed narrative features that resulted in significant contributions by many Hollywood, British, continental European and, to a lesser extent, Irish composers; along with the input of many orchestras and other musicians. Its second part is framed by a consideration of various cultural, political and economic developments in both the Republic of Ireland and Northern Ireland from the 1920s (including the Troubles of 1968-1998). Focusing on scoring and other aspects of soundtrack production for domestic newsreel, documentary film and TV programming, it interprets the substantial output of many Irish composers within this milieu, particularly from the 1960s-1990s. Also referring to broader cultural and historical themes, the book's third and final part charts approaches to, and developments in music and sound design over various waves of Irish cinema, from its relatively late emergence in the 1970s to an exponential growth and increasingly transnational orientation in the early decades of the 21st century"-- Geschichte 1897-2017 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf Motion picture music / Ireland / History and criticism Film composers / Ireland Ireland / In motion pictures Film composers Motion picture music Motion pictures Ireland Criticism, interpretation, etc Irland (DE-588)4027667-3 g Filmmusik (DE-588)4017129-2 s Geschichte 1897-2017 z DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-032-19135-5 Erscheint auch als Online-Ausgabe 978-0-203-71039-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033340270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | O'Flynn, John Music, the moving image and Ireland, 1897-2017 Introduction. Music, the moving image, and Ireland -- Part 1. Irish Themes on Screen and in Sound. The first half-century : From silent newsreel to narrative sound ; Harping on? The 1950s to the 1990s ; Literature-to-film adaptations and music -- Part 2. Perception and Production from Within. Sounding nation and culture on screen ; Soundtracks to Ireland's troubles : dramas and documentaries ; Irish Composers and 20th-century film and TV -- Part 3. Cinematic and Musical Developments. Soundtracks for an emerging Irish cinema : Margins, borders, troubles ; A plurality of genres ; 21st-century themes -- Conclusion. Retrospectives and recent developments Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4027667-3 |
| title | Music, the moving image and Ireland, 1897-2017 |
| title_auth | Music, the moving image and Ireland, 1897-2017 |
| title_exact_search | Music, the moving image and Ireland, 1897-2017 |
| title_exact_search_txtP | Music, the moving image and Ireland, 1897-2017 |
| title_full | Music, the moving image and Ireland, 1897-2017 John O'Flynn |
| title_fullStr | Music, the moving image and Ireland, 1897-2017 John O'Flynn |
| title_full_unstemmed | Music, the moving image and Ireland, 1897-2017 John O'Flynn |
| title_short | Music, the moving image and Ireland, 1897-2017 |
| title_sort | music the moving image and ireland 1897 2017 |
| topic | Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Filmmusik Irland |
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