Inside Mahler's Second Symphony: a listener's guide
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| Format: | Buch |
| Sprache: | English |
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New York
Oxford University Press
[2022]
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| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xliii, 266 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780197575642 9780197575635 |
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| adam_text | Contents List ofFigures and Tables List ofMusic Examples List ofAudio Examples Acknowledgments Preface The Recording How to Use this Book About the Companion Website xi xiii xv xxi xxv xxxv xli xlv PART I: PRELIMINARIES 1. Setting the Stage for the Second Symphony A Young Conductor Comes to Leipzig Mahler’s Youth and Musical Education The Music of Mahler’s Student Years Vienna The First Symphony On to the Second Symphony Todtenfeier 3 3 5 9 11 14 17 18 PARTII: THE FIVE MOVEMENTS 2. The First Movement: Its Opening and a Two-Part Exposition The Opening: “A Dreadftilly Serious Voice” Articulates Existential Concerns Echoes of Beethoven Exposition (Part One) : The Impact of Traditional Sonata Form Exposition (Part Two): Intensification, Experimentation, and Quotation 25 3. The First Movement: Development and Recapitulation Development (Part One): Traditional Development and a Preoccupation with a Gentle Theme The Connection between Parts One and Two of the Development: The Rhetoric of Antithesis Musical Keys and the Emotions Development (Part Two): Explosion, an Enigmatic Motive, and a Parade of Quotations 42 25 30 32 35 42 48 50 52
viii CONTENTS Recapitulation: Conventional Return and an Ominous Synopsis Mahler Suspends Work on the Second Symphony 60 63 4. The Second Movement Mahler Returns to Composing Songs: Des Knaben Wunderhorn ( Youths Magical Horn) Cognitive Fatigue Two Themes Sketched Earlier are Incorporated into a New Movement Theme One: One of the Melodies Conceived Five Years Earlier Theme Two: A Restless Theme in the Minor Mode (also from 1888) First Variation of Theme One: An Expressive Countermelody is Added First Variation of Theme Two: A Variation Becomes Developmental Second Variation of Theme One: A Climactic Moment Mahler’s Misgivings about the Second Movement 66 66 68 70 71 71 72 73 74 77 5. A Song Serves as a Study for the Third Movement A Frenzy of Compositional Activity The Legend of St. Anthony Preaching to the Fish Mahler Seeks to Realize the Spirit and Essence of the St. Anthony Poem Mahler Considers the Form ofhis Poem The Critical Role of the Piano 81 81 83 87 91 108 6. The Third Movement: Scherzo and Trio The Form of the Movement A Song without Words for Two Categories of Listeners The First Iteration of the Scherzo: The St. Anthony Song without Words The Trio: Beethoven Addressed Once Again Hans Rott The Trio Continues First Return of the Scherzo The Second Trio The Final Section of the Movement 109 109 110 7. The Fourth Movement: “Urlicht” Another Song from Des Knaben Wunderhorn The Poem: A Private Prayer at the Deathbed The Music: A Devotional Tone and an Anomalous Intensification The Contralto Soloist: Maureen Forrester The Role of “Urlicht” in the Symphony 135 135 136
138 147 149 8. How to Complete the Symphony Keeping the Finale in Mind An Epiphany An Alternative View of the Epiphany 151 151 152 155 111 117 120 123 125 127 130
CONTENTS ІХ 9. The Last Movement, Part 1 : References to Judgment and the Airing of Themes A Return of the Orchestral Scream Symbols of Judgment Drawn from the Jewish Liturgy A Promissory Note Symbols of Judgment Drawn from the Christian Liturgy More about an Old Enigma Back to Christian Judgment Is this an Exposition ? 158 158 161 164 165 167 168 169 10. The Last Movement, Part 2: Judgment in Action, Musical Development, and Some Continuing Enigmas And the Dead Shall Rise An Apocalyptic March A Chromatic and Sensual Passage Returns Intensified Frantic Preparation for an Ominous Return A Harbinger of Immortality Expanded Is This a Development Section? Pressing Questions that Still Remain Unanswered 171 171 175 179 182 183 184 184 11. The Last Movement, Part 3: Collapse, Climactic Resolution, a Stunning Reversal, and Celebration Apocalyptic Judgment Again Climactic Resolution: The First Verse of the Klopstock Chorale First Instrumental Interlude and the Second Verse of the Klopstock Chorale A Critical Pivot A Stunning Reversal What Just Happened? A Celebration of Love A Celebration of Eternal Life 186 186 189 192 193 195 199 201 204 APPENDICES Appendix 1 The Formal Templatefor the First Movement: Sonata Form Tonality Binary Form Simple Binary Form Rounded Binary Form Sonata Form Appendix 2 Second-Movement Forms Abridged Sonata Form Theme and Variations Alternating Variation Form 209 209 210 211 213 214 219 219 219 221
X CONTENTS Appendix 3 The Origins, Character, and Form of the Scherzo The Nature of the Four-Movement Symphonic Cycle Minuet and Trio Beethoven and the Emergence of the Scherzo Appendices 4A-E Complete Performances ofEach Movement Appendix 4A: First Movement: Allegro Maestoso (Todtenfeier) Appendix 4B: Second Movement: Andante moderato Appendix 4C: Third Movement: Im ruhig fliessender Bewegung (Scherzo and Trio) Appendix 4D: Fourth Movement: “Urlicht” Appendix 4E: Fifth Movement: Im tempo des Scherzos (in three parts) Glossary Bibliography General Index Index ofReferences to Musical Works by Gustav Mahler 225 225 225 226 229 231 235 237 239 241 245 253 259 263
List of Figures and Tables Figures P. 1 An eleven-year-old percussionist in Liverpool xxv P.2 The same musician some years later xxvi R. 1 Mahler strolling in the streets of Prague with Bruno Walter (1908) xxxviii 1.1 A view of the Neues Stadttheater in Leipzig designed by Karl Ferdinand Langhans 4 1.2 The Mahler home in Kalischt from a postcard in the Wien Museum 5 1.3 The Conservatory of Music in Vienna, housed in the Society ofthe Friends ofMusic ( Gesellschaft der Musikfreunde) 8 1.4 Siegfried Lipiner s translation of the poetic works of Adam Mickiewicz: The title page of Volume 2, from a copy in the Biblioteca Albertina, Universitätsbibliothek Leipzig, Lit.slav.38-x: 2 19 2.1 Mahler conducting Beethoven’s Ninth Symphony in the Palais des Fêtes in Strassburg (1905) 31 3.1 Siegfried awakens Brünnhilde, from a painting by Otto Donner von Richter, engraved by Richard Bong 54 3.2 Hans von Bülow ( 1830֊ 1894), a postcard published by Breitkopf Härtel in Leipzig between 1880 and 1894 64 4.1 The title page of Des Knaben Wimderhorn 67 5.1 St. Anthony Preaching to the Fish. Painting on tile in the Sé Cathedral in Lisbon 84 5.2 The opening of the St. Anthony poem as it appears in the 1806 edition of Des Knaben Wunderhorn, p. 347 92 6.1 A photograph of Hans Rott (1858-1884) 121 7.1. Rembrandt van RijnJacob Wrestling with the Angel 143 8.1 Friedrich Klopstock in a print by Lazarus Gottlieb Sichling 153 9.1 Ashofar 162 10.1 The Day ofJudgment by Joos van Cleve 176 11.1 An illumination from Bamberg, Staatsbibliothek, MS Mse. Bibi. 140 (the Bamberg Apocalypse), fol. 19v 188
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Contents List ofFigures and Tables List ofMusic Examples List ofAudio Examples Acknowledgments Preface The Recording How to Use this Book About the Companion Website xi xiii xv xxi xxv xxxv xli xlv PART I: PRELIMINARIES 1. Setting the Stage for the Second Symphony A Young Conductor Comes to Leipzig Mahler’s Youth and Musical Education The Music of Mahler’s Student Years Vienna The First Symphony On to the Second Symphony Todtenfeier 3 3 5 9 11 14 17 18 PARTII: THE FIVE MOVEMENTS 2. The First Movement: Its Opening and a Two-Part Exposition The Opening: “A Dreadftilly Serious Voice” Articulates Existential Concerns Echoes of Beethoven Exposition (Part One) : The Impact of Traditional Sonata Form Exposition (Part Two): Intensification, Experimentation, and Quotation 25 3. The First Movement: Development and Recapitulation Development (Part One): Traditional Development and a Preoccupation with a Gentle Theme The Connection between Parts One and Two of the Development: The Rhetoric of Antithesis Musical Keys and the Emotions Development (Part Two): Explosion, an Enigmatic Motive, and a Parade of Quotations 42 25 30 32 35 42 48 50 52
viii CONTENTS Recapitulation: Conventional Return and an Ominous Synopsis Mahler Suspends Work on the Second Symphony 60 63 4. The Second Movement Mahler Returns to Composing Songs: Des Knaben Wunderhorn ( Youths Magical Horn) Cognitive Fatigue Two Themes Sketched Earlier are Incorporated into a New Movement Theme One: One of the Melodies Conceived Five Years Earlier Theme Two: A Restless Theme in the Minor Mode (also from 1888) First Variation of Theme One: An Expressive Countermelody is Added First Variation of Theme Two: A Variation Becomes Developmental Second Variation of Theme One: A Climactic Moment Mahler’s Misgivings about the Second Movement 66 66 68 70 71 71 72 73 74 77 5. A Song Serves as a Study for the Third Movement A Frenzy of Compositional Activity The Legend of St. Anthony Preaching to the Fish Mahler Seeks to Realize the Spirit and Essence of the St. Anthony Poem Mahler Considers the Form ofhis Poem The Critical Role of the Piano 81 81 83 87 91 108 6. The Third Movement: Scherzo and Trio The Form of the Movement A Song without Words for Two Categories of Listeners The First Iteration of the Scherzo: The St. Anthony Song without Words The Trio: Beethoven Addressed Once Again Hans Rott The Trio Continues First Return of the Scherzo The Second Trio The Final Section of the Movement 109 109 110 7. The Fourth Movement: “Urlicht” Another Song from Des Knaben Wunderhorn The Poem: A Private Prayer at the Deathbed The Music: A Devotional Tone and an Anomalous Intensification The Contralto Soloist: Maureen Forrester The Role of “Urlicht” in the Symphony 135 135 136
138 147 149 8. How to Complete the Symphony Keeping the Finale in Mind An Epiphany An Alternative View of the Epiphany 151 151 152 155 111 117 120 123 125 127 130
CONTENTS ІХ 9. The Last Movement, Part 1 : References to Judgment and the Airing of Themes A Return of the Orchestral Scream Symbols of Judgment Drawn from the Jewish Liturgy A Promissory Note Symbols of Judgment Drawn from the Christian Liturgy More about an Old Enigma Back to Christian Judgment Is this an Exposition ? 158 158 161 164 165 167 168 169 10. The Last Movement, Part 2: Judgment in Action, Musical Development, and Some Continuing Enigmas And the Dead Shall Rise An Apocalyptic March A Chromatic and Sensual Passage Returns Intensified Frantic Preparation for an Ominous Return A Harbinger of Immortality Expanded Is This a Development Section? Pressing Questions that Still Remain Unanswered 171 171 175 179 182 183 184 184 11. The Last Movement, Part 3: Collapse, Climactic Resolution, a Stunning Reversal, and Celebration Apocalyptic Judgment Again Climactic Resolution: The First Verse of the Klopstock Chorale First Instrumental Interlude and the Second Verse of the Klopstock Chorale A Critical Pivot A Stunning Reversal What Just Happened? A Celebration of Love A Celebration of Eternal Life 186 186 189 192 193 195 199 201 204 APPENDICES Appendix 1 The Formal Templatefor the First Movement: Sonata Form Tonality Binary Form Simple Binary Form Rounded Binary Form Sonata Form Appendix 2 Second-Movement Forms Abridged Sonata Form Theme and Variations Alternating Variation Form 209 209 210 211 213 214 219 219 219 221
X CONTENTS Appendix 3 The Origins, Character, and Form of the Scherzo The Nature of the Four-Movement Symphonic Cycle Minuet and Trio Beethoven and the Emergence of the Scherzo Appendices 4A-E Complete Performances ofEach Movement Appendix 4A: First Movement: Allegro Maestoso (Todtenfeier) Appendix 4B: Second Movement: Andante moderato Appendix 4C: Third Movement: Im ruhig fliessender Bewegung (Scherzo and Trio) Appendix 4D: Fourth Movement: “Urlicht” Appendix 4E: Fifth Movement: Im tempo des Scherzos (in three parts) Glossary Bibliography General Index Index ofReferences to Musical Works by Gustav Mahler 225 225 225 226 229 231 235 237 239 241 245 253 259 263
List of Figures and Tables Figures P. 1 An eleven-year-old percussionist in Liverpool xxv P.2 The same musician some years later xxvi R. 1 Mahler strolling in the streets of Prague with Bruno Walter (1908) xxxviii 1.1 A view of the Neues Stadttheater in Leipzig designed by Karl Ferdinand Langhans 4 1.2 The Mahler home in Kalischt from a postcard in the Wien Museum 5 1.3 The Conservatory of Music in Vienna, housed in the Society ofthe Friends ofMusic ( Gesellschaft der Musikfreunde) 8 1.4 Siegfried Lipiner s translation of the poetic works of Adam Mickiewicz: The title page of Volume 2, from a copy in the Biblioteca Albertina, Universitätsbibliothek Leipzig, Lit.slav.38-x: 2 19 2.1 Mahler conducting Beethoven’s Ninth Symphony in the Palais des Fêtes in Strassburg (1905) 31 3.1 Siegfried awakens Brünnhilde, from a painting by Otto Donner von Richter, engraved by Richard Bong 54 3.2 Hans von Bülow ( 1830֊ 1894), a postcard published by Breitkopf Härtel in Leipzig between 1880 and 1894 64 4.1 The title page of Des Knaben Wimderhorn 67 5.1 St. Anthony Preaching to the Fish. Painting on tile in the Sé Cathedral in Lisbon 84 5.2 The opening of the St. Anthony poem as it appears in the 1806 edition of Des Knaben Wunderhorn, p. 347 92 6.1 A photograph of Hans Rott (1858-1884) 121 7.1. Rembrandt van RijnJacob Wrestling with the Angel 143 8.1 Friedrich Klopstock in a print by Lazarus Gottlieb Sichling 153 9.1 Ashofar 162 10.1 The Day ofJudgment by Joos van Cleve 176 11.1 An illumination from Bamberg, Staatsbibliothek, MS Mse. Bibi. 140 (the Bamberg Apocalypse), fol. 19v 188 |
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| spelling | Bernstein, Lawrence F. 1939- Verfasser (DE-588)1045007684 aut Inside Mahler's Second Symphony a listener's guide Lawrence F. Bernstein New York Oxford University Press [2022] © 2022 xliii, 266 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Mahler, Gustav 1860-1911 Sinfonien Nr. 2 (DE-588)300098014 gnd rswk-swf Mahler, Gustav 1860-1911 Sinfonien Nr. 2 (DE-588)300098014 u DE-604 Erscheint auch als Online-Ausgabe 978-0-19-757565-9 Erscheint auch als Online-Ausgabe 978-0-19-757567-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033294514&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Inside Mahler's Second Symphony a listener's guide |
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| title_full | Inside Mahler's Second Symphony a listener's guide Lawrence F. Bernstein |
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