Hazarding All: Shakespeare and the Drama of Consciousness
Demonstrates how theatre and theatricalisation serve as the indispensable means for creating a kind of consciousness that exits as an unmediated encounter with actualityShows the pervasiveness of Shakespeare's chiasmus of theatricalisation: the back-and-forth, and forth-and-back, movements betw...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Edinburgh Critical Studies in Shakespeare and Philosophy : ECSSP
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Demonstrates how theatre and theatricalisation serve as the indispensable means for creating a kind of consciousness that exits as an unmediated encounter with actualityShows the pervasiveness of Shakespeare's chiasmus of theatricalisation: the back-and-forth, and forth-and-back, movements between role-playing consciousness and a would-be non-role-playing consciousness that is never free from role-playingDemonstrates and explains how Shakespeare opens a shared space of negativity within partnered chiastic relation of two playsExplores that the product of this chiastic relation for the playwright and the spectator is an object of reflection that they encounter outside theatreExplains that, as a result, the playwright and the spectator move toward an intersubjectivity and a reciprocal intentionality toward sustained beingPhilosophers speak of newly accessed ways of knowing reality as epistemological shifts. This book demonstrates how Shakespeare effected a massive shift of just this kind in his bold management of theatricalisation itself. These pages levy on terms of Kant and Husserl that they elaborated in proposals for such shifts. It will be seen that Shakespeare exceeds the proposals of the philosophers. He anticipates and already brings to a working consummation a systematic and immediate access to the ways of knowing reality that they contemplate as hoped-for desiderata. In, and through, the drama of consciousness played out in the pairs of plays examined here, the playwright and the spectator together - intersubjectively - attain to an 'onlooker' consciousness that exits the fictionality, the play-acting, of theatricalisation; and they are enabled to recover the actuality of objects in their worlds |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (192 Seiten) 2 B/W illustrations |
| ISBN: | 9781474493178 |
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Datensatz im Suchindex
| _version_ | 1804183550783651840 |
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| adam_txt | |
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| author | Budick, Sanford |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
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| institution | BVB |
| isbn | 9781474493178 |
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| spelling | Budick, Sanford Verfasser aut Hazarding All Shakespeare and the Drama of Consciousness Sanford Budick Edinburgh Edinburgh University Press [2022] © 2021 1 Online-Ressource (192 Seiten) 2 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Shakespeare and Philosophy : ECSSP Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Demonstrates how theatre and theatricalisation serve as the indispensable means for creating a kind of consciousness that exits as an unmediated encounter with actualityShows the pervasiveness of Shakespeare's chiasmus of theatricalisation: the back-and-forth, and forth-and-back, movements between role-playing consciousness and a would-be non-role-playing consciousness that is never free from role-playingDemonstrates and explains how Shakespeare opens a shared space of negativity within partnered chiastic relation of two playsExplores that the product of this chiastic relation for the playwright and the spectator is an object of reflection that they encounter outside theatreExplains that, as a result, the playwright and the spectator move toward an intersubjectivity and a reciprocal intentionality toward sustained beingPhilosophers speak of newly accessed ways of knowing reality as epistemological shifts. This book demonstrates how Shakespeare effected a massive shift of just this kind in his bold management of theatricalisation itself. These pages levy on terms of Kant and Husserl that they elaborated in proposals for such shifts. It will be seen that Shakespeare exceeds the proposals of the philosophers. He anticipates and already brings to a working consummation a systematic and immediate access to the ways of knowing reality that they contemplate as hoped-for desiderata. In, and through, the drama of consciousness played out in the pairs of plays examined here, the playwright and the spectator together - intersubjectively - attain to an 'onlooker' consciousness that exits the fictionality, the play-acting, of theatricalisation; and they are enabled to recover the actuality of objects in their worlds In English Literary Studies LITERARY CRITICISM / Shakespeare bisacsh Consciousness Shakespeare, William,-1564-1616-Philosophy Theater Philosophy https://www.degruyter.com/isbn/9781474493178 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Budick, Sanford Hazarding All Shakespeare and the Drama of Consciousness Literary Studies LITERARY CRITICISM / Shakespeare bisacsh Consciousness Shakespeare, William,-1564-1616-Philosophy Theater Philosophy |
| title | Hazarding All Shakespeare and the Drama of Consciousness |
| title_auth | Hazarding All Shakespeare and the Drama of Consciousness |
| title_exact_search | Hazarding All Shakespeare and the Drama of Consciousness |
| title_exact_search_txtP | Hazarding All Shakespeare and the Drama of Consciousness |
| title_full | Hazarding All Shakespeare and the Drama of Consciousness Sanford Budick |
| title_fullStr | Hazarding All Shakespeare and the Drama of Consciousness Sanford Budick |
| title_full_unstemmed | Hazarding All Shakespeare and the Drama of Consciousness Sanford Budick |
| title_short | Hazarding All |
| title_sort | hazarding all shakespeare and the drama of consciousness |
| title_sub | Shakespeare and the Drama of Consciousness |
| topic | Literary Studies LITERARY CRITICISM / Shakespeare bisacsh Consciousness Shakespeare, William,-1564-1616-Philosophy Theater Philosophy |
| topic_facet | Literary Studies LITERARY CRITICISM / Shakespeare Consciousness Shakespeare, William,-1564-1616-Philosophy Theater Philosophy |
| url | https://www.degruyter.com/isbn/9781474493178 |
| work_keys_str_mv | AT budicksanford hazardingallshakespeareandthedramaofconsciousness |