Art cinema and neoliberalism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2020]
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| Schriftenreihe: | Global cinema
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 264 Seiten Illustrationen |
| ISBN: | 9783030610081 |
Internformat
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| 650 | 4 | |a Media and Communication | |
| 650 | 4 | |a Motion pictures | |
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Datensatz im Suchindex
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| adam_text | Contents 1 Introduction: Art Cinema and the Aesthetics of Crisis I Parti Costs of Neoliberalism 33 2 Poetics of Debt: Disruptive Realism in Bamako and The Headless Woman 37 Partii Politics of Neoliberalism 85 3 Crisis of Sovereignty: Anti-psychologism in Alps, Attenberg, Chevalier and Dogtooth 91 4 Return of the Oppressed: Complex Identification in A Separation 131 Partili Cultures of Neoliberalism 163 5 Political Exclusion and Cultural Difference: Challenging Objectivity in The Class and The Secret of the Grain 167 ix
X CONTENTS 6 Multiculturalism as Class Trauma: Antagonistic Authorship in Cachê, Code Unknown, Happy End and Time of the Wolf 7 Afterword Index
GLOBAL CINEMA Series Editors: Katarzyna Marciniak · Anikó Imre · Áine O Healy This is an important, urgent study, pursued with energy and acuity. Weilgrounded in both geopoiiticai contexts and critical theory, the book offers sharp and insightful analyses of art cinema from Mali, Argentina, Greece, Iran, and France. Always engaging and readable, this is an excellent resource for teaching and a vital contribution to our understanding of cinematic responses to neoliberalism. —Thomas Austin, University of Sussex, UK Timely and eminently readable, Art Cinema and Neoliberalism reinvigorates debate on art cinema s relationship to politics. Lykidis s incisive analyses of contemporary international art films animate the centrality of debt, disenfranchisement, racism, and anti-democratic policies to the 21st century formation of political film aesthetics. This book forms a major contribution to the emerging body of scholarship on the cinemas of economic crisis. —Rosalind Galt, King s College London, UK Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style
to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today s film auteurs. Alex Lykidis is Associate Professor of Film Studies in the English Department at Montclair State University, USA.
|
| adam_txt |
Contents 1 Introduction: Art Cinema and the Aesthetics of Crisis I Parti Costs of Neoliberalism 33 2 Poetics of Debt: Disruptive Realism in Bamako and The Headless Woman 37 Partii Politics of Neoliberalism 85 3 Crisis of Sovereignty: Anti-psychologism in Alps, Attenberg, Chevalier and Dogtooth 91 4 Return of the Oppressed: Complex Identification in A Separation 131 Partili Cultures of Neoliberalism 163 5 Political Exclusion and Cultural Difference: Challenging Objectivity in The Class and The Secret of the Grain 167 ix
X CONTENTS 6 Multiculturalism as Class Trauma: Antagonistic Authorship in Cachê, Code Unknown, Happy End and Time of the Wolf 7 Afterword Index
GLOBAL CINEMA Series Editors: Katarzyna Marciniak · Anikó Imre · Áine O'Healy "This is an important, urgent study, pursued with energy and acuity. Weilgrounded in both geopoiiticai contexts and critical theory, the book offers sharp and insightful analyses of art cinema from Mali, Argentina, Greece, Iran, and France. Always engaging and readable, this is an excellent resource for teaching and a vital contribution to our understanding of cinematic responses to neoliberalism." —Thomas Austin, University of Sussex, UK "Timely and eminently readable, Art Cinema and Neoliberalism reinvigorates debate on art cinema's relationship to politics. Lykidis's incisive analyses of contemporary international art films animate the centrality of debt, disenfranchisement, racism, and anti-democratic policies to the 21st century formation of political film aesthetics. This book forms a major contribution to the emerging body of scholarship on the cinemas of economic crisis." —Rosalind Galt, King's College London, UK Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style
to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today's film auteurs. Alex Lykidis is Associate Professor of Film Studies in the English Department at Montclair State University, USA. |
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| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
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| spelling | Lykidis, Alex ca. 20. Jh. Verfasser (DE-588)1235345572 aut Art cinema and neoliberalism Alex Lykidis Cham, Switzerland Palgrave Macmillan [2020] xii, 264 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Global cinema Geschichte 2000-2017 gnd rswk-swf Global Cinema and TV. Screen Studies Media and Communication Motion pictures Motion pictures and television Communication Kommunikation (DE-588)4031883-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Wirtschaftskrise Motiv (DE-588)7552007-2 gnd rswk-swf Neoliberalismus (DE-588)4171438-6 gnd rswk-swf Kapitalismus Motiv (DE-588)4221315-0 gnd rswk-swf Film (DE-588)4017102-4 s Kommunikation (DE-588)4031883-7 s Neoliberalismus (DE-588)4171438-6 s DE-604 Wirtschaftskrise Motiv (DE-588)7552007-2 s Kapitalismus Motiv (DE-588)4221315-0 s Geschichte 2000-2017 z Äquivalent Druck-Ausgabe, Hardcover 978-3-030-61005-0 Erscheint auch als Online-Ausgabe 978-3-030-61006-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033300285&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033300285&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Art cinema and neoliberalism |
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| title_full | Art cinema and neoliberalism Alex Lykidis |
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| title_full_unstemmed | Art cinema and neoliberalism Alex Lykidis |
| title_short | Art cinema and neoliberalism |
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