From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition
Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals?The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter's 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Physical Description: | 1 Online-Ressource (288 Seiten) 70 colour illustrations |
| ISBN: | 9780748693597 |
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| spelling | Atkinson, Sarah Verfasser aut From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition Sarah Atkinson Edinburgh Edinburgh University Press [2022] © 2018 1 Online-Ressource (288 Seiten) 70 colour illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals?The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter's 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh https://www.degruyter.com/isbn/9780748693597 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Atkinson, Sarah From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| title | From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition |
| title_auth | From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition |
| title_exact_search | From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition |
| title_exact_search_txtP | From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition |
| title_full | From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition Sarah Atkinson |
| title_fullStr | From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition Sarah Atkinson |
| title_full_unstemmed | From Film Practice to Data Process Production Aesthetics and Representational Practices of a Film Industry in Transition Sarah Atkinson |
| title_short | From Film Practice to Data Process |
| title_sort | from film practice to data process production aesthetics and representational practices of a film industry in transition |
| title_sub | Production Aesthetics and Representational Practices of a Film Industry in Transition |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General |
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