Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives
Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacyBased on interviews with key industry figures and filmmakersCase studies include the controversial Much Loved, and an analysis of its reception within and outwith MoroccoArgues that Moroccan cinema has de-orbited...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacyBased on interviews with key industry figures and filmmakersCase studies include the controversial Much Loved, and an analysis of its reception within and outwith MoroccoArgues that Moroccan cinema has de-orbited from Francophone cinema and Morocco's postcolonial legacy to become a transnational cinemaWatch the editors discuss the book in a webinar hosted by SOASThis is the first book length study to consider the transnational dimension of Moroccan cinema. Over the past two decades, cinematic production has increased dramatically in Morocco, with Moroccan films leading at the domestic box office and being selected for prestigious international festivals such as Cannes and Berlin. And yet, Moroccan cinema remains little known outside of its national borders. This book asks why this might be and, in so doing, analyses the actual state of Moroccan national cinema beyond a post-colonial optic. Featuring interviews with filmmakers and key industry figures, such as Hicham Laari, Nadir Boumouch and Tala Hadid, the book explores Moroccan cinema's transnational reach through a focus on the cultural politics of international co-production, the role of international festivals as alternative distribution networks, piracy and digital disruption, film education and activism. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (288 Seiten) 21 B/W illustrations |
| ISBN: | 9781474477956 |
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| 520 | |a Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacyBased on interviews with key industry figures and filmmakersCase studies include the controversial Much Loved, and an analysis of its reception within and outwith MoroccoArgues that Moroccan cinema has de-orbited from Francophone cinema and Morocco's postcolonial legacy to become a transnational cinemaWatch the editors discuss the book in a webinar hosted by SOASThis is the first book length study to consider the transnational dimension of Moroccan cinema. Over the past two decades, cinematic production has increased dramatically in Morocco, with Moroccan films leading at the domestic box office and being selected for prestigious international festivals such as Cannes and Berlin. And yet, Moroccan cinema remains little known outside of its national borders. This book asks why this might be and, in so doing, analyses the actual state of Moroccan national cinema beyond a post-colonial optic. Featuring interviews with filmmakers and key industry figures, such as Hicham Laari, Nadir Boumouch and Tala Hadid, the book explores Moroccan cinema's transnational reach through a focus on the cultural politics of international co-production, the role of international festivals as alternative distribution networks, piracy and digital disruption, film education and activism. | ||
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Datensatz im Suchindex
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| isbn | 9781474477956 |
| language | English |
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| spelling | Higbee, Will Verfasser aut Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives Jamal Bahmad, Will Higbee, Flo Martin Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (288 Seiten) 21 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacyBased on interviews with key industry figures and filmmakersCase studies include the controversial Much Loved, and an analysis of its reception within and outwith MoroccoArgues that Moroccan cinema has de-orbited from Francophone cinema and Morocco's postcolonial legacy to become a transnational cinemaWatch the editors discuss the book in a webinar hosted by SOASThis is the first book length study to consider the transnational dimension of Moroccan cinema. Over the past two decades, cinematic production has increased dramatically in Morocco, with Moroccan films leading at the domestic box office and being selected for prestigious international festivals such as Cannes and Berlin. And yet, Moroccan cinema remains little known outside of its national borders. This book asks why this might be and, in so doing, analyses the actual state of Moroccan national cinema beyond a post-colonial optic. Featuring interviews with filmmakers and key industry figures, such as Hicham Laari, Nadir Boumouch and Tala Hadid, the book explores Moroccan cinema's transnational reach through a focus on the cultural politics of international co-production, the role of international festivals as alternative distribution networks, piracy and digital disruption, film education and activism. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Morocco History 21st century Motion pictures-Morocco-History Transnationalism in motion pictures Bahmad, Jamal Sonstige oth Martin, Flo Sonstige oth https://www.degruyter.com/isbn/9781474477956 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Higbee, Will Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Morocco History 21st century Motion pictures-Morocco-History Transnationalism in motion pictures |
| title | Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives |
| title_auth | Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives |
| title_exact_search | Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives |
| title_exact_search_txtP | Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives |
| title_full | Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives Jamal Bahmad, Will Higbee, Flo Martin |
| title_fullStr | Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives Jamal Bahmad, Will Higbee, Flo Martin |
| title_full_unstemmed | Moroccan Cinema Uncut Decentred Voices, Transnational Perspectives Jamal Bahmad, Will Higbee, Flo Martin |
| title_short | Moroccan Cinema Uncut |
| title_sort | moroccan cinema uncut decentred voices transnational perspectives |
| title_sub | Decentred Voices, Transnational Perspectives |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures Morocco History 21st century Motion pictures-Morocco-History Transnationalism in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Motion pictures Morocco History 21st century Motion pictures-Morocco-History Transnationalism in motion pictures |
| url | https://www.degruyter.com/isbn/9781474477956 |
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