Succeeding King Lear: Literature, Exposure, and the Possibility of Politics
This book investigates Shakespeare's King Lear and its originative power in modern literature with specific attention to the early work of English Romantic poet William Wordsworth and to the American writer James Agee and photographer Walker Evans's 1941 collaboration, Let Us Now Praise Fa...
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Format: | Elektronisch E-Book |
Sprache: | English |
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New York, NY
Fordham University Press
[2022]
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Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | This book investigates Shakespeare's King Lear and its originative power in modern literature with specific attention to the early work of English Romantic poet William Wordsworth and to the American writer James Agee and photographer Walker Evans's 1941 collaboration, Let Us Now Praise Famous Men. It examines how these later readers return to the play to interrogate emphatically the question of the relations between literature and politics in modernity and to initiate in this way their own creative trajectories. King Lear opens up a literary genealogy or history of successors, at the heart and origin of which, the author claims, is a crisis of sovereignty. The tragedy famously begins with the title character's decision to give up his throne and divide the kingdom prior to his demise. In bringing to light the assumptions behind this logic, and in dramatizing its disastrous consequences, the play performs an implicit analysis and critique of sovereignty as the guiding principle of political life and gestures, beyond sovereignty, towards the possibility of a new aesthetic and political future. The question of the relations between literature and politics does not only open up immanently or internally within King Lear, this book argues, but is also that which occasions a literary history of readers who return to the play as to an originary locus for dealing with a problem. Among such successors are Wordsworth in the 1790s after the French Revolution and Agee and Evans during the Depression in the 1930s, whose engagements with Lear, this book argues, were crucial to their development of new artistic means towards creating a democratic literature. In bringing British Romanticism and American modernism into contact with their literary political origins in Shakespeare, this book offers an original way of thinking literary history and a new approach to the question of the relations between literature and politics in modernity. In its interdisciplinary and cross-period scope, it will appeal to students and scholars of Shakespeare, Romanticism, modernism, literary theory, as well as literature and photography |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (176 Seiten) 7 Illustrations, black and white |
ISBN: | 9780823292691 |
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520 | |a This book investigates Shakespeare's King Lear and its originative power in modern literature with specific attention to the early work of English Romantic poet William Wordsworth and to the American writer James Agee and photographer Walker Evans's 1941 collaboration, Let Us Now Praise Famous Men. It examines how these later readers return to the play to interrogate emphatically the question of the relations between literature and politics in modernity and to initiate in this way their own creative trajectories. King Lear opens up a literary genealogy or history of successors, at the heart and origin of which, the author claims, is a crisis of sovereignty. The tragedy famously begins with the title character's decision to give up his throne and divide the kingdom prior to his demise. | ||
520 | |a In bringing to light the assumptions behind this logic, and in dramatizing its disastrous consequences, the play performs an implicit analysis and critique of sovereignty as the guiding principle of political life and gestures, beyond sovereignty, towards the possibility of a new aesthetic and political future. The question of the relations between literature and politics does not only open up immanently or internally within King Lear, this book argues, but is also that which occasions a literary history of readers who return to the play as to an originary locus for dealing with a problem. Among such successors are Wordsworth in the 1790s after the French Revolution and Agee and Evans during the Depression in the 1930s, whose engagements with Lear, this book argues, were crucial to their development of new artistic means towards creating a democratic literature. | ||
520 | |a In bringing British Romanticism and American modernism into contact with their literary political origins in Shakespeare, this book offers an original way of thinking literary history and a new approach to the question of the relations between literature and politics in modernity. In its interdisciplinary and cross-period scope, it will appeal to students and scholars of Shakespeare, Romanticism, modernism, literary theory, as well as literature and photography | ||
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illustrated | Illustrated |
index_date | 2024-07-03T19:33:42Z |
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institution | BVB |
isbn | 9780823292691 |
language | English |
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physical | 1 Online-Ressource (176 Seiten) 7 Illustrations, black and white |
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spelling | Sun, Emily Verfasser aut Succeeding King Lear Literature, Exposure, and the Possibility of Politics Emily Sun New York, NY Fordham University Press [2022] © 2010 1 Online-Ressource (176 Seiten) 7 Illustrations, black and white txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) This book investigates Shakespeare's King Lear and its originative power in modern literature with specific attention to the early work of English Romantic poet William Wordsworth and to the American writer James Agee and photographer Walker Evans's 1941 collaboration, Let Us Now Praise Famous Men. It examines how these later readers return to the play to interrogate emphatically the question of the relations between literature and politics in modernity and to initiate in this way their own creative trajectories. King Lear opens up a literary genealogy or history of successors, at the heart and origin of which, the author claims, is a crisis of sovereignty. The tragedy famously begins with the title character's decision to give up his throne and divide the kingdom prior to his demise. In bringing to light the assumptions behind this logic, and in dramatizing its disastrous consequences, the play performs an implicit analysis and critique of sovereignty as the guiding principle of political life and gestures, beyond sovereignty, towards the possibility of a new aesthetic and political future. The question of the relations between literature and politics does not only open up immanently or internally within King Lear, this book argues, but is also that which occasions a literary history of readers who return to the play as to an originary locus for dealing with a problem. Among such successors are Wordsworth in the 1790s after the French Revolution and Agee and Evans during the Depression in the 1930s, whose engagements with Lear, this book argues, were crucial to their development of new artistic means towards creating a democratic literature. In bringing British Romanticism and American modernism into contact with their literary political origins in Shakespeare, this book offers an original way of thinking literary history and a new approach to the question of the relations between literature and politics in modernity. In its interdisciplinary and cross-period scope, it will appeal to students and scholars of Shakespeare, Romanticism, modernism, literary theory, as well as literature and photography In English LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh https://www.degruyter.com/isbn/9780823292691 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Sun, Emily Succeeding King Lear Literature, Exposure, and the Possibility of Politics LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh |
title | Succeeding King Lear Literature, Exposure, and the Possibility of Politics |
title_auth | Succeeding King Lear Literature, Exposure, and the Possibility of Politics |
title_exact_search | Succeeding King Lear Literature, Exposure, and the Possibility of Politics |
title_exact_search_txtP | Succeeding King Lear Literature, Exposure, and the Possibility of Politics |
title_full | Succeeding King Lear Literature, Exposure, and the Possibility of Politics Emily Sun |
title_fullStr | Succeeding King Lear Literature, Exposure, and the Possibility of Politics Emily Sun |
title_full_unstemmed | Succeeding King Lear Literature, Exposure, and the Possibility of Politics Emily Sun |
title_short | Succeeding King Lear |
title_sort | succeeding king lear literature exposure and the possibility of politics |
title_sub | Literature, Exposure, and the Possibility of Politics |
topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh |
topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |
url | https://www.degruyter.com/isbn/9780823292691 |
work_keys_str_mv | AT sunemily succeedingkinglearliteratureexposureandthepossibilityofpolitics |