The Pulse in Cinema: The Aesthetics of Horror
A philosophical enquiry into the pulse as the affective force in cinemaDevelops a concept of the pulse and argues for the importance of its use in cinema spectatorship theoryBuilds on ideas of rhythm in early and experimental cinema to develop a progressive theory that is valuable for a cinematic un...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
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| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Summary: | A philosophical enquiry into the pulse as the affective force in cinemaDevelops a concept of the pulse and argues for the importance of its use in cinema spectatorship theoryBuilds on ideas of rhythm in early and experimental cinema to develop a progressive theory that is valuable for a cinematic understanding of body horrorAnalyses five body horror films - Le Sang des bêtes/Blood of the Beasts, The Tingler, Dawn of the Dead, L'aldilà/The Beyond and Possession - using aspects of the pulseProvides an innovative approach to the economy of cinema to rethink the energetic relation between the image and the spectatorIntegrates concepts from theorists Jean-François Lyotard, Gilles Deleuze, and Georges Bataille into the study of cinema spectatorship When we think of the pulse in cinema, we may think of the heartbeat of the spectator as they respond to affective or moving scenes in the film, or how fast-paced and shocking images exacerbate this affective response. Conceptually extending cinema spectatorship, The Pulse in Cinema contends that cinema is an energetic arrangement of affective and intense forces, where the image and the spectator are specific components. Analysing body horror films such as The Tingler (1959), Dawn of the Dead (1978) and The Beyond (1981), this book builds on Lyotard's concept of the dispositif, Deleuze's work on sensation and Bataille's economic theory to conceptualise a pulse in cinema, arguing for its importance in cinema spectatorship theory |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (232 Seiten) 26 B/W illustrations |
| ISBN: | 9781474475860 |
Staff View
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| 520 | |a A philosophical enquiry into the pulse as the affective force in cinemaDevelops a concept of the pulse and argues for the importance of its use in cinema spectatorship theoryBuilds on ideas of rhythm in early and experimental cinema to develop a progressive theory that is valuable for a cinematic understanding of body horrorAnalyses five body horror films - Le Sang des bêtes/Blood of the Beasts, The Tingler, Dawn of the Dead, L'aldilà/The Beyond and Possession - using aspects of the pulseProvides an innovative approach to the economy of cinema to rethink the energetic relation between the image and the spectatorIntegrates concepts from theorists Jean-François Lyotard, Gilles Deleuze, and Georges Bataille into the study of cinema spectatorship When we think of the pulse in cinema, we may think of the heartbeat of the spectator as they respond to affective or moving scenes in the film, or how fast-paced and shocking images exacerbate this affective response. Conceptually extending cinema spectatorship, The Pulse in Cinema contends that cinema is an energetic arrangement of affective and intense forces, where the image and the spectator are specific components. Analysing body horror films such as The Tingler (1959), Dawn of the Dead (1978) and The Beyond (1981), this book builds on Lyotard's concept of the dispositif, Deleuze's work on sensation and Bataille's economic theory to conceptualise a pulse in cinema, arguing for its importance in cinema spectatorship theory | ||
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Record in the Search Index
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| author | Mee, Sharon Jane |
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| discipline | Allgemeines |
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| isbn | 9781474475860 |
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| spelling | Mee, Sharon Jane Verfasser (DE-588)1271486598 aut The Pulse in Cinema The Aesthetics of Horror Sharon Jane Mee Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (232 Seiten) 26 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) A philosophical enquiry into the pulse as the affective force in cinemaDevelops a concept of the pulse and argues for the importance of its use in cinema spectatorship theoryBuilds on ideas of rhythm in early and experimental cinema to develop a progressive theory that is valuable for a cinematic understanding of body horrorAnalyses five body horror films - Le Sang des bêtes/Blood of the Beasts, The Tingler, Dawn of the Dead, L'aldilà/The Beyond and Possession - using aspects of the pulseProvides an innovative approach to the economy of cinema to rethink the energetic relation between the image and the spectatorIntegrates concepts from theorists Jean-François Lyotard, Gilles Deleuze, and Georges Bataille into the study of cinema spectatorship When we think of the pulse in cinema, we may think of the heartbeat of the spectator as they respond to affective or moving scenes in the film, or how fast-paced and shocking images exacerbate this affective response. Conceptually extending cinema spectatorship, The Pulse in Cinema contends that cinema is an energetic arrangement of affective and intense forces, where the image and the spectator are specific components. Analysing body horror films such as The Tingler (1959), Dawn of the Dead (1978) and The Beyond (1981), this book builds on Lyotard's concept of the dispositif, Deleuze's work on sensation and Bataille's economic theory to conceptualise a pulse in cinema, arguing for its importance in cinema spectatorship theory In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Horror films History and criticism Horror films Physiological aspects Horror films-History and criticism https://www.degruyter.com/isbn/9781474475860 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mee, Sharon Jane The Pulse in Cinema The Aesthetics of Horror Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Horror films History and criticism Horror films Physiological aspects Horror films-History and criticism |
| title | The Pulse in Cinema The Aesthetics of Horror |
| title_auth | The Pulse in Cinema The Aesthetics of Horror |
| title_exact_search | The Pulse in Cinema The Aesthetics of Horror |
| title_exact_search_txtP | The Pulse in Cinema The Aesthetics of Horror |
| title_full | The Pulse in Cinema The Aesthetics of Horror Sharon Jane Mee |
| title_fullStr | The Pulse in Cinema The Aesthetics of Horror Sharon Jane Mee |
| title_full_unstemmed | The Pulse in Cinema The Aesthetics of Horror Sharon Jane Mee |
| title_short | The Pulse in Cinema |
| title_sort | the pulse in cinema the aesthetics of horror |
| title_sub | The Aesthetics of Horror |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Horror films History and criticism Horror films Physiological aspects Horror films-History and criticism |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Horror films History and criticism Horror films Physiological aspects Horror films-History and criticism |
| url | https://www.degruyter.com/isbn/9781474475860 |
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