Projecting Russia in a mediatized world: recursive nationhood
This book presents a new perspective on how Russia projects itself to the world. Distancing itself from familiar, agency-driven International Relations accounts that focus on what 'the Kremlin' is up to and why, it argues for the need to pay attention to deeper, trans-state processes over...
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| Format: | Book |
| Language: | English |
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London ; New York
Routledge
2022
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| Series: | BASEES/Routledge Series on Russian and East European Studies
147 |
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| Online Access: | Inhaltsverzeichnis Register // Gemischte Register |
| Summary: | This book presents a new perspective on how Russia projects itself to the world. Distancing itself from familiar, agency-driven International Relations accounts that focus on what 'the Kremlin' is up to and why, it argues for the need to pay attention to deeper, trans-state processes over which the Kremlin exerts much less control. Especially important in this context is mediatization, defined as the process by which contemporary social and political practices adopt a media form and follow media-driven logics. In particular, the book emphasizes the logic of the feedback loop or 'recursion', showing how it drives multiple Russian performances of national belonging and nation projection in the digital era. It applies this theory to recent issues, events, and scandals that have played out in international arenas ranging from television, through theatre, film, and performance art, to warfare |
| Item Description: | Im Buch fälschl. als Vol. 12 |
| Physical Description: | ix, 197 Seiten |
| ISBN: | 9781032201221 9780367263904 |
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Contents viii Acknowledgements Introduction 1 2 3 4 5 6 1 Well-mannered aliens brandishing new truths: Putin’s ‘Polite Green Men’ and the (non)-occupation of Crimea 31 Projecting Russia on the global stage: international broadcasting and recursive nationhood 48 A little girl dreams of Kiev: projection as abjection, the invalid nation, and Russia’s 2017 Eurovision (non)-performance 73 Film narrative and cultural diplomacy: the (not so) peculiar cases of Ovsianki and Belyi Tigr 97 Double agents: Russia’s intercultural mediators and the articulation of the global 123 Pussy Riot goes West: re-staging the new Gulag for a global audience 146 In place of a conclusion: it is nationhood! Index 168 191
Index abjection 75; projection as 87-90 Academy Awards see Oscars, the aesthetic: aesthetic idioms 115; aesthetics of authenticity 174, 185; anti-aesthetic 127-128, 142; art-house aesthetic 104-105,107,113; epic-realist aesthetic 104; New Drama aesthetic 151-164; performative aesthetic 172; retroaesthetic 124; shock aesthetics 149; stiob aesthetic 150, 162-163; world cinema aesthetic 109,113 agency 1, 4-5,20, 24,67-68,105,168; agency/structure 1,4-5,14, 20, 168; counter-agency 1; double agency 67, 125, 129, 137, 141-142; of states 36, 103, 187 Alekhina, Mania (Masha) ix, 42, 60, 147-154, 157-159, 163 Aleksievich, Svetlana 175 AI Jazeera 52,59 allegory 79-80,106,181; allegorization 111 alterity see otherness Anderson, Benedict 49 annexation 24,31-34, 37, 39-41, 53, 58-59, 73, 76, 97-98,151, 169; see also Crimea; Ukraine Assange, Julian 48, 52, 55, 57, 63 assemblages 4, 20,26, 32-33,35, 41 -42, 44-45, 164, 168 audiences 6,17,20,23,48-53, 55, 59, 63, 66, 85, 98, 101,104, 108,110,115, 117, 123, 134-135, 149, 152, 171, 175; audience communities 69; audience constituencies 52, 56, 67, 99; Chernobyl audiences 178-182, 185-186; cinema audiences 128; domestic audiences 23, 32, 99-100,105-106,109, 111, 114,127; Eurovision audiences 76, 82-83, 85; global audiences 18, 48; international audiences 50, 69, 98-100, 103, 105, 109-110, 113-114; participatory audiences 21,173; Pussy Riot audiences 149-158, 162-165, 170; RT audiences 42-43, 57-59,64; Russian media audiences 34; Russian television audiences 22, 85 authoritarianism 1, 50,148; neo authoritarianism 33, 97-99, 103, 115 Bakhtin,
Mikhail 8-10,40, 53 Bauman, Zygmunt 12-13, 171-172 BBC 2, 24, 31, 36, 52, 56, 58-59, 63-66, 76, 82, 102, 184; BBC Monitoring 174; BBC World Service 3, 19, 48,60, 65 Belarus Free Theatre (BFT) 148-149, 151-152, 157-158, 164 Bhabha, Homhi 8, 154 blockbuster 18; war blockbusters 99, 104; White Tiger as 110 blogs 139; bloggers 34, 36-38,40, 58 Bolsheviks 63, 107, 155; see also revolution of 1917 Borenstein, Eliot 75, 87,92-93, 147, 163-165, 172 Breitbart News 44, 66 Brexit 12, 24, 44 Britain 56, 105, 125, 130-131; Global Britain 12 British Council 2,102 broadcasters 6,20,22,44,48-50, 54,63-64,67,69,74; European Broadcasters’ Union (EBU) 74; international broadcasters 49; mainstream broadcasters 44; public service broadcasters (PSBs) 172; state-aligned broadcasters 22-24, 48, 50, 52, 65 Brubaker, Rogers 75 ‘Burning Doors’ 149-155,163
192 Index capitalism 165,170,186; global capitalism 57, 100, 124,140 Castells, Manuel 3 causality 10, 12-13 censorship 6, 22, 58,151, 178 centre-periphery relationships 2, 62, 127 Chadwick, Andrew xii, 4, 7, 19, 32, 35 Chernobyl (HBO series) 173-187; Chernobyl (site of the nuclear disaster) 174-175, 177-178. 180-186 CIA 64, 67,174,178 cinema: American cinema 124; art-house cinema 99, 101; cinematic modality 26,170; cinematic nationhood 99, 103; cinematic texts 102, 115; and cultural diplomacy 98-99,101,103, 146; and culture 116; European cinema 102; global cinema 100-101; and mediatization21; national cinema 101; and nation branding 97; Russian cinema 24, 105-106,124, 146,184; and soft power 114; state-sponsored cinema 98, 101; transnational cinema 101, 116; world cinema 104,109,113; see also film CNN44,51,67 Cold War 2-3, 49-50, 52, 54, 60, 64, 67, 97, 102, 113,124,151, 181,184-187; New Cold War 2, 15-16, 51, 55, 74, 125, 174-175, 184, 187 commodification 24,129,134, 137, 154-155, 163, 180, 186; and film 129, 134; global commodification 129, 140-141; logic of 136, 140, 142; and mediatization 123,153,170; neoliberal commodification 25, 135-136, 142-143; of protest 157-158 communications environment 1, 23; digital communications environment 170; global communications environment 68, 113, 168; Russian-speaking communications environment 44 communism 48,118,137, 174, 181, 187; post-communism 3, 171, 174,184 Confucius Institute 2, 102 conspiracy theories 2,44, 51, 59, 66,90, 101,136;andRT65 contingency 8,10,11, 19,108, 154, 162; and recursion 10-11, 15 cosmopolitanism 14,21,24,
49-50, 52-53, 55, 59-60, 69, 123-126, 132, 135, 137, 139-142. 149, 152, 154, 169, 172,186 Cossacks 53, 60-61, 66,69 counter-hegemony: counter-hegemonic 18, 55, 57, 102-103 Crimea 16,21, 24-25, 31-33, 35-39, 41-43, 45-48, 53, 57-58, 60, 66, 73-74, 76, 80-81, 83, 87, 90-91, 97-98, 117, 151,169; .wato annexation; Ukraine cultural diplomacy 2-3, 13,16-19,24,26. 50,73, 84,91,172; and film 97-118, 124,146; see also soft power cultural memory 106 cultural studies 17-18, 102, 170 cyberwarfare 181; see also hybrid warfare; information war Dayan, Daniel and Elihu Katz 62, 74; see also media, media events Derrida, Jacques 69 dialogism 8,9, 14, 20, 37,43-44, 68,109, 114,138,150 diasporas 19, 50,63,130, 133-134. 137, 142, 169 digital democracy 23 diplomacy see cultural diplomacy; public diplomacy disinformation 6, 33, 43, 53-54, 65. 67, 179,181,184-185 Disney 184-186 Donbass 86-87, 91 Dostoevsky, Fedor ix, 152-153; The Brothers Karamazov 153; The Idiot 153 double agency see agency double-voicedness 32, 34, 39, 66, 82; see also Bakhtin, Mikhail Dozhd’TV 48-49 EBU (European Broadcasters’ Union) 76. 79,81-83,91-92 echo chambers 65 Edinburgh Festival 157-158 empire 12,20,118,152; cultural imperialism 17, 102; imperialism 40,49, 66, 110, 117, 150, 152,154, 163, 184; post-imperial identities 117, 184; post imperialism 11, 17, 76, 102,110, 113, 117,185; imperial narrative 110, 113; imperial trace 110 Enfants Terribles 149, 155 Englishness 131,133-134 Eurasianism 110, 169 Europe 17, 23,62, 69, 73-74, 78, 82, 84, 87,112,151; European cinema 102,
Index 106-107; European identity 76, 86-87, 89-90,93; European values 56, 81, 83 -84,91 Eurovision 2, 16,24, 26, 73-97 event-ness 11, 62 Facebook 34-35, 160-161, 165 fake news 24,44, 53, 65-68, 184; see also disinformation; post-truth Fedorchenko, Aleksei 105-106, 108-111 feedback 10,19; feedback loops i, 52-53,69, 113-114,168; feedback mechanisms 18; see also recursion fetishization 180-182,185 film 97-123, 143; see also cinema Fiske, John 74 foreignization/domestication (translation strategies) 179-180 Foucault, Michel 152,154 free speech 49, 55, 59-60,156 gender 7,76,84, 156 general and particular 15, 80; see also universalism geopolitics 18, 76,110, 184; popular geopolitics 24,26 glasnost 126, 178,185 globalization 7,12-13,18,49,142,171; global celebrities 154,158; global connectivity 49,64, 69,101, 114; global discourses 52; global media 15-16, 21, 33,52, 58,61, 64,67,123,170, 172-173; global networks 57; global Russia 159; global Russians 125, 132, 135, 137-139,142; global television industry 176; see also capitalism Gorbachev, Mikhail 2, 49,174-175, 178 Great Patriotic War 104-105. 110, 112-114,170 Guardian, The, 158 Gulag 146, 152, 154-155, 157-158, 163, 170 Heavenly Policeman 160-162; The Policeman Enters the Game 163 Holland, Agnieszka 184-185 Hollywood 11, 17,101-102, 113,124, 128-129, 142,176,181 Holodomor 184 horror genre 181-182 Hui, Yuk 8,10-11 humanities viii, 8,17, 21 hybrid warfare 3,16, 31,33, 35, 41, 43, 51 193 identity 10,20, 32,34-37, 42-43, 55-56, 62,66, 88-89, 93, 125,138, 140-142, 147, 161, 175, 186; identity discourses 172; identity enactment 87;
identity formation 74, 87; identity politics 18; identity positions 84; recursive identity 87; see also nations, national identity Idov, Mikhail 124-125,130, 137, 169 imaginary, the 11, 75, 90. 92-93, 103, 133, 159, 172, 180 impartiality 49,64-65, 73, 82, 86 information war 1, 3, 15, 17-18,44, 51-54, 63, 65,68-69, 77,83,93,170 Inside Pussy Riot 149-150, 155, 157, 163-164 instrumentalism 1, 4, 24, 68,100; linear instrumentalism 3, 43,67, 98 intelligentsia 21, 48 intercultural dialogue 18,115; intercultural mediation 26, 67, 116, 123-124, 130, 137-138, 142,146, 169, 172; intercultural understanding 115 international relations (IR) i, 1, 21, 79. 102, 170 intertextuality/intertexts 98, 107-108 Jameson, Fredric 90 journalism viii, 15,22-24, 58; embedded journalism 3 Kerry, John 50 KGB 133, 174 Kiev 31-32, 35,40-41, 56, 73-93 Kobzon, Iosif 82, 91 Konchalovsky, Andrei 100, 123-129, 142-143, 169-170 Kremlin i, 1-2,15, 21-23,32-34, 36-37, 39-43, 50-51, 56, 58, 67,69, 75, 82, 84,92, 97-98,100-101,106, 148,161, 168-169,179 Kristeva, Julia 75, 87-90 Lacan, Jacques 11, 73,93 Laclau, Ernesto and Chantal Mouffe 56 Legasov, Vasilii 175,177-178,183,185 Lenin, Vladimir 62,101, 157, 169, 187 Leviathan (film) 97-98, 100-101, 103-106, 114-118, 123 LGBT issues 53-55, 57, 69,149 liberalism 21-23, 33, 48, 55, 61, 82, 84, 86,92,139-141,147, 157,165; liberal democracy 2, 50, 63; liberal democratic order 169
194 Index linearity 43-44, 66-67; linear communication 17, 103; linear diplomacy 98, 103, 123; linear disinformation 33; linear history 12; linear instrumentality 3,43; linear intentionality 15; linear models 18; linear soft power 114; linear time 116; linear warfare 35,69, 187; see also agency liquid modernity 12-13,171-172 Lithuania 174, 179-180, 184 Little Green Men 24,26, 32-39,41, 43, 66, 74,168 Litvinenko, Aleksandr 52 London 52,68,124-125, 129-135, 137, 141, 143 Londongrad 124, 129-137, 170 loops i, 53, 93,113, 169; looping 93; recursive looping 8-11; see also feedback Luzhniki stadium 150, 159,163 Malakhov, Andrei 78, 82, 89 market logic 6,43, 100 Martin, Abby 57-60, 67 Martin-Barbero, Jesus 136 Mazin, Craig 175-176, 185 media: digital media 5, 43, 68-69; global media 15-16, 19, 53, 61, 123, 142,170-173,176; hybrid media 32; mainstream media 2,44, 52, 54, 57, 59, 66-67,169; media actors 7, 42, 52, 61,68, 82,113; media affordances 170; media assemblages 26, 33, 35, 39, 44, 164; media-centricity 61; media content 5,49; media cultures 51; media discourse 83-84; media ecology 7, 52, 64, 68; media ecosystem 54; media environment 21, 32,43, 48-49, 51, 67, 69,142; media events 3, 16, 25-26,63, 73-75,91-92; media flows 123, 129; media forms 3; media kit 139-143; media landscape 21-22, 50, 64, 67, 137; media logics i, 4, 6; media narratives 63; media outlets 34, 58, 62, 66-67, 74, 139; media outputs 3,49; media platforms 4, 57; media practices 187; media recursions 9; media spaces 53, 139; media studies 12, 18; media technologies 6; media texts 7, 12; media tropes; multi-
media projects 67,138; and nations 14-15, 52; new media 4, 7, 49-50; screen media 1; social media 4, 6,19, 21-22, 25, 33-34,42, 44, 51, 54, 59, 81,160-161,174,176; state media 35-36, 56, 62, 74, 80, 83-84,91,159; Western media 37, 41, 55, 146-147; see also audiences; mediatization mediation91, 111, 115, 131,133-134, 142, 147, 149-150, 156-157, 161,177; the mediated centre 62 mediatization i, 1-6,10-11,13,15, 19,21,24-25, 31-33, 35,38-39,41, 44,114,118,128,141,150,159,168, 170,172, 183; deep mediatization 9, 12, 123,172 Medinskii, Vladimir 97-98; see also Ministry of Culture melodrama 85-86,93, 130,135 memes 33, 36-38, 69, 85; global memes 67 metatextuality 80; metanarratives 54,179, 182,184; meta-theatricality 156; see also narratives Mikhalkov, Nikita 40, 100-101,117 miniseries 173-177, 179, 183-184 Ministry of Culture 101, 105, 114-117, 123,147 mirror stage, the 93 mise en abvme 8, 162 modality 26,99, 104,109,112-114,116, 130,137,170; modalization 53,64 Moebius strip 92-93 Moscow 2,22, 25,31, 38, 60-61,66,100. 132-133,135-137,141, 146,151-152, 159, 184 Mr Jones (film) 184-185 myth 44,78-79, 84, 157, 161, 184; mythologisation 33, 37, 39, 111; mythology 37, 43-44,64,137, 155, 170; war mythology 100, 104-105, 111-114,118 narration 99, 104-105, 107, 109, 112-113 narratives 1, 6, 59,63-64, 77-78,84,93. 97, 126,136-137,152, 157,161,173, 175-176, 182, 184-185; anti-narratives 126,128; counter narratives 21, 54; film narrative 97-118; media narratives 63; narrative perspective 104, 112; narrative structure 26; narrative trajectories 137, 185; narrative viewpoint 114; national
narratives 11, 39, 69, 104,114, 184, 186; official narratives 22,42; strategic narratives 4, 43, 63, 91; see also metanarratives nationalism 12, 14,16,40, 45, 50,137, 151,172,175; banal nationalism 8,15
Index nationhood 7, 8,10-13,15, 19-21, 43, 44,49, 56-57, 61, 69,92, 98,100, 104, 110,113-115,123, 129,133,136-138, 146, 150, 154, 157, 161, 168-175, 176, 186; see also recursion, recursive nationhood nations: and media 14-15, 31; national boundaries 63, 69, 176; national identity 1, 7,11, 16-17,20, 24-25, 32, 41, 44, 52, 56-57, 60, 76, 83, 91, 99, 105, 110, 115, 117, 129, 140-142, 184; national selfhood 8; nation branding 17-18, 97, 102; nation building 3, 6,16, 20, 31, 39, 41, 44, 57, 62, 69, 98-99, 101,129, 159, 162, 184, 186; nation projection i, 3, 16,44, 52, 54-55, 69, 73-93, 98-99,113-114, 150, 154, 173, 175; nation states 3-4, 7,13-14,18-20, 24, 68, 98, 113-114, 116,146,171-172, 186; and recursion 10, 20,31,69 neoliberalism 12, 25, 45, 48-50, 56, 125, 135-136, 142-143, 169, 174 network society 3, 139, 142 New Drama (novata drama) 151,164 news: global news 50, 57-58; news agendas 44, 52, 58, 65; news bulletins 75,48, 81, 83; news media landscape 151; news reports 34, 59, 92; news stories 66, 77; see also fake news NTV 173-174 nuclear disasters 173,175-176,178, 185; nuclear reactors 173-174, 176, 178-180,182; see also Chernobyl (site of the nuclear disaster) Nye, Joseph 3, 101-102, 116 online age 2,126; online animations 18; online bloggers 168; online campaigns 50; online communications 6, 48; online communities 7, 58, 81, 93, 125; online debates 176; online discourse 39, 41; online gaming 59, 64; online hacking 132; online memes 35-37; online mythology 37; online networks 49; online outlets 44; online platforms 2; online practices 24; online profiles 34; online
publics 3; online rumours 162; online sources 36; online space 6, 21-22, 40, 49, 92; online technologies 16, 48; online videos 38, 40; online world 39, 42, 59, 61 Orthodoxy 17, 41, 61, 107, 146-147, 149, 169; the Orthodox Church 56,116, 127 195 Oscars, the 97-101, 104-105, 114, 116-117, 169; see also Academy Awards otherness 8, 11, 18-19, 89-90, 130, 172, 183; constitutive other 88 parrhesia 146 patriotism 38, 40, 44, 52-53, 58, 75, 92, 101, 105, 108, 111, 113, 141, 162, 182; official patriotism 129, 136, 177 Pavlenskii, Piotr 149, 151-153, 155 perestroika 2, 176, 185 performance: as art i, 21, 41-42, 60-61, 73-74, 77, 81-82, 84-85, 90-91, 146-150, 152-153, 155-165, 173, 183; as performativity 9, 20, 25, 44. 57, 61-62, 68,102,114, 173 Poklonskaia, Natal’ia 40 Polite People 33, 35-45, 69, 169, 171 political correctness 86, 92 Pomerantsev, Peter 59, 64, 172 popular culture 18-19, 21, 37,162 populism 2, 21, 44-45, 50, 52, 56, 65, 76-77, 83, 92, 101, 186 Postman ’s White Nights (film) 117, 123, 126; White Nights 117, 123-129 postmodernism: postmodernist simulacrum 180; postmodernist theatre 172; postmodern relativism 169 post-truth 24, 33, 44—45, 59, 64-66 Prigov, Dmitrii 160-163, 165 Pripiat 175-177, 179-181, 185 projection i, 1, 3, 6, 8, 17, 23, 52, 68, 73, 86-87, 90,100,102,158, 168-169, 171, 174; linear projection 187; nation projection 16-18, 43, 45, 48-70, 74-75, 91-92, 98-99, 101, 103, 113-114, 123, 142, 150, 154, 157, 159, 162-163, 168, 170, 172, 174-176, 187; state projection 6—9,14, 23, 99,113, 150; see also nations propaganda 1, 15-17, 21-22, 31-32, 43, 50-52, 54,
56, 59, 67-68, 75, 183, 187 public diplomacy 6, 17-18, 52, 63, 102 Punk Prayer 25, 42, 60-61, 146-150, 152, 157-158 Pussy Riot 25-26, 41-42, 53, 60-61, 66, 69, 146-170, 173 Putin, Vladimir 1-2, 6,12, 14-17, 21-22, 24, 31-36, 38, 41-42, 44-45, 50, 56-59, 60-63, 66, 69-73, 91, 97-98, 100-101, 103-104, 111, 114, 116-117, 125, 128-129, 136-137, 146-150, 153, 155, 157-159, 161-163, 168-169,
196 Index 170-172,174,184; the Putin regime 18, 39,97,103, 154,171-172,184 Question More 51, 57, 59,64 reciprocal logic 7, 15, 18,20, 52-53, 62, 69, 115, 168; see also recursion recursion i, 7-8,10-11,13-15, 20,23, 41, 53, 57, 61, 69, 91, 93, 103, 113, 115, 137, 141, 161, 169,173, 186; recursive logic 11,23, 33, 39-41, 43,45, 53, 59-61, 75, 87, 99, 114, 129, 133, 155; recursive looping 10; recursive nationhood 8-10, 13-15, 19-20, 25, 33, 41, 44,48, 50, 54, 57, 61, 68, 74-75, 105,109,113,115,130, 169, 174 regimes of truth 33, 43, 45, 48 relativism 1,64,169 representation 65, 76, 69, 92, 98, 130-131, 133, 140-141, 150,156, 161, 163, 183, 185-186,180; national self representation 18-19, 51, 91, 150; representational democracy 45; self representation 16 revolution of 1917 12, 53, 62-64, 149, 157; #1917Live 54,63-64, 73; Russian Revolution 10, 54, 63,155 Riot Days 150, 157-158, 163 road movies 105-108 Runet 36, 42 Russia Today (RT) 17, 23-24, 32, 42-43, 45,48, 50-69, 74, 82-83,124,159, 165,168 Russophobia 42, 76, 80, 84, 87, 123 Saatchi Gallery 149,155,157, 163 Salisbury Poisoning 42, 64, 170,187 Samoilova, luliia 73-75, 77-87, 89-93 scandals 57-59, 61, 64, 68, 73-75, 77, 83-85, 87, 90-93, 98,103,116, 133, 149 security 19, 36, 51, 73-74, 80-81, 86, 91, 160-162; securitization 19 selfhood 9,11,16,18-19, 76, 91,142, 172; self and other 75, 81, 88 semiotics 37, 67, 133,137, 149-150, 168-170,182; semiotic function 137 sentimentalism 78, 85-86, 93, 134-135 Sentsov, Oleg 149,151-152, 160 Shakhnazarov, Karen 98, 100, 104-105, 110-112, 118, 129, 170 Shoigu, Dmitrii 36-37 Simonov,
Konstantin 177,181-182,187 Simonyan, Margarita 42-43, 49-52, 58, 64, 66, 170 Skripal, Sergei 64 Snob 125,132,137-143,169 Sochi 2014 Winter Olympics 21, 24, 52-55, 57, 59-62, 65, 69, 73, 77,146 socialism 50, 116 soft power 1-4,7,13,16-21, 50-51,63, 68-73, 91, 99,101-103, 114, 116,159, 172-173; smart power 17, 101-102, 116; see also cultural diplomacy; public diplomacy sovereignty 13, 172; bare sovereignty 172 SovietUnion 3,10, 33,41,113,131, 157, 174-175,178-179, 183-184,186; the USSR 91, 172 Stalin, Joseph 62, 73, 76, 87,100-101, 184,187 states 4-5, 7,13, 19, 24, 43, 54, 62, 97, 99,103,105,113,115,124,130,171, 173,179,184; nation states 3-4,7,13, 19-20, 68, 99; the Russian state 6-7, 14-15, 17, 20, 22-25, 50, 52, 55-56, 58-59, 61, 63, 67, 76, 80, 82, 84, 91, 97, 99, 101-102, 104, 115-116,124, 128,147,156,165,168-169,172-173, 187; state, sub-state and non-state actors 5-6, 14, 39, 51-52, 68, 115, 117,146, 172,187; state media 4,7, 36, 56,62, 80,83 stiob 25, 33,39, 40-43, 53, 64, 66,68, 150,156,161-163,165,169-170 Symbolic, the 11, 75, 92-93, 98,172 talk shows 61, 75, 83-85, 87, 90, 92 television i, 15, 21-24, 32, 38,41, 48, 52-53, 55, 58-59,65, 74-76, 85,92, 97,123,125,127,129,131,143,159, 161, 175-176, 180-183, 185-186; television channels 21-22, 48, 50,82, 123-124,129,137 theatre i, 17, 21, 26, 82, 138, 148-149, 151-153, 156-159, 163, 172 Tolokonnikova, Nadezhda (Nadya) 42, 60. 147-150, 152, 155-157, 160, 163-164, 170 traditional values 2. 21, 56, 63, 76-77, 93, 136, 142, 147 translation/non-translation 176-177,179, 181-183,186 transnational, the 4, 7, 9,12, 14-15,18-19,
43, 52-53, 57, 62,65,
Index 67-69, 93, 98-101, 103-104, 113-116, 124, 148, 150-151, 163, 171, 174, 184, 187 Trump, Donald 2,24,33, 44-45, 56, 67, 148,156,184,186 Twitter 4,44, 54-55, 58-60, 62—64, 67,161 Ukraine 2-4, 15-17, 21, 24-25, 31-32, 34, 36-37, 43, 49-53, 56, 58-59, 66-67, 69, 73-77, 79-84, 86-87, 91-93, 97-98, 104, 125, 128, 130, 143, 149-152, 163, 169, 174, 179, 184-185; see also annexation; Crimea universalism 50, 53,60, 77, 80, 84, 98-99,106-109, 111, 113-114,116, 118, 127, 137, 141, 150, 153-154, 163, 169,172,176, 181, 184-186; the universal and the particular 104,108, 111-114,170 Wahl, Liz 58-59, 67 warfare i, 31, 32; World War II38-39, 73, 78,104, 111, 187; World War II mythology 100; see also blockbuster; Cold War, New Cold War; hybrid warfare; information war; myth, war mythology West, the 1,2,15-16, 18, 20-21, 25, 32-33,41, 49-51, 59, 63, 66, 77, 81, 90,98, 115-116,124,130, 138, 146-165, 170 Wikileaks 33, 52 World Cup, the 132,136,150, 159, 161-163, 165, 173 World Wide Web; the web 2,20, 22, 25, 38, 48-49, 54, 59, 139; Web 2.0 23, 52 YouTube 2, 25, 38, 58-60, 63, 117, 146-147, 160, 164-165 Yurchak, Alexei 25, 33-35, 39, 165 Žižek, Slavoj 11 Zviagintsev, Andrei 97—98,100-101, 116-117, 118, 147, 169 Verzilov, Piotr 250, 160 Voina collective 61, 146-147, 160 i Bayerische Staatsbibliothek manchen լ 197 ì |
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Contents viii Acknowledgements Introduction 1 2 3 4 5 6 1 Well-mannered aliens brandishing new truths: Putin’s ‘Polite Green Men’ and the (non)-occupation of Crimea 31 Projecting Russia on the global stage: international broadcasting and recursive nationhood 48 A little girl dreams of Kiev: projection as abjection, the invalid nation, and Russia’s 2017 Eurovision (non)-performance 73 Film narrative and cultural diplomacy: the (not so) peculiar cases of Ovsianki and Belyi Tigr 97 Double agents: Russia’s intercultural mediators and the articulation of the global 123 Pussy Riot goes West: re-staging the new Gulag for a global audience 146 In place of a conclusion: it is nationhood! Index 168 191
Index abjection 75; projection as 87-90 Academy Awards see Oscars, the aesthetic: aesthetic idioms 115; aesthetics of authenticity 174, 185; anti-aesthetic 127-128, 142; art-house aesthetic 104-105,107,113; epic-realist aesthetic 104; New Drama aesthetic 151-164; performative aesthetic 172; retroaesthetic 124; shock aesthetics 149; stiob aesthetic 150, 162-163; world cinema aesthetic 109,113 agency 1, 4-5,20, 24,67-68,105,168; agency/structure 1,4-5,14, 20, 168; counter-agency 1; double agency 67, 125, 129, 137, 141-142; of states 36, 103, 187 Alekhina, Mania (Masha) ix, 42, 60, 147-154, 157-159, 163 Aleksievich, Svetlana 175 AI Jazeera 52,59 allegory 79-80,106,181; allegorization 111 alterity see otherness Anderson, Benedict 49 annexation 24,31-34, 37, 39-41, 53, 58-59, 73, 76, 97-98,151, 169; see also Crimea; Ukraine Assange, Julian 48, 52, 55, 57, 63 assemblages 4, 20,26, 32-33,35, 41 -42, 44-45, 164, 168 audiences 6,17,20,23,48-53, 55, 59, 63, 66, 85, 98, 101,104, 108,110,115, 117, 123, 134-135, 149, 152, 171, 175; audience communities 69; audience constituencies 52, 56, 67, 99; Chernobyl audiences 178-182, 185-186; cinema audiences 128; domestic audiences 23, 32, 99-100,105-106,109, 111, 114,127; Eurovision audiences 76, 82-83, 85; global audiences 18, 48; international audiences 50, 69, 98-100, 103, 105, 109-110, 113-114; participatory audiences 21,173; Pussy Riot audiences 149-158, 162-165, 170; RT audiences 42-43, 57-59,64; Russian media audiences 34; Russian television audiences 22, 85 authoritarianism 1, 50,148; neo authoritarianism 33, 97-99, 103, 115 Bakhtin,
Mikhail 8-10,40, 53 Bauman, Zygmunt 12-13, 171-172 BBC 2, 24, 31, 36, 52, 56, 58-59, 63-66, 76, 82, 102, 184; BBC Monitoring 174; BBC World Service 3, 19, 48,60, 65 Belarus Free Theatre (BFT) 148-149, 151-152, 157-158, 164 Bhabha, Homhi 8, 154 blockbuster 18; war blockbusters 99, 104; White Tiger as 110 blogs 139; bloggers 34, 36-38,40, 58 Bolsheviks 63, 107, 155; see also revolution of 1917 Borenstein, Eliot 75, 87,92-93, 147, 163-165, 172 Breitbart News 44, 66 Brexit 12, 24, 44 Britain 56, 105, 125, 130-131; Global Britain 12 British Council 2,102 broadcasters 6,20,22,44,48-50, 54,63-64,67,69,74; European Broadcasters’ Union (EBU) 74; international broadcasters 49; mainstream broadcasters 44; public service broadcasters (PSBs) 172; state-aligned broadcasters 22-24, 48, 50, 52, 65 Brubaker, Rogers 75 ‘Burning Doors’ 149-155,163
192 Index capitalism 165,170,186; global capitalism 57, 100, 124,140 Castells, Manuel 3 causality 10, 12-13 censorship 6, 22, 58,151, 178 centre-periphery relationships 2, 62, 127 Chadwick, Andrew xii, 4, 7, 19, 32, 35 Chernobyl (HBO series) 173-187; Chernobyl (site of the nuclear disaster) 174-175, 177-178. 180-186 CIA 64, 67,174,178 cinema: American cinema 124; art-house cinema 99, 101; cinematic modality 26,170; cinematic nationhood 99, 103; cinematic texts 102, 115; and cultural diplomacy 98-99,101,103, 146; and culture 116; European cinema 102; global cinema 100-101; and mediatization21; national cinema 101; and nation branding 97; Russian cinema 24, 105-106,124, 146,184; and soft power 114; state-sponsored cinema 98, 101; transnational cinema 101, 116; world cinema 104,109,113; see also film CNN44,51,67 Cold War 2-3, 49-50, 52, 54, 60, 64, 67, 97, 102, 113,124,151, 181,184-187; New Cold War 2, 15-16, 51, 55, 74, 125, 174-175, 184, 187 commodification 24,129,134, 137, 154-155, 163, 180, 186; and film 129, 134; global commodification 129, 140-141; logic of 136, 140, 142; and mediatization 123,153,170; neoliberal commodification 25, 135-136, 142-143; of protest 157-158 communications environment 1, 23; digital communications environment 170; global communications environment 68, 113, 168; Russian-speaking communications environment 44 communism 48,118,137, 174, 181, 187; post-communism 3, 171, 174,184 Confucius Institute 2, 102 conspiracy theories 2,44, 51, 59, 66,90, 101,136;andRT65 contingency 8,10,11, 19,108, 154, 162; and recursion 10-11, 15 cosmopolitanism 14,21,24,
49-50, 52-53, 55, 59-60, 69, 123-126, 132, 135, 137, 139-142. 149, 152, 154, 169, 172,186 Cossacks 53, 60-61, 66,69 counter-hegemony: counter-hegemonic 18, 55, 57, 102-103 Crimea 16,21, 24-25, 31-33, 35-39, 41-43, 45-48, 53, 57-58, 60, 66, 73-74, 76, 80-81, 83, 87, 90-91, 97-98, 117, 151,169; .wato annexation; Ukraine cultural diplomacy 2-3, 13,16-19,24,26. 50,73, 84,91,172; and film 97-118, 124,146; see also soft power cultural memory 106 cultural studies 17-18, 102, 170 cyberwarfare 181; see also hybrid warfare; information war Dayan, Daniel and Elihu Katz 62, 74; see also media, media events Derrida, Jacques 69 dialogism 8,9, 14, 20, 37,43-44, 68,109, 114,138,150 diasporas 19, 50,63,130, 133-134. 137, 142, 169 digital democracy 23 diplomacy see cultural diplomacy; public diplomacy disinformation 6, 33, 43, 53-54, 65. 67, 179,181,184-185 Disney 184-186 Donbass 86-87, 91 Dostoevsky, Fedor ix, 152-153; The Brothers Karamazov 153; The Idiot 153 double agency see agency double-voicedness 32, 34, 39, 66, 82; see also Bakhtin, Mikhail Dozhd’TV 48-49 EBU (European Broadcasters’ Union) 76. 79,81-83,91-92 echo chambers 65 Edinburgh Festival 157-158 empire 12,20,118,152; cultural imperialism 17, 102; imperialism 40,49, 66, 110, 117, 150, 152,154, 163, 184; post-imperial identities 117, 184; post imperialism 11, 17, 76, 102,110, 113, 117,185; imperial narrative 110, 113; imperial trace 110 Enfants Terribles 149, 155 Englishness 131,133-134 Eurasianism 110, 169 Europe 17, 23,62, 69, 73-74, 78, 82, 84, 87,112,151; European cinema 102,
Index 106-107; European identity 76, 86-87, 89-90,93; European values 56, 81, 83 -84,91 Eurovision 2, 16,24, 26, 73-97 event-ness 11, 62 Facebook 34-35, 160-161, 165 fake news 24,44, 53, 65-68, 184; see also disinformation; post-truth Fedorchenko, Aleksei 105-106, 108-111 feedback 10,19; feedback loops i, 52-53,69, 113-114,168; feedback mechanisms 18; see also recursion fetishization 180-182,185 film 97-123, 143; see also cinema Fiske, John 74 foreignization/domestication (translation strategies) 179-180 Foucault, Michel 152,154 free speech 49, 55, 59-60,156 gender 7,76,84, 156 general and particular 15, 80; see also universalism geopolitics 18, 76,110, 184; popular geopolitics 24,26 glasnost 126, 178,185 globalization 7,12-13,18,49,142,171; global celebrities 154,158; global connectivity 49,64, 69,101, 114; global discourses 52; global media 15-16, 21, 33,52, 58,61, 64,67,123,170, 172-173; global networks 57; global Russia 159; global Russians 125, 132, 135, 137-139,142; global television industry 176; see also capitalism Gorbachev, Mikhail 2, 49,174-175, 178 Great Patriotic War 104-105. 110, 112-114,170 Guardian, The, 158 Gulag 146, 152, 154-155, 157-158, 163, 170 Heavenly Policeman 160-162; The Policeman Enters the Game 163 Holland, Agnieszka 184-185 Hollywood 11, 17,101-102, 113,124, 128-129, 142,176,181 Holodomor 184 horror genre 181-182 Hui, Yuk 8,10-11 humanities viii, 8,17, 21 hybrid warfare 3,16, 31,33, 35, 41, 43, 51 193 identity 10,20, 32,34-37, 42-43, 55-56, 62,66, 88-89, 93, 125,138, 140-142, 147, 161, 175, 186; identity discourses 172; identity enactment 87;
identity formation 74, 87; identity politics 18; identity positions 84; recursive identity 87; see also nations, national identity Idov, Mikhail 124-125,130, 137, 169 imaginary, the 11, 75, 90. 92-93, 103, 133, 159, 172, 180 impartiality 49,64-65, 73, 82, 86 information war 1, 3, 15, 17-18,44, 51-54, 63, 65,68-69, 77,83,93,170 Inside Pussy Riot 149-150, 155, 157, 163-164 instrumentalism 1, 4, 24, 68,100; linear instrumentalism 3, 43,67, 98 intelligentsia 21, 48 intercultural dialogue 18,115; intercultural mediation 26, 67, 116, 123-124, 130, 137-138, 142,146, 169, 172; intercultural understanding 115 international relations (IR) i, 1, 21, 79. 102, 170 intertextuality/intertexts 98, 107-108 Jameson, Fredric 90 journalism viii, 15,22-24, 58; embedded journalism 3 Kerry, John 50 KGB 133, 174 Kiev 31-32, 35,40-41, 56, 73-93 Kobzon, Iosif 82, 91 Konchalovsky, Andrei 100, 123-129, 142-143, 169-170 Kremlin i, 1-2,15, 21-23,32-34, 36-37, 39-43, 50-51, 56, 58, 67,69, 75, 82, 84,92, 97-98,100-101,106, 148,161, 168-169,179 Kristeva, Julia 75, 87-90 Lacan, Jacques 11, 73,93 Laclau, Ernesto and Chantal Mouffe 56 Legasov, Vasilii 175,177-178,183,185 Lenin, Vladimir 62,101, 157, 169, 187 Leviathan (film) 97-98, 100-101, 103-106, 114-118, 123 LGBT issues 53-55, 57, 69,149 liberalism 21-23, 33, 48, 55, 61, 82, 84, 86,92,139-141,147, 157,165; liberal democracy 2, 50, 63; liberal democratic order 169
194 Index linearity 43-44, 66-67; linear communication 17, 103; linear diplomacy 98, 103, 123; linear disinformation 33; linear history 12; linear instrumentality 3,43; linear intentionality 15; linear models 18; linear soft power 114; linear time 116; linear warfare 35,69, 187; see also agency liquid modernity 12-13,171-172 Lithuania 174, 179-180, 184 Little Green Men 24,26, 32-39,41, 43, 66, 74,168 Litvinenko, Aleksandr 52 London 52,68,124-125, 129-135, 137, 141, 143 Londongrad 124, 129-137, 170 loops i, 53, 93,113, 169; looping 93; recursive looping 8-11; see also feedback Luzhniki stadium 150, 159,163 Malakhov, Andrei 78, 82, 89 market logic 6,43, 100 Martin, Abby 57-60, 67 Martin-Barbero, Jesus 136 Mazin, Craig 175-176, 185 media: digital media 5, 43, 68-69; global media 15-16, 19, 53, 61, 123, 142,170-173,176; hybrid media 32; mainstream media 2,44, 52, 54, 57, 59, 66-67,169; media actors 7, 42, 52, 61,68, 82,113; media affordances 170; media assemblages 26, 33, 35, 39, 44, 164; media-centricity 61; media content 5,49; media cultures 51; media discourse 83-84; media ecology 7, 52, 64, 68; media ecosystem 54; media environment 21, 32,43, 48-49, 51, 67, 69,142; media events 3, 16, 25-26,63, 73-75,91-92; media flows 123, 129; media forms 3; media kit 139-143; media landscape 21-22, 50, 64, 67, 137; media logics i, 4, 6; media narratives 63; media outlets 34, 58, 62, 66-67, 74, 139; media outputs 3,49; media platforms 4, 57; media practices 187; media recursions 9; media spaces 53, 139; media studies 12, 18; media technologies 6; media texts 7, 12; media tropes; multi-
media projects 67,138; and nations 14-15, 52; new media 4, 7, 49-50; screen media 1; social media 4, 6,19, 21-22, 25, 33-34,42, 44, 51, 54, 59, 81,160-161,174,176; state media 35-36, 56, 62, 74, 80, 83-84,91,159; Western media 37, 41, 55, 146-147; see also audiences; mediatization mediation91, 111, 115, 131,133-134, 142, 147, 149-150, 156-157, 161,177; the mediated centre 62 mediatization i, 1-6,10-11,13,15, 19,21,24-25, 31-33, 35,38-39,41, 44,114,118,128,141,150,159,168, 170,172, 183; deep mediatization 9, 12, 123,172 Medinskii, Vladimir 97-98; see also Ministry of Culture melodrama 85-86,93, 130,135 memes 33, 36-38, 69, 85; global memes 67 metatextuality 80; metanarratives 54,179, 182,184; meta-theatricality 156; see also narratives Mikhalkov, Nikita 40, 100-101,117 miniseries 173-177, 179, 183-184 Ministry of Culture 101, 105, 114-117, 123,147 mirror stage, the 93 mise en abvme 8, 162 modality 26,99, 104,109,112-114,116, 130,137,170; modalization 53,64 Moebius strip 92-93 Moscow 2,22, 25,31, 38, 60-61,66,100. 132-133,135-137,141, 146,151-152, 159, 184 Mr Jones (film) 184-185 myth 44,78-79, 84, 157, 161, 184; mythologisation 33, 37, 39, 111; mythology 37, 43-44,64,137, 155, 170; war mythology 100, 104-105, 111-114,118 narration 99, 104-105, 107, 109, 112-113 narratives 1, 6, 59,63-64, 77-78,84,93. 97, 126,136-137,152, 157,161,173, 175-176, 182, 184-185; anti-narratives 126,128; counter narratives 21, 54; film narrative 97-118; media narratives 63; narrative perspective 104, 112; narrative structure 26; narrative trajectories 137, 185; narrative viewpoint 114; national
narratives 11, 39, 69, 104,114, 184, 186; official narratives 22,42; strategic narratives 4, 43, 63, 91; see also metanarratives nationalism 12, 14,16,40, 45, 50,137, 151,172,175; banal nationalism 8,15
Index nationhood 7, 8,10-13,15, 19-21, 43, 44,49, 56-57, 61, 69,92, 98,100, 104, 110,113-115,123, 129,133,136-138, 146, 150, 154, 157, 161, 168-175, 176, 186; see also recursion, recursive nationhood nations: and media 14-15, 31; national boundaries 63, 69, 176; national identity 1, 7,11, 16-17,20, 24-25, 32, 41, 44, 52, 56-57, 60, 76, 83, 91, 99, 105, 110, 115, 117, 129, 140-142, 184; national selfhood 8; nation branding 17-18, 97, 102; nation building 3, 6,16, 20, 31, 39, 41, 44, 57, 62, 69, 98-99, 101,129, 159, 162, 184, 186; nation projection i, 3, 16,44, 52, 54-55, 69, 73-93, 98-99,113-114, 150, 154, 173, 175; nation states 3-4, 7,13-14,18-20, 24, 68, 98, 113-114, 116,146,171-172, 186; and recursion 10, 20,31,69 neoliberalism 12, 25, 45, 48-50, 56, 125, 135-136, 142-143, 169, 174 network society 3, 139, 142 New Drama (novata drama) 151,164 news: global news 50, 57-58; news agendas 44, 52, 58, 65; news bulletins 75,48, 81, 83; news media landscape 151; news reports 34, 59, 92; news stories 66, 77; see also fake news NTV 173-174 nuclear disasters 173,175-176,178, 185; nuclear reactors 173-174, 176, 178-180,182; see also Chernobyl (site of the nuclear disaster) Nye, Joseph 3, 101-102, 116 online age 2,126; online animations 18; online bloggers 168; online campaigns 50; online communications 6, 48; online communities 7, 58, 81, 93, 125; online debates 176; online discourse 39, 41; online gaming 59, 64; online hacking 132; online memes 35-37; online mythology 37; online networks 49; online outlets 44; online platforms 2; online practices 24; online profiles 34; online
publics 3; online rumours 162; online sources 36; online space 6, 21-22, 40, 49, 92; online technologies 16, 48; online videos 38, 40; online world 39, 42, 59, 61 Orthodoxy 17, 41, 61, 107, 146-147, 149, 169; the Orthodox Church 56,116, 127 195 Oscars, the 97-101, 104-105, 114, 116-117, 169; see also Academy Awards otherness 8, 11, 18-19, 89-90, 130, 172, 183; constitutive other 88 parrhesia 146 patriotism 38, 40, 44, 52-53, 58, 75, 92, 101, 105, 108, 111, 113, 141, 162, 182; official patriotism 129, 136, 177 Pavlenskii, Piotr 149, 151-153, 155 perestroika 2, 176, 185 performance: as art i, 21, 41-42, 60-61, 73-74, 77, 81-82, 84-85, 90-91, 146-150, 152-153, 155-165, 173, 183; as performativity 9, 20, 25, 44. 57, 61-62, 68,102,114, 173 Poklonskaia, Natal’ia 40 Polite People 33, 35-45, 69, 169, 171 political correctness 86, 92 Pomerantsev, Peter 59, 64, 172 popular culture 18-19, 21, 37,162 populism 2, 21, 44-45, 50, 52, 56, 65, 76-77, 83, 92, 101, 186 Postman ’s White Nights (film) 117, 123, 126; White Nights 117, 123-129 postmodernism: postmodernist simulacrum 180; postmodernist theatre 172; postmodern relativism 169 post-truth 24, 33, 44—45, 59, 64-66 Prigov, Dmitrii 160-163, 165 Pripiat 175-177, 179-181, 185 projection i, 1, 3, 6, 8, 17, 23, 52, 68, 73, 86-87, 90,100,102,158, 168-169, 171, 174; linear projection 187; nation projection 16-18, 43, 45, 48-70, 74-75, 91-92, 98-99, 101, 103, 113-114, 123, 142, 150, 154, 157, 159, 162-163, 168, 170, 172, 174-176, 187; state projection 6—9,14, 23, 99,113, 150; see also nations propaganda 1, 15-17, 21-22, 31-32, 43, 50-52, 54,
56, 59, 67-68, 75, 183, 187 public diplomacy 6, 17-18, 52, 63, 102 Punk Prayer 25, 42, 60-61, 146-150, 152, 157-158 Pussy Riot 25-26, 41-42, 53, 60-61, 66, 69, 146-170, 173 Putin, Vladimir 1-2, 6,12, 14-17, 21-22, 24, 31-36, 38, 41-42, 44-45, 50, 56-59, 60-63, 66, 69-73, 91, 97-98, 100-101, 103-104, 111, 114, 116-117, 125, 128-129, 136-137, 146-150, 153, 155, 157-159, 161-163, 168-169,
196 Index 170-172,174,184; the Putin regime 18, 39,97,103, 154,171-172,184 Question More 51, 57, 59,64 reciprocal logic 7, 15, 18,20, 52-53, 62, 69, 115, 168; see also recursion recursion i, 7-8,10-11,13-15, 20,23, 41, 53, 57, 61, 69, 91, 93, 103, 113, 115, 137, 141, 161, 169,173, 186; recursive logic 11,23, 33, 39-41, 43,45, 53, 59-61, 75, 87, 99, 114, 129, 133, 155; recursive looping 10; recursive nationhood 8-10, 13-15, 19-20, 25, 33, 41, 44,48, 50, 54, 57, 61, 68, 74-75, 105,109,113,115,130, 169, 174 regimes of truth 33, 43, 45, 48 relativism 1,64,169 representation 65, 76, 69, 92, 98, 130-131, 133, 140-141, 150,156, 161, 163, 183, 185-186,180; national self representation 18-19, 51, 91, 150; representational democracy 45; self representation 16 revolution of 1917 12, 53, 62-64, 149, 157; #1917Live 54,63-64, 73; Russian Revolution 10, 54, 63,155 Riot Days 150, 157-158, 163 road movies 105-108 Runet 36, 42 Russia Today (RT) 17, 23-24, 32, 42-43, 45,48, 50-69, 74, 82-83,124,159, 165,168 Russophobia 42, 76, 80, 84, 87, 123 Saatchi Gallery 149,155,157, 163 Salisbury Poisoning 42, 64, 170,187 Samoilova, luliia 73-75, 77-87, 89-93 scandals 57-59, 61, 64, 68, 73-75, 77, 83-85, 87, 90-93, 98,103,116, 133, 149 security 19, 36, 51, 73-74, 80-81, 86, 91, 160-162; securitization 19 selfhood 9,11,16,18-19, 76, 91,142, 172; self and other 75, 81, 88 semiotics 37, 67, 133,137, 149-150, 168-170,182; semiotic function 137 sentimentalism 78, 85-86, 93, 134-135 Sentsov, Oleg 149,151-152, 160 Shakhnazarov, Karen 98, 100, 104-105, 110-112, 118, 129, 170 Shoigu, Dmitrii 36-37 Simonov,
Konstantin 177,181-182,187 Simonyan, Margarita 42-43, 49-52, 58, 64, 66, 170 Skripal, Sergei 64 Snob 125,132,137-143,169 Sochi 2014 Winter Olympics 21, 24, 52-55, 57, 59-62, 65, 69, 73, 77,146 socialism 50, 116 soft power 1-4,7,13,16-21, 50-51,63, 68-73, 91, 99,101-103, 114, 116,159, 172-173; smart power 17, 101-102, 116; see also cultural diplomacy; public diplomacy sovereignty 13, 172; bare sovereignty 172 SovietUnion 3,10, 33,41,113,131, 157, 174-175,178-179, 183-184,186; the USSR 91, 172 Stalin, Joseph 62, 73, 76, 87,100-101, 184,187 states 4-5, 7,13, 19, 24, 43, 54, 62, 97, 99,103,105,113,115,124,130,171, 173,179,184; nation states 3-4,7,13, 19-20, 68, 99; the Russian state 6-7, 14-15, 17, 20, 22-25, 50, 52, 55-56, 58-59, 61, 63, 67, 76, 80, 82, 84, 91, 97, 99, 101-102, 104, 115-116,124, 128,147,156,165,168-169,172-173, 187; state, sub-state and non-state actors 5-6, 14, 39, 51-52, 68, 115, 117,146, 172,187; state media 4,7, 36, 56,62, 80,83 stiob 25, 33,39, 40-43, 53, 64, 66,68, 150,156,161-163,165,169-170 Symbolic, the 11, 75, 92-93, 98,172 talk shows 61, 75, 83-85, 87, 90, 92 television i, 15, 21-24, 32, 38,41, 48, 52-53, 55, 58-59,65, 74-76, 85,92, 97,123,125,127,129,131,143,159, 161, 175-176, 180-183, 185-186; television channels 21-22, 48, 50,82, 123-124,129,137 theatre i, 17, 21, 26, 82, 138, 148-149, 151-153, 156-159, 163, 172 Tolokonnikova, Nadezhda (Nadya) 42, 60. 147-150, 152, 155-157, 160, 163-164, 170 traditional values 2. 21, 56, 63, 76-77, 93, 136, 142, 147 translation/non-translation 176-177,179, 181-183,186 transnational, the 4, 7, 9,12, 14-15,18-19,
43, 52-53, 57, 62,65,
Index 67-69, 93, 98-101, 103-104, 113-116, 124, 148, 150-151, 163, 171, 174, 184, 187 Trump, Donald 2,24,33, 44-45, 56, 67, 148,156,184,186 Twitter 4,44, 54-55, 58-60, 62—64, 67,161 Ukraine 2-4, 15-17, 21, 24-25, 31-32, 34, 36-37, 43, 49-53, 56, 58-59, 66-67, 69, 73-77, 79-84, 86-87, 91-93, 97-98, 104, 125, 128, 130, 143, 149-152, 163, 169, 174, 179, 184-185; see also annexation; Crimea universalism 50, 53,60, 77, 80, 84, 98-99,106-109, 111, 113-114,116, 118, 127, 137, 141, 150, 153-154, 163, 169,172,176, 181, 184-186; the universal and the particular 104,108, 111-114,170 Wahl, Liz 58-59, 67 warfare i, 31, 32; World War II38-39, 73, 78,104, 111, 187; World War II mythology 100; see also blockbuster; Cold War, New Cold War; hybrid warfare; information war; myth, war mythology West, the 1,2,15-16, 18, 20-21, 25, 32-33,41, 49-51, 59, 63, 66, 77, 81, 90,98, 115-116,124,130, 138, 146-165, 170 Wikileaks 33, 52 World Cup, the 132,136,150, 159, 161-163, 165, 173 World Wide Web; the web 2,20, 22, 25, 38, 48-49, 54, 59, 139; Web 2.0 23, 52 YouTube 2, 25, 38, 58-60, 63, 117, 146-147, 160, 164-165 Yurchak, Alexei 25, 33-35, 39, 165 Žižek, Slavoj 11 Zviagintsev, Andrei 97—98,100-101, 116-117, 118, 147, 169 Verzilov, Piotr 250, 160 Voina collective 61, 146-147, 160 i Bayerische Staatsbibliothek manchen լ 197 ì |
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| author | Hutchings, Stephen C. 1957- |
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| geographic | Russland (DE-588)4076899-5 gnd |
| geographic_facet | Russland |
| id | DE-604.BV047902136 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:28:56Z |
| indexdate | 2025-02-24T11:11:09Z |
| institution | BVB |
| isbn | 9781032201221 9780367263904 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033284054 |
| oclc_num | 1314907167 |
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| owner | DE-188 DE-12 |
| owner_facet | DE-188 DE-12 |
| physical | ix, 197 Seiten |
| psigel | BSB_NED_20220622 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge |
| record_format | marc |
| series | BASEES/Routledge Series on Russian and East European Studies |
| series2 | BASEES/Routledge Series on Russian and East European Studies |
| spelling | Hutchings, Stephen C. 1957- Verfasser (DE-588)123756561 aut Projecting Russia in a mediatized world recursive nationhood Stephhen Hutchings London ; New York Routledge 2022 ix, 197 Seiten txt rdacontent n rdamedia nc rdacarrier BASEES/Routledge Series on Russian and East European Studies 147 Im Buch fälschl. als Vol. 12 This book presents a new perspective on how Russia projects itself to the world. Distancing itself from familiar, agency-driven International Relations accounts that focus on what 'the Kremlin' is up to and why, it argues for the need to pay attention to deeper, trans-state processes over which the Kremlin exerts much less control. Especially important in this context is mediatization, defined as the process by which contemporary social and political practices adopt a media form and follow media-driven logics. In particular, the book emphasizes the logic of the feedback loop or 'recursion', showing how it drives multiple Russian performances of national belonging and nation projection in the digital era. It applies this theory to recent issues, events, and scandals that have played out in international arenas ranging from television, through theatre, film, and performance art, to warfare Medialisierung (DE-588)1064946224 gnd rswk-swf Russlandbild (DE-588)4051053-0 gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf Soft Power (DE-588)1172933596 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Russland (DE-588)4076899-5 g Medialisierung (DE-588)1064946224 s Russlandbild (DE-588)4051053-0 s Soft Power (DE-588)1172933596 s Propaganda (DE-588)4076374-2 s Nationalismus (DE-588)4041300-7 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-03-220122-1 Erscheint auch als Online-Ausgabe 978-0-429-29306-1 BASEES/Routledge Series on Russian and East European Studies 147 (DE-604)BV014873661 147 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033284054&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033284054&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Hutchings, Stephen C. 1957- Projecting Russia in a mediatized world recursive nationhood BASEES/Routledge Series on Russian and East European Studies Medialisierung (DE-588)1064946224 gnd Russlandbild (DE-588)4051053-0 gnd Propaganda (DE-588)4076374-2 gnd Soft Power (DE-588)1172933596 gnd Nationalismus (DE-588)4041300-7 gnd |
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| title | Projecting Russia in a mediatized world recursive nationhood |
| title_auth | Projecting Russia in a mediatized world recursive nationhood |
| title_exact_search | Projecting Russia in a mediatized world recursive nationhood |
| title_exact_search_txtP | Projecting Russia in a mediatized world recursive nationhood |
| title_full | Projecting Russia in a mediatized world recursive nationhood Stephhen Hutchings |
| title_fullStr | Projecting Russia in a mediatized world recursive nationhood Stephhen Hutchings |
| title_full_unstemmed | Projecting Russia in a mediatized world recursive nationhood Stephhen Hutchings |
| title_short | Projecting Russia in a mediatized world |
| title_sort | projecting russia in a mediatized world recursive nationhood |
| title_sub | recursive nationhood |
| topic | Medialisierung (DE-588)1064946224 gnd Russlandbild (DE-588)4051053-0 gnd Propaganda (DE-588)4076374-2 gnd Soft Power (DE-588)1172933596 gnd Nationalismus (DE-588)4041300-7 gnd |
| topic_facet | Medialisierung Russlandbild Propaganda Soft Power Nationalismus Russland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033284054&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033284054&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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