Distributed perception: resonances and axiologies

"Contributors to this book include key theorists and practitioners from media theory, Native Science, bio-media and sound art, philosophy, art history and design informatics. Collectively, they examine the becoming-technique of animal-human- machinic perceptibilities; and micro-perceptions that...

Full description

Saved in:
Bibliographic Details
Other Authors: Lushetich, Natasha 1969- (Editor), Campbell, Iain (Editor)
Format: Book
Language:English
Published: London ; New York Routledge, Taylor & Francis Group 2022
Series:Routledge studies in science, technology and society
Subjects:
Summary:"Contributors to this book include key theorists and practitioners from media theory, Native Science, bio-media and sound art, philosophy, art history and design informatics. Collectively, they examine the becoming-technique of animal-human- machinic perceptibilities; and micro-perceptions that lie beneath the threshold of known perceptions yet create energetic vibrations. Who, what, and where perceives, and how? What are the sedimentations, inscriptions and axiologies of animal, human and machinic perceptions? What are their perceptibilities? Deleuze uses the word 'visibilities' to indicate that visual perception isn't just a physiological given but cues operations productive of new assemblages. Perceptibilities are, by analogy, spatio- temporal, geolocative, kinaesthetic, audio-visual, and haptic operations that are always already memory. In the case of strong inscriptions, they are also epigenetic events. The contributors show distributed perception to be a key notion in addressing the emergence and persistence of plant, animal, human and machine relations. An invaluable reference for students and scholars in a range of areas including Media Theory, Sociology, Philosophy, Art and Design"--
Physical Description:xv, 287 Seiten Illustrationen
ISBN:9780367743017
9780367743000

There is no print copy available.

Interlibrary loan Place Request Caution: Not in THWS collection!