The making and unmaking of Francoist Kitsch cinema: from Raza to Pan's Labyrinth
Examines Francoist and Post-Francoist Spanish cinema through the lens of kitsch aestheticsIn fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle agains...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2018]
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| Online Access: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Summary: | Examines Francoist and Post-Francoist Spanish cinema through the lens of kitsch aestheticsIn fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés.Key featuresA comprehensive analysis of totalitarian kitsch aesthetics and Spanish fascismAn exploration of the links between cinema and politics in Franco and Post-Franco SpainIn-depth film analysis of several Spanish films anchored in historical contextsTheoretical approach to Spanish cinema and kitsch aestheticsClose analysis of films by critically acclaimed directors Luis Buñuel, Alex de la Iglesia and Guillermo del Toro |
| Physical Description: | 1 Online-Ressource (xiii, 322 Seiten) Illustrationen |
| ISBN: | 9780748699230 |
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| 520 | |a Examines Francoist and Post-Francoist Spanish cinema through the lens of kitsch aestheticsIn fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés.Key featuresA comprehensive analysis of totalitarian kitsch aesthetics and Spanish fascismAn exploration of the links between cinema and politics in Franco and Post-Franco SpainIn-depth film analysis of several Spanish films anchored in historical contextsTheoretical approach to Spanish cinema and kitsch aestheticsClose analysis of films by critically acclaimed directors Luis Buñuel, Alex de la Iglesia and Guillermo del Toro | ||
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| index_date | 2024-07-03T19:33:40Z |
| indexdate | 2025-02-19T17:34:22Z |
| institution | BVB |
| isbn | 9780748699230 |
| language | English |
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| spelling | Yarza, Alejandro 1958- Verfasser (DE-588)136274412 aut The making and unmaking of Francoist Kitsch cinema from Raza to Pan's Labyrinth Alejandro Yarza Edinburgh Edinburgh University Press [2018] © 2018 1 Online-Ressource (xiii, 322 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Examines Francoist and Post-Francoist Spanish cinema through the lens of kitsch aestheticsIn fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés.Key featuresA comprehensive analysis of totalitarian kitsch aesthetics and Spanish fascismAn exploration of the links between cinema and politics in Franco and Post-Franco SpainIn-depth film analysis of several Spanish films anchored in historical contextsTheoretical approach to Spanish cinema and kitsch aestheticsClose analysis of films by critically acclaimed directors Luis Buñuel, Alex de la Iglesia and Guillermo del Toro Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Erscheint auch als Druck-Ausgabe 978-0-7486-9924-7 (DE-604)BV044794275 https://www.degruyter.com/isbn/9780748699230 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Yarza, Alejandro 1958- The making and unmaking of Francoist Kitsch cinema from Raza to Pan's Labyrinth Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| title | The making and unmaking of Francoist Kitsch cinema from Raza to Pan's Labyrinth |
| title_auth | The making and unmaking of Francoist Kitsch cinema from Raza to Pan's Labyrinth |
| title_exact_search | The making and unmaking of Francoist Kitsch cinema from Raza to Pan's Labyrinth |
| title_exact_search_txtP | The Making and Unmaking of Francoist Kitsch Cinema From Raza to Pan's Labyrinth |
| title_full | The making and unmaking of Francoist Kitsch cinema from Raza to Pan's Labyrinth Alejandro Yarza |
| title_fullStr | The making and unmaking of Francoist Kitsch cinema from Raza to Pan's Labyrinth Alejandro Yarza |
| title_full_unstemmed | The making and unmaking of Francoist Kitsch cinema from Raza to Pan's Labyrinth Alejandro Yarza |
| title_short | The making and unmaking of Francoist Kitsch cinema |
| title_sort | the making and unmaking of francoist kitsch cinema from raza to pan s labyrinth |
| title_sub | from Raza to Pan's Labyrinth |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production |
| url | https://www.degruyter.com/isbn/9780748699230 |
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