The Spanish Prisoner:
Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schriftenreihe: | American Indies : AMIN
|
Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking withpersonal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques.This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry.Key FeaturesDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures ClassicsAssesses the position of David Mamet within American cinemaIntroduces the genre categories of the 'con artist' and the 'con game' film and discusses The Spanish Prisoner as a key example of the latterExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aestheticYannis Tzioumakis Lecturer in Media and Communication Studies at theUniversity of Liverpool |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
Beschreibung: | 1 Online-Ressource (168 Seiten) 11 B/W illustrations |
ISBN: | 9780748633708 |
DOI: | 10.1515/9780748633708 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047920838 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 220411s2022 |||| o||u| ||||||eng d | ||
020 | |a 9780748633708 |9 978-0-7486-3370-8 | ||
024 | 7 | |a 10.1515/9780748633708 |2 doi | |
035 | |a (ZDB-23-DGG)9780748633708 | ||
035 | |a (OCoLC)1312701366 | ||
035 | |a (DE-599)BVBBV047920838 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
100 | 1 | |a Tzioumakis, Yannis |e Verfasser |4 aut | |
245 | 1 | 0 | |a The Spanish Prisoner |c Yannis Tzioumakis |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2009 | |
300 | |a 1 Online-Ressource (168 Seiten) |b 11 B/W illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a American Indies : AMIN | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) | ||
520 | |a Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking withpersonal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques.This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry.Key FeaturesDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures ClassicsAssesses the position of David Mamet within American cinemaIntroduces the genre categories of the 'con artist' and the 'con game' film and discusses The Spanish Prisoner as a key example of the latterExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aestheticYannis Tzioumakis Lecturer in Media and Communication Studies at theUniversity of Liverpool | ||
546 | |a In English | ||
650 | 4 | |a Film, Media & Cultural Studies | |
650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
650 | 4 | |a Independent filmmakers |x United States | |
650 | 4 | |a Independent filmmakers |z United States | |
650 | 4 | |a Independent films |x History and criticism |x United States | |
650 | 4 | |a Independent films |z United States |x History and criticism | |
700 | 1 | |a Needham, Gary |e Sonstige |4 oth | |
700 | 1 | |a Tzioumakis, Yannis |e Sonstige |4 oth | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780748633708 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033302429 | ||
966 | e | |u https://doi.org/10.1515/9780748633708 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633708 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633708 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633708 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633708 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633708 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633708 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633708 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804183545968590848 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Tzioumakis, Yannis |
author_facet | Tzioumakis, Yannis |
author_role | aut |
author_sort | Tzioumakis, Yannis |
author_variant | y t yt |
building | Verbundindex |
bvnumber | BV047920838 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780748633708 (OCoLC)1312701366 (DE-599)BVBBV047920838 |
doi_str_mv | 10.1515/9780748633708 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04060nmm a2200553zc 4500</leader><controlfield tag="001">BV047920838</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220411s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748633708</subfield><subfield code="9">978-0-7486-3370-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748633708</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780748633708</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312701366</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047920838</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tzioumakis, Yannis</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Spanish Prisoner</subfield><subfield code="c">Yannis Tzioumakis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (168 Seiten)</subfield><subfield code="b">11 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">American Indies : AMIN</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking withpersonal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques.This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry.Key FeaturesDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures ClassicsAssesses the position of David Mamet within American cinemaIntroduces the genre categories of the 'con artist' and the 'con game' film and discusses The Spanish Prisoner as a key example of the latterExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aestheticYannis Tzioumakis Lecturer in Media and Communication Studies at theUniversity of Liverpool</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Independent filmmakers</subfield><subfield code="x">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Independent filmmakers</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Independent films</subfield><subfield code="x">History and criticism</subfield><subfield code="x">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Independent films</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Needham, Gary</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Tzioumakis, Yannis</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033302429</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633708</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047920838 |
illustrated | Illustrated |
index_date | 2024-07-03T19:33:40Z |
indexdate | 2024-07-10T09:25:09Z |
institution | BVB |
isbn | 9780748633708 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033302429 |
oclc_num | 1312701366 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (168 Seiten) 11 B/W illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | American Indies : AMIN |
spelling | Tzioumakis, Yannis Verfasser aut The Spanish Prisoner Yannis Tzioumakis Edinburgh Edinburgh University Press [2022] © 2009 1 Online-Ressource (168 Seiten) 11 B/W illustrations txt rdacontent c rdamedia cr rdacarrier American Indies : AMIN Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking withpersonal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques.This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry.Key FeaturesDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures ClassicsAssesses the position of David Mamet within American cinemaIntroduces the genre categories of the 'con artist' and the 'con game' film and discusses The Spanish Prisoner as a key example of the latterExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aestheticYannis Tzioumakis Lecturer in Media and Communication Studies at theUniversity of Liverpool In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Independent filmmakers United States Independent films History and criticism United States Independent films United States History and criticism Needham, Gary Sonstige oth Tzioumakis, Yannis Sonstige oth https://doi.org/10.1515/9780748633708 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Tzioumakis, Yannis The Spanish Prisoner Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Independent filmmakers United States Independent films History and criticism United States Independent films United States History and criticism |
title | The Spanish Prisoner |
title_auth | The Spanish Prisoner |
title_exact_search | The Spanish Prisoner |
title_exact_search_txtP | The Spanish Prisoner |
title_full | The Spanish Prisoner Yannis Tzioumakis |
title_fullStr | The Spanish Prisoner Yannis Tzioumakis |
title_full_unstemmed | The Spanish Prisoner Yannis Tzioumakis |
title_short | The Spanish Prisoner |
title_sort | the spanish prisoner |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Independent filmmakers United States Independent films History and criticism United States Independent films United States History and criticism |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Independent filmmakers United States Independent films History and criticism United States Independent films United States History and criticism |
url | https://doi.org/10.1515/9780748633708 |
work_keys_str_mv | AT tzioumakisyannis thespanishprisoner AT needhamgary thespanishprisoner |