Beyond Eastern Noir: Reimagining Russia and Eastern Europe in Nordic Cinemas
The first comprehensive conceptualisation of Russia and neighbouring Eastern Europe in post-1989 Nordic filmAddressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension. Depa...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | The first comprehensive conceptualisation of Russia and neighbouring Eastern Europe in post-1989 Nordic filmAddressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension. Departing from the dark stereotypes that characterise much of 'Eastern noir', the book presents Russia and Eastern Europe as imagined spaces depicted with a surprisingly rich, but previously neglected cinematic diversity. Cross-disciplinary in its approach, and utilising in-depth case studies of feature films, documentaries and television dramas, such as Lilya 4-ever, A Pigeon Sat on a Branch Reflecting on Existence and Occupied, the book presents a variety of perspectives on Russia and Eastern Europe found in the Nordic audiovisual imagination and considers how increasingly transnational affinities have led to a reimagining of Norden's eastern neighbours in contemporary Nordic films.Case studies include:Born American (Renny Harlin, Finland, 1986)Orion's Belt (Ola Solum, Norway, 1985)Maximum Penalty (Tómas Gislason, Denmark, 2000)Occupied (TV series, Norway 2015-)Interrogation (Jörn Donner, Finland, 2009)Burnt by Frost (Knut Erik Jensen, Norway, 1997)Ice Kiss (Knut Erik Jensen, Norway, 2008)Screwed in Tallinn (Tomas Alfredson, Sweden, 1999)Take Care of Your Scarf, Tatjana (Aki Kaurismäki, Finland, 1994)Lilya 4-ever (Lukas Moodysson, Sweden, 2002)Buy Bye Beauty (Pål Hollender, Sweden, 2001)The 3 Rooms of Melancholia (Pirjo Honkasalo, Finland 2004)A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, Sweden, 2014)The Cuckoo (Alexandr Rogozkhin, Russia, 2002)Popular Music (Reza Bagher, Sweden, 2004)Upperdog (Sara Johnsen, Norway, 2009)Fight for Existence (TV series, Norway, 2014-15) |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Beschreibung: | 1 Online-Ressource (240 Seiten) 20 B/W illustrations |
| ISBN: | 9781474418119 |
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| 520 | |a The first comprehensive conceptualisation of Russia and neighbouring Eastern Europe in post-1989 Nordic filmAddressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension. Departing from the dark stereotypes that characterise much of 'Eastern noir', the book presents Russia and Eastern Europe as imagined spaces depicted with a surprisingly rich, but previously neglected cinematic diversity. Cross-disciplinary in its approach, and utilising in-depth case studies of feature films, documentaries and television dramas, such as Lilya 4-ever, A Pigeon Sat on a Branch Reflecting on Existence and Occupied, the book presents a variety of perspectives on Russia and Eastern Europe found in the Nordic audiovisual imagination and considers how increasingly transnational affinities have led to a reimagining of Norden's eastern neighbours in contemporary Nordic films.Case studies include:Born American (Renny Harlin, Finland, 1986)Orion's Belt (Ola Solum, Norway, 1985)Maximum Penalty (Tómas Gislason, Denmark, 2000)Occupied (TV series, Norway 2015-)Interrogation (Jörn Donner, Finland, 2009)Burnt by Frost (Knut Erik Jensen, Norway, 1997)Ice Kiss (Knut Erik Jensen, Norway, 2008)Screwed in Tallinn (Tomas Alfredson, Sweden, 1999)Take Care of Your Scarf, Tatjana (Aki Kaurismäki, Finland, 1994)Lilya 4-ever (Lukas Moodysson, Sweden, 2002)Buy Bye Beauty (Pål Hollender, Sweden, 2001)The 3 Rooms of Melancholia (Pirjo Honkasalo, Finland 2004)A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, Sweden, 2014)The Cuckoo (Alexandr Rogozkhin, Russia, 2002)Popular Music (Reza Bagher, Sweden, 2004)Upperdog (Sara Johnsen, Norway, 2009)Fight for Existence (TV series, Norway, 2014-15) | ||
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| 650 | 4 | |a Motion pictures |z Scandinavia |x History and criticism | |
| 650 | 4 | |a National characteristics, Russian, in motion pictures | |
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Datensatz im Suchindex
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| author | Mrozewicz, Anna Estera |
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| dewey-ones | 791 - Public performances |
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| id | DE-604.BV047921644 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:33:43Z |
| indexdate | 2025-02-19T17:34:25Z |
| institution | BVB |
| isbn | 9781474418119 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033303234 |
| oclc_num | 1312709606 |
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| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (240 Seiten) 20 B/W illustrations |
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| publisher | Edinburgh University Press |
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| spelling | Mrozewicz, Anna Estera Verfasser aut Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas Anna Estera Mrozewicz Edinburgh Edinburgh University Press [2022] © 2018 1 Online-Ressource (240 Seiten) 20 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) The first comprehensive conceptualisation of Russia and neighbouring Eastern Europe in post-1989 Nordic filmAddressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension. Departing from the dark stereotypes that characterise much of 'Eastern noir', the book presents Russia and Eastern Europe as imagined spaces depicted with a surprisingly rich, but previously neglected cinematic diversity. Cross-disciplinary in its approach, and utilising in-depth case studies of feature films, documentaries and television dramas, such as Lilya 4-ever, A Pigeon Sat on a Branch Reflecting on Existence and Occupied, the book presents a variety of perspectives on Russia and Eastern Europe found in the Nordic audiovisual imagination and considers how increasingly transnational affinities have led to a reimagining of Norden's eastern neighbours in contemporary Nordic films.Case studies include:Born American (Renny Harlin, Finland, 1986)Orion's Belt (Ola Solum, Norway, 1985)Maximum Penalty (Tómas Gislason, Denmark, 2000)Occupied (TV series, Norway 2015-)Interrogation (Jörn Donner, Finland, 2009)Burnt by Frost (Knut Erik Jensen, Norway, 1997)Ice Kiss (Knut Erik Jensen, Norway, 2008)Screwed in Tallinn (Tomas Alfredson, Sweden, 1999)Take Care of Your Scarf, Tatjana (Aki Kaurismäki, Finland, 1994)Lilya 4-ever (Lukas Moodysson, Sweden, 2002)Buy Bye Beauty (Pål Hollender, Sweden, 2001)The 3 Rooms of Melancholia (Pirjo Honkasalo, Finland 2004)A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, Sweden, 2014)The Cuckoo (Alexandr Rogozkhin, Russia, 2002)Popular Music (Reza Bagher, Sweden, 2004)Upperdog (Sara Johnsen, Norway, 2009)Fight for Existence (TV series, Norway, 2014-15) In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures and transnationalism Scandinavia Motion pictures Scandinavia History and criticism National characteristics, Russian, in motion pictures https://www.degruyter.com/isbn/9781474418119 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mrozewicz, Anna Estera Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures and transnationalism Scandinavia Motion pictures Scandinavia History and criticism National characteristics, Russian, in motion pictures |
| title | Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas |
| title_auth | Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas |
| title_exact_search | Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas |
| title_exact_search_txtP | Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas |
| title_full | Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas Anna Estera Mrozewicz |
| title_fullStr | Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas Anna Estera Mrozewicz |
| title_full_unstemmed | Beyond Eastern Noir Reimagining Russia and Eastern Europe in Nordic Cinemas Anna Estera Mrozewicz |
| title_short | Beyond Eastern Noir |
| title_sort | beyond eastern noir reimagining russia and eastern europe in nordic cinemas |
| title_sub | Reimagining Russia and Eastern Europe in Nordic Cinemas |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion pictures and transnationalism Scandinavia Motion pictures Scandinavia History and criticism National characteristics, Russian, in motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Motion pictures and transnationalism Scandinavia Motion pictures Scandinavia History and criticism National characteristics, Russian, in motion pictures |
| url | https://www.degruyter.com/isbn/9781474418119 |
| work_keys_str_mv | AT mrozewiczannaestera beyondeasternnoirreimaginingrussiaandeasterneuropeinnordiccinemas |