Mixing pop and politics: political dimensions of popular music in the 21st century
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY ; London
Routledge
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | ix, 223 Seiten Notenbeispiele (schwarz-weiß) |
| ISBN: | 9780367248093 9780367248086 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of contributors Acknowledgments viii x 1 Introduction.՛ Mixing pop and pandemics Catherine Hoad, Geoff Stahl and Oli Wilson 1 Navigating a neoliberal city: Experimental music-making in Aotearoa/New Zealand’s ‘cultural capital’ Geoff Stahl 13 2 Sharing languages through contemporary song in the third space: A case study of intercultural collaboration between Indigenous Australian, Polynesian, and Melanesian women Katelyn Barney and Lexine Solomon 25 3 African popular music, race, and diasporic heritage in Australia Bonnie B. McConnell 4 Resisting through music under the neoliberal-authoritarian regime: Political themes in Turkish rap songs Gülüm Şener 5 Rapping about our history, imagining our future! The Great Legacy project in the Korean variety show Infinite Challenge Jeeyun Sophia Baik 38 50 62
vi Contents 6 Yes, indeed: Trap and politics Eduardo Barros-Grela 7 Looping alone, together: Music, community, and environmental self-sustainability in Aotearoa/New Zealand Catherine Hoad and Oli Wilson 8 ‘Half-Moghul, half-MowgH’:The representation of South Asian diasporas in hip hop music Julia Szivak * 9 Locating labour subjectivities in contemporary popular music texts Ellis Jones 10 Beyond hegemony: Siksa and the politics of affect Artur Szarecki И A message etched on broken ships’: Radical environmentalism and extreme ecometal Ian Collinson 73 84 96 108 120 131 12 Good citizenship, telethon, and benefit concert: The politics of the achievable David Baker and Andy Bennett 144 13 Solidarity as strategy: Anti-racism and feminism in the work ofTitiyo Ann Werner 156 14 Nostalgia, anti-victim discourse, and neoliberalism in early 1990s pop:The postfeminist approach ofWilson Phillips Saesha Senger 167 15 White skin, black masks: Die Antwoord, post-apartheid South Africa, and global hip hop studies Seth Cosimini 179 16 ‘I am the cause to all your problems’: Brand New, tattoo coverups, and (im)permanence Paige Klimentou 191
Contents 17 Neon-Nazis: A fascist foray into vaporwave’s synaesthetic world Alican Кос Afterword Martin Cloonan Index vii 204 215 218
|
| adam_txt |
CONTENTS List of contributors Acknowledgments viii x 1 Introduction.՛ Mixing pop and pandemics Catherine Hoad, Geoff Stahl and Oli Wilson 1 Navigating a neoliberal city: Experimental music-making in Aotearoa/New Zealand’s ‘cultural capital’ Geoff Stahl 13 2 Sharing languages through contemporary song in the third space: A case study of intercultural collaboration between Indigenous Australian, Polynesian, and Melanesian women Katelyn Barney and Lexine Solomon 25 3 African popular music, race, and diasporic heritage in Australia Bonnie B. McConnell 4 Resisting through music under the neoliberal-authoritarian regime: Political themes in Turkish rap songs Gülüm Şener 5 Rapping about our history, imagining our future! The Great Legacy project in the Korean variety show Infinite Challenge Jeeyun Sophia Baik 38 50 62
vi Contents 6 Yes, indeed: Trap and politics Eduardo Barros-Grela 7 Looping alone, together: Music, community, and environmental self-sustainability in Aotearoa/New Zealand Catherine Hoad and Oli Wilson 8 ‘Half-Moghul, half-MowgH’:The representation of South Asian diasporas in hip hop music Julia Szivak * 9 Locating labour subjectivities in contemporary popular music texts Ellis Jones 10 Beyond hegemony: Siksa and the politics of affect Artur Szarecki И A message etched on broken ships’: Radical environmentalism and extreme ecometal Ian Collinson 73 84 96 108 120 131 12 Good citizenship, telethon, and benefit concert: The politics of the achievable David Baker and Andy Bennett 144 13 Solidarity as strategy: Anti-racism and feminism in the work ofTitiyo Ann Werner 156 14 Nostalgia, anti-victim discourse, and neoliberalism in early 1990s pop:The postfeminist approach ofWilson Phillips Saesha Senger 167 15 White skin, black masks: Die Antwoord, post-apartheid South Africa, and global hip hop studies Seth Cosimini 179 16 ‘I am the cause to all your problems’: Brand New, tattoo coverups, and (im)permanence Paige Klimentou 191
Contents 17 Neon-Nazis: A fascist foray into vaporwave’s synaesthetic world Alican Кос Afterword Martin Cloonan Index vii 204 215 218 |
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| title | Mixing pop and politics political dimensions of popular music in the 21st century |
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| title_full | Mixing pop and politics political dimensions of popular music in the 21st century edited by Catherine Hoad, Geoff Stahl and Oli Wilson |
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| title_full_unstemmed | Mixing pop and politics political dimensions of popular music in the 21st century edited by Catherine Hoad, Geoff Stahl and Oli Wilson |
| title_short | Mixing pop and politics |
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