Viewing distance:
Viewing Distance utilizes declassified material from US government archives to examine photography's role as a tool of the national security state for reconnaissance, surveillance, and documentation of advanced technologies. While many of the source images date back to the middle 20th century,...
Gespeichert in:
Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
[Hillsborough, NC]
Daylight Community Arts Foundation
[2021]
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Schlagworte: | |
Zusammenfassung: | Viewing Distance utilizes declassified material from US government archives to examine photography's role as a tool of the national security state for reconnaissance, surveillance, and documentation of advanced technologies. While many of the source images date back to the middle 20th century, they have only recently been declassified and much information remains secret. These images represent the decades-long time delay from when knowledge comes into being and when it becomes publicly accessible. The early Cold War period that much of the material originates from is a significant turning point in photography's use for intelligence gathering. Desire for clandestine reconnaissance photography resulted in high-altitude, high-speed aircraft such as the U-2 and SR-71, the latter essentially a camera that could fly faster than the speed of sound. Photographs pertaining to these innovations are combined with contemporary documents and devices, connecting past and present. Processes including analog printing, digital collage, scanner manipulation, and audio software are used to animate the archival material. Through this disruption and layering, historical fragments are presented in a state of flux, open to alternate associations and implications. What we are allowed to know and see is often incomplete and indeterminate, encouraging speculation and critical vision |
Beschreibung: | 104 Seiten 26 cm |
ISBN: | 9781954119031 1954119038 |
Internformat
MARC
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300 | |a 104 Seiten |c 26 cm | ||
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520 | 3 | |a Viewing Distance utilizes declassified material from US government archives to examine photography's role as a tool of the national security state for reconnaissance, surveillance, and documentation of advanced technologies. While many of the source images date back to the middle 20th century, they have only recently been declassified and much information remains secret. These images represent the decades-long time delay from when knowledge comes into being and when it becomes publicly accessible. The early Cold War period that much of the material originates from is a significant turning point in photography's use for intelligence gathering. Desire for clandestine reconnaissance photography resulted in high-altitude, high-speed aircraft such as the U-2 and SR-71, the latter essentially a camera that could fly faster than the speed of sound. Photographs pertaining to these innovations are combined with contemporary documents and devices, connecting past and present. Processes including analog printing, digital collage, scanner manipulation, and audio software are used to animate the archival material. Through this disruption and layering, historical fragments are presented in a state of flux, open to alternate associations and implications. What we are allowed to know and see is often incomplete and indeterminate, encouraging speculation and critical vision | |
600 | 1 | 7 | |a Hume, Evan |d 1987- |0 (DE-588)1218615958 |2 gnd |9 rswk-swf |
653 | 1 | |a Hume, Evan | |
653 | 0 | |a Photography, Artistic | |
653 | 0 | |a Art and photography | |
653 | 0 | |a Photography, Handworked | |
653 | 0 | |a Photography, Military / United States | |
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653 | 0 | |a Cold War in art | |
653 | 0 | |a National security in art | |
653 | 0 | |a Photographie artistique | |
653 | 0 | |a Art et photographie | |
653 | 0 | |a Coloriage à la main (Photographie) | |
653 | 0 | |a Photographie militaire / États-Unis | |
653 | 0 | |a Art / Politique gouvernementale / États-Unis | |
653 | 0 | |a Guerre froide dans l'art | |
653 | 0 | |a art photography | |
653 | 0 | |a Photography, Military | |
653 | 2 | |a United States | |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a Hume, Evan |d 1987- |0 (DE-588)1218615958 |D p |
689 | 0 | |5 DE-604 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033307547 |
Datensatz im Suchindex
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adam_text | |
adam_txt | |
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author2 | Hume, Evan 1987- |
author2_role | pht |
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author_GND | (DE-588)1218615958 |
author_facet | Hume, Evan 1987- |
building | Verbundindex |
bvnumber | BV047926013 |
ctrlnum | (OCoLC)1312703553 (DE-599)BVBBV047926013 |
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illustrated | Not Illustrated |
index_date | 2024-07-03T19:34:25Z |
indexdate | 2024-07-20T08:56:16Z |
institution | BVB |
isbn | 9781954119031 1954119038 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033307547 |
oclc_num | 1312703553 |
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owner | DE-255 DE-Y3 |
owner_facet | DE-255 DE-Y3 |
physical | 104 Seiten 26 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Daylight Community Arts Foundation |
record_format | marc |
spelling | Hume, Evan 1987- (DE-588)1218615958 pht Viewing distance Evan Hume [Hillsborough, NC] Daylight Community Arts Foundation [2021] 104 Seiten 26 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Viewing Distance utilizes declassified material from US government archives to examine photography's role as a tool of the national security state for reconnaissance, surveillance, and documentation of advanced technologies. While many of the source images date back to the middle 20th century, they have only recently been declassified and much information remains secret. These images represent the decades-long time delay from when knowledge comes into being and when it becomes publicly accessible. The early Cold War period that much of the material originates from is a significant turning point in photography's use for intelligence gathering. Desire for clandestine reconnaissance photography resulted in high-altitude, high-speed aircraft such as the U-2 and SR-71, the latter essentially a camera that could fly faster than the speed of sound. Photographs pertaining to these innovations are combined with contemporary documents and devices, connecting past and present. Processes including analog printing, digital collage, scanner manipulation, and audio software are used to animate the archival material. Through this disruption and layering, historical fragments are presented in a state of flux, open to alternate associations and implications. What we are allowed to know and see is often incomplete and indeterminate, encouraging speculation and critical vision Hume, Evan 1987- (DE-588)1218615958 gnd rswk-swf Hume, Evan Photography, Artistic Art and photography Photography, Handworked Photography, Military / United States Art and state / United States Cold War in art National security in art Photographie artistique Art et photographie Coloriage à la main (Photographie) Photographie militaire / États-Unis Art / Politique gouvernementale / États-Unis Guerre froide dans l'art art photography Photography, Military United States (DE-588)4145395-5 Bildband gnd-content Hume, Evan 1987- (DE-588)1218615958 p DE-604 |
spellingShingle | Viewing distance Hume, Evan 1987- (DE-588)1218615958 gnd |
subject_GND | (DE-588)1218615958 (DE-588)4145395-5 |
title | Viewing distance |
title_auth | Viewing distance |
title_exact_search | Viewing distance |
title_exact_search_txtP | Viewing distance |
title_full | Viewing distance Evan Hume |
title_fullStr | Viewing distance Evan Hume |
title_full_unstemmed | Viewing distance Evan Hume |
title_short | Viewing distance |
title_sort | viewing distance |
topic | Hume, Evan 1987- (DE-588)1218615958 gnd |
topic_facet | Hume, Evan 1987- Bildband |
work_keys_str_mv | AT humeevan viewingdistance |