To see and be seen: the environments, interactions and identities behind news images
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Rowman & Littlefield International
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xix, 165 Seiten Illustrationen 24 cm |
| ISBN: | 9781538148020 9781786612816 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of figures ix Preface xi Acknowledgments xix 1 The Role of the Visual in Everyday Life Case Study: Jacob Riis and the Everyday Visual 1 Visual Representation Milestones through the Ages 3 Timeline of Visual Representation Milestones 11 Unpacking the Power and Unique Nature of Visuals 14 Making the Case for Studying Visuals and Their Production 15 1 2 An Exploration of Place and Space Case Study: Cameras in Court 17 Defining Place and Space 20 Social and Cultural Dimensions of Space 20 Gendered Spaces 21 Classed, Raced, Abled, and Sexualized Spaces 21 Ownership of and Access to Space 22 Privacy 22 Security and Safety 23 Distractions 23 Politics 24 Salient Characteristics of Space and Those Who Occupy It 24 Proximity 24 Elevation 25 Magnitude 25 Light 26 17 v
VI Contents Visual Meaning and the Presentation Environment 27 Insights from Visual Journalists on Place and Space 27 3 Self and Society Case Study: Visually Representing Individual and Collective Identity 33 Everyday Exposure to and Experience with Cameras and Those Who Operate Them 36 Photography, Technology, and the Relationship between Public and Private 37 Parsing Public and Private 38 Technological Convergence 40 Digital Dissemination and Disclosure 40 Empirical Insights from Private and Public Sphere Figures on Cameras and Those Who Operate Them 42 Perceptions of Cameras 43 Video as Intrusive 43 Accessibility and Ubiquity 44 Differences between Cameras and Human Vision 44 Images as Replacements for Text 45 Perceptions of Camera Operators 45 Disruptive 46 Affirmative 47 Primary Factors That Influence Perception 48 Attire and Remotely Operated Cameras 48 Equipment 49 Past Experience with Camera Operators 50 Credentials 50 Secondary Factors Influencing Perception 51 Influence of Convergence, Ubiquity, and Dissemination on the Social Landscape 52 Blurred Lines 52 Exposure in Public and How It Affects the Private 53 Cameras and the Nature of Experience 53 Increased Regulation of Technology 54 Meanings and Implications 54 4 Self and Psyche Case Study: Processing Emotions and Understanding Self through Photography 57 Identity and Self-Representation 60 Self-Presentation 61 Performativity 64
Contents vii Accuracy, Awareness, and Reactivity in Journalistic Contexts 65 Phenomenology and the Nature of Perception 67 Truth and Reality from a Phenomenological Standpoint 68 Perception 70 Social Influence 70 Empirical Insights on the Emotional Involvement Related to Image Production 70 Emotional Labor 71 Emotional Labor as Enhancement 72 Emotional Labor as Suppression 72 Meanings and Implications 73 5 Expectations and Attitudes Case Study: Momentary Interactions That Resulted in Monumental Icons 75 The Rise of the Freelancer 79 Attitudes toward/Perceptions of Journalists 80 Gaps in the Field of Media Studies 81 News Media Production Theory 81 Data Collection Site and Contextual Background 83 Participant Characteristics 88 Subjects’ Expectations 89 Blending into the Background 90 Interaction between Journalists and Subject(s) 90 Asking for Permission 91 Respecting Those They Photographed or Video-Recorded 91 Publishing Images Whenever Subject-Journalist Interaction Takes Place 92 Putting Subjects at Ease 92 Expectations Concerning the Postproduction Outcome 92 Rendering the Scene Accurately 93 Publishing Photos of Everyone Involved in Group Efforts 93 Postproduction Outlier Expectations 93 75 6 In Front of the Lens Case Study: A Longer and More Nuanced Visual Approach 95 Visual Journalists’ Motivations 99 The Experience of Being Photographed or Video-Recorded for Journalistic Purposes 101 The Nature of the Experience 101 Contact, Awareness, and Interaction 101 Event Structure and Interaction/Awareness 102 95
Contents Vlil Self-Regulation 103 Obtrusiveness and Presence of Others in the Frame 104 Personal Space 105 Positive Features of the Journalist-Subject Interaction 105 Resulting Image or Publicity 106 Friendliness of the Visual Journalist 106 Giving Guidance and Establishing Ground Rules 107 Lack of Awareness 107 Efficiency 108 Asking for Permission 108 Negative Features of the Journalist-Subject Interaction 108 Caption Errors 108 Who Was Depicted 109 Distracted by the Journalist 109 Disliked the Published Depiction 110 Initial and Post-Experience Reality 110 7 Toward Interactivity, Trust, and Responsibility Synthesis of the Findings: Imaging as a Corrective 117 Conceptual Linkages 119 Contrasting Expectations with Realities 119 Blending into the Background 121 Interaction between Visual Journalists and Those They Cover 121 Asking for Permission 122 Being Respectful 123 Rendering Subjects Accurately 125 Publishing Images When Journalist-Subject Interaction Takes Place 125 Featuring Everyone Involved in Group Projects 126 The Process versus the Outcome 127 N ature of Real ity 127 Fluidity of Perception 129 Gaps between Subject Expectations and Journalist Values 130 Toward Interactivity, Trust, and Responsibility 130 115 Notes 135 Bibliography 151 Index 163 About the Author 165
|
| adam_txt |
Contents List of figures ix Preface xi Acknowledgments xix 1 The Role of the Visual in Everyday Life Case Study: Jacob Riis and the Everyday Visual 1 Visual Representation Milestones through the Ages 3 Timeline of Visual Representation Milestones 11 Unpacking the Power and Unique Nature of Visuals 14 Making the Case for Studying Visuals and Their Production 15 1 2 An Exploration of Place and Space Case Study: Cameras in Court 17 Defining Place and Space 20 Social and Cultural Dimensions of Space 20 Gendered Spaces 21 Classed, Raced, Abled, and Sexualized Spaces 21 Ownership of and Access to Space 22 Privacy 22 Security and Safety 23 Distractions 23 Politics 24 Salient Characteristics of Space and Those Who Occupy It 24 Proximity 24 Elevation 25 Magnitude 25 Light 26 17 v
VI Contents Visual Meaning and the Presentation Environment 27 Insights from Visual Journalists on Place and Space 27 3 Self and Society Case Study: Visually Representing Individual and Collective Identity 33 Everyday Exposure to and Experience with Cameras and Those Who Operate Them 36 Photography, Technology, and the Relationship between Public and Private 37 Parsing Public and Private 38 Technological Convergence 40 Digital Dissemination and Disclosure 40 Empirical Insights from Private and Public Sphere Figures on Cameras and Those Who Operate Them 42 Perceptions of Cameras 43 Video as Intrusive 43 Accessibility and Ubiquity 44 Differences between Cameras and Human Vision 44 Images as Replacements for Text 45 Perceptions of Camera Operators 45 Disruptive 46 Affirmative 47 Primary Factors That Influence Perception 48 Attire and Remotely Operated Cameras 48 Equipment 49 Past Experience with Camera Operators 50 Credentials 50 Secondary Factors Influencing Perception 51 Influence of Convergence, Ubiquity, and Dissemination on the Social Landscape 52 Blurred Lines 52 Exposure in Public and How It Affects the Private 53 Cameras and the Nature of Experience 53 Increased Regulation of Technology 54 Meanings and Implications 54 4 Self and Psyche Case Study: Processing Emotions and Understanding Self through Photography 57 Identity and Self-Representation 60 Self-Presentation 61 Performativity 64
Contents vii Accuracy, Awareness, and Reactivity in Journalistic Contexts 65 Phenomenology and the Nature of Perception 67 Truth and Reality from a Phenomenological Standpoint 68 Perception 70 Social Influence 70 Empirical Insights on the Emotional Involvement Related to Image Production 70 Emotional Labor 71 Emotional Labor as Enhancement 72 Emotional Labor as Suppression 72 Meanings and Implications 73 5 Expectations and Attitudes Case Study: Momentary Interactions That Resulted in Monumental Icons 75 The Rise of the Freelancer 79 Attitudes toward/Perceptions of Journalists 80 Gaps in the Field of Media Studies 81 News Media Production Theory 81 Data Collection Site and Contextual Background 83 Participant Characteristics 88 Subjects’ Expectations 89 Blending into the Background 90 Interaction between Journalists and Subject(s) 90 Asking for Permission 91 Respecting Those They Photographed or Video-Recorded 91 Publishing Images Whenever Subject-Journalist Interaction Takes Place 92 Putting Subjects at Ease 92 Expectations Concerning the Postproduction Outcome 92 Rendering the Scene Accurately 93 Publishing Photos of Everyone Involved in Group Efforts 93 Postproduction Outlier Expectations 93 75 6 In Front of the Lens Case Study: A Longer and More Nuanced Visual Approach 95 Visual Journalists’ Motivations 99 The Experience of Being Photographed or Video-Recorded for Journalistic Purposes 101 The Nature of the Experience 101 Contact, Awareness, and Interaction 101 Event Structure and Interaction/Awareness 102 95
Contents Vlil Self-Regulation 103 Obtrusiveness and Presence of Others in the Frame 104 Personal Space 105 Positive Features of the Journalist-Subject Interaction 105 Resulting Image or Publicity 106 Friendliness of the Visual Journalist 106 Giving Guidance and Establishing Ground Rules 107 Lack of Awareness 107 Efficiency 108 Asking for Permission 108 Negative Features of the Journalist-Subject Interaction 108 Caption Errors 108 Who Was Depicted 109 Distracted by the Journalist 109 Disliked the Published Depiction 110 Initial and Post-Experience Reality 110 7 Toward Interactivity, Trust, and Responsibility Synthesis of the Findings: Imaging as a Corrective 117 Conceptual Linkages 119 Contrasting Expectations with Realities 119 Blending into the Background 121 Interaction between Visual Journalists and Those They Cover 121 Asking for Permission 122 Being Respectful 123 Rendering Subjects Accurately 125 Publishing Images When Journalist-Subject Interaction Takes Place 125 Featuring Everyone Involved in Group Projects 126 The Process versus the Outcome 127 N ature of Real ity 127 Fluidity of Perception 129 Gaps between Subject Expectations and Journalist Values 130 Toward Interactivity, Trust, and Responsibility 130 115 Notes 135 Bibliography 151 Index 163 About the Author 165 |
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| spelling | Thomson, T. J. Verfasser (DE-588)1203088612 aut To see and be seen the environments, interactions and identities behind news images T.J. Thomson London ; New York Rowman & Littlefield International [2019] xix, 165 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Bildpublizistik (DE-588)4212482-7 gnd rswk-swf Journalism, Pictorial Journalism / Social aspects Mass media / Social aspects Bildpublizistik (DE-588)4212482-7 s Fotografie (DE-588)4045895-7 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-1-78661-282-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033300276&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | To see and be seen the environments, interactions and identities behind news images |
| title_auth | To see and be seen the environments, interactions and identities behind news images |
| title_exact_search | To see and be seen the environments, interactions and identities behind news images |
| title_exact_search_txtP | To see and be seen the environments, interactions and identities behind news images |
| title_full | To see and be seen the environments, interactions and identities behind news images T.J. Thomson |
| title_fullStr | To see and be seen the environments, interactions and identities behind news images T.J. Thomson |
| title_full_unstemmed | To see and be seen the environments, interactions and identities behind news images T.J. Thomson |
| title_short | To see and be seen |
| title_sort | to see and be seen the environments interactions and identities behind news images |
| title_sub | the environments, interactions and identities behind news images |
| topic | Fotografie (DE-588)4045895-7 gnd Bildpublizistik (DE-588)4212482-7 gnd |
| topic_facet | Fotografie Bildpublizistik |
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