A Fury in the Words: Love and Embarrassment in Shakespeare's Venice
Shakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the langu...
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| Format: | Electronic eBook |
| Language: | English |
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New York, NY
Fordham University Press
[2022]
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| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | Shakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. "To embarrass" is literally to "embar": to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: "I saw Othello's visage in his mind" (1.3.253). This suggests, among other things, that she didn't see it in his face |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (240 Seiten) |
| ISBN: | 9780823290765 |
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| 520 | |a Shakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. "To embarrass" is literally to "embar": to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: "I saw Othello's visage in his mind" (1.3.253). This suggests, among other things, that she didn't see it in his face | ||
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| spelling | Berger, Harry Verfasser aut A Fury in the Words Love and Embarrassment in Shakespeare's Venice Harry Berger New York, NY Fordham University Press [2022] © 2013 1 Online-Ressource (240 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Shakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. "To embarrass" is literally to "embar": to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: "I saw Othello's visage in his mind" (1.3.253). This suggests, among other things, that she didn't see it in his face In English LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh https://www.degruyter.com/isbn/9780823290765 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berger, Harry A Fury in the Words Love and Embarrassment in Shakespeare's Venice LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh |
| title | A Fury in the Words Love and Embarrassment in Shakespeare's Venice |
| title_auth | A Fury in the Words Love and Embarrassment in Shakespeare's Venice |
| title_exact_search | A Fury in the Words Love and Embarrassment in Shakespeare's Venice |
| title_exact_search_txtP | A Fury in the Words Love and Embarrassment in Shakespeare's Venice |
| title_full | A Fury in the Words Love and Embarrassment in Shakespeare's Venice Harry Berger |
| title_fullStr | A Fury in the Words Love and Embarrassment in Shakespeare's Venice Harry Berger |
| title_full_unstemmed | A Fury in the Words Love and Embarrassment in Shakespeare's Venice Harry Berger |
| title_short | A Fury in the Words |
| title_sort | a fury in the words love and embarrassment in shakespeare s venice |
| title_sub | Love and Embarrassment in Shakespeare's Venice |
| topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh |
| topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |
| url | https://www.degruyter.com/isbn/9780823290765 |
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