Arab Animation: Images of Identity
Explores how Arab animations have been deeply engaged in the making and remaking of religious and political identitiesThe first in-depth study of the institutional and infrastructural background of animation production in the Arab worldExplores the position of animation production in national media...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Explores how Arab animations have been deeply engaged in the making and remaking of religious and political identitiesThe first in-depth study of the institutional and infrastructural background of animation production in the Arab worldExplores the position of animation production in national media and cultural industriesExamines how Arab producers and artists have used the animation format to mediate national, pan-Arab, Islamic and revolutionary identitiesExploring political and religious identity in Arab animationBy textually analysing around 40 productions from the 1930s until recently, this critical study explores how animated cartoons of the Arab world have been used to promote various notions of identity and mediate political and religious messages.Omar Sayfo explores how Arab animations, as cultural and media texts, have been deeply engaged in the making and remaking of religious and political identities. By analysing animation production in Algeria, Egypt, Iraq, Jordan, Kuwait, the Palestinian Territories, Qatar, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, this book seeks to demonstrate how rival notions of national, pan-Arab and Islamic identities have been advocated, challenged and fused by Arab animated cartoons.From the 1930s until the recent spread of online animations, animated cartoon production in the Arab world was the privilege of individuals and institutions with strong links to academic, media and political elites. These elites had maintained both direct and indirect authority over production in a number of ways, including funding, regulation and censorship. Arab animated films and series thus became a legitimate focus of well-defined cultural policies and, in many cases, even of political and religious agendas |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (288 Seiten) 35 B/W illustrations |
| ISBN: | 9781474479509 |
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| 520 | |a Explores how Arab animations have been deeply engaged in the making and remaking of religious and political identitiesThe first in-depth study of the institutional and infrastructural background of animation production in the Arab worldExplores the position of animation production in national media and cultural industriesExamines how Arab producers and artists have used the animation format to mediate national, pan-Arab, Islamic and revolutionary identitiesExploring political and religious identity in Arab animationBy textually analysing around 40 productions from the 1930s until recently, this critical study explores how animated cartoons of the Arab world have been used to promote various notions of identity and mediate political and religious messages.Omar Sayfo explores how Arab animations, as cultural and media texts, have been deeply engaged in the making and remaking of religious and political identities. By analysing animation production in Algeria, Egypt, Iraq, Jordan, Kuwait, the Palestinian Territories, Qatar, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, this book seeks to demonstrate how rival notions of national, pan-Arab and Islamic identities have been advocated, challenged and fused by Arab animated cartoons.From the 1930s until the recent spread of online animations, animated cartoon production in the Arab world was the privilege of individuals and institutions with strong links to academic, media and political elites. These elites had maintained both direct and indirect authority over production in a number of ways, including funding, regulation and censorship. Arab animated films and series thus became a legitimate focus of well-defined cultural policies and, in many cases, even of political and religious agendas | ||
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| 650 | 4 | |a Group identity |z Arab countries | |
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Datensatz im Suchindex
| _version_ | 1804183550689280000 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Sayfo, Omar |
| author_facet | Sayfo, Omar |
| author_role | aut |
| author_sort | Sayfo, Omar |
| author_variant | o s os |
| building | Verbundindex |
| bvnumber | BV047922054 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781474479509 (OCoLC)1312692613 (DE-599)BVBBV047922054 |
| dewey-full | 791.433409174927 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.433409174927 |
| dewey-search | 791.433409174927 |
| dewey-sort | 3791.433409174927 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| illustrated | Illustrated |
| index_date | 2024-07-03T19:33:44Z |
| indexdate | 2024-07-10T09:25:14Z |
| institution | BVB |
| isbn | 9781474479509 |
| language | English |
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| physical | 1 Online-Ressource (288 Seiten) 35 B/W illustrations |
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| publisher | Edinburgh University Press |
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| spelling | Sayfo, Omar Verfasser aut Arab Animation Images of Identity Omar Sayfo Edinburgh Edinburgh University Press [2022] © 2021 1 Online-Ressource (288 Seiten) 35 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Explores how Arab animations have been deeply engaged in the making and remaking of religious and political identitiesThe first in-depth study of the institutional and infrastructural background of animation production in the Arab worldExplores the position of animation production in national media and cultural industriesExamines how Arab producers and artists have used the animation format to mediate national, pan-Arab, Islamic and revolutionary identitiesExploring political and religious identity in Arab animationBy textually analysing around 40 productions from the 1930s until recently, this critical study explores how animated cartoons of the Arab world have been used to promote various notions of identity and mediate political and religious messages.Omar Sayfo explores how Arab animations, as cultural and media texts, have been deeply engaged in the making and remaking of religious and political identities. By analysing animation production in Algeria, Egypt, Iraq, Jordan, Kuwait, the Palestinian Territories, Qatar, Saudi Arabia, Syria, Tunisia and the United Arab Emirates, this book seeks to demonstrate how rival notions of national, pan-Arab and Islamic identities have been advocated, challenged and fused by Arab animated cartoons.From the 1930s until the recent spread of online animations, animated cartoon production in the Arab world was the privilege of individuals and institutions with strong links to academic, media and political elites. These elites had maintained both direct and indirect authority over production in a number of ways, including funding, regulation and censorship. Arab animated films and series thus became a legitimate focus of well-defined cultural policies and, in many cases, even of political and religious agendas In English Islamic Studies HISTORY / Middle East / General bisacsh Animated films Arab countries History and criticism Animated television programs Arab countries History and criticism Group identity Arab countries https://www.degruyter.com/isbn/9781474479509 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sayfo, Omar Arab Animation Images of Identity Islamic Studies HISTORY / Middle East / General bisacsh Animated films Arab countries History and criticism Animated television programs Arab countries History and criticism Group identity Arab countries |
| title | Arab Animation Images of Identity |
| title_auth | Arab Animation Images of Identity |
| title_exact_search | Arab Animation Images of Identity |
| title_exact_search_txtP | Arab Animation Images of Identity |
| title_full | Arab Animation Images of Identity Omar Sayfo |
| title_fullStr | Arab Animation Images of Identity Omar Sayfo |
| title_full_unstemmed | Arab Animation Images of Identity Omar Sayfo |
| title_short | Arab Animation |
| title_sort | arab animation images of identity |
| title_sub | Images of Identity |
| topic | Islamic Studies HISTORY / Middle East / General bisacsh Animated films Arab countries History and criticism Animated television programs Arab countries History and criticism Group identity Arab countries |
| topic_facet | Islamic Studies HISTORY / Middle East / General Animated films Arab countries History and criticism Animated television programs Arab countries History and criticism Group identity Arab countries |
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